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Artist’s Delight

Date produced: 1955

Description:

An artist sets up his easel on a shore with the intention of painting a nature scene. Soon, people gather at the shore and thwart the artist's plan to paint.


Drama of an Old Farm

Date produced: 1953

Filmmaker(s):

Elmer Albinson

Description:

"Artist Dewey Albinson tours an old farm and helps viewers see it in terms of the unusual shapes, interesting colors and rough textures that make strong compositions." Minnesota Historical Society.


Tovar

Date produced: 1971

Filmmaker(s):

David Celestinos

Description:

"Un documental sobre las acciones plásticas de Raúl Tovar, pintor pop integrante del Salón Independiente, egresado –igual que Celestinos– de la ENAP. En él aparecen jóvenes con los cuerpos pintados de negro y las bocas rojas en algo parecido a un happening, la elaboración de un mural colectivo con frases icónicas de la época ("la imaginación al poder", "Peace", "Love", citas de Lao-Tse, etcétera). En la película predominaba un ambiente psicodélico que no llegaba más allá de la obra del pintor y del contexto juvenil en el que se producía" (Vázquez Mantecón, 2012).

"A documentary about the plastic art actions of Raúl Tovar, a pop painter member of the Independent Hall, alumni –same as Celestinos– of the ENAP. In it, young people appear with their bodies painted in black and their mouths painted in red in some sort of happening, there is also the making of a collective mural with iconic phrases of the time ("all power to the imagination", "Peace", "Love", quotes by Lao-Tse, etcetera). A psychedelic ambiance prevailed, not going beyond the work of the painter and the youthful context produced at the time" (Vázquez Mantecón, 2012).


Popurrí de Superochos [Super 8 Potpourri]

Date produced: 1978

Filmmaker(s):

Maris Bustamante

Rubén Valencia

Description:

"Siete cortometrajes de Maris Bustamante y Rubén Valencia, integrantes del No Grupo, que indican el acercamiento de artistas plásticos al formato súper 8. Los trabajos del No-Grupo tendieron a hacer una reflexión a la vez lúdica y crítica sobre la naturaleza del arte" Superocheros.

"Seven short films made by Maris Bustamante and Rubén Valencia, members of the No Group, that indicate the interest of artists in the plastic arts to use the super 8 format. The works of the No Group were usually a playful and critical reflexion on the nature of art" Superocheros.


Chuchulucos y arrumacos para burgueses [Knick-knacks and cuddles for the bourgeois]

Date produced: 1974

Filmmaker(s):

Rafael Montero

Description:

"Una cinta cargada de referencias a Jean-Luc Godard (Los Carabineros, 1963) pero sobre todo concentrada en la crítica mordaz al radicalismo de izquierda. Una vez más Marco Antonio Madrid hace el papel de protagonista, un joven de pelo largo, pantalón de mezclilla y saco, que se dedica a ligar en los cafés de la Zona Rosa adoctrinando a las mujeres. Lee a Marx después de hacer el amor, y se junta con sus amigos para brindar por "la muerte de la intelectualidad burguesa". Montero utiliza intertítulos como recurso irónico, una suerte de narrador externo que interpela la historia: "¿Qué es la intelectualidad burguesa?". La lucha revolucionaria del joven y sus amigos está teñida de sentido del humor. En una secuencia que recuerda mucho a Los Carabineros, suben al techo de una fábrica para iniciar la lucha armada (...) Por último un cartel proporciona una última burla: "Y si el sol es burgués detendremos al sol" " (Vázquez Mantecón, 2012).

"A film loaded with references to Jean-Luc Godard (The Carabineers, 1963), but above all focused on biting criticism to the radical left. Once again Marco Antonio Madrid plays the role of the lead character, a young man with long hair, jeans and coat, that dedicates his time to hook up in the coffee shops of the Zona Rosa indoctrinating women. He reads Marx after making love and he gets together with his friends to toast for the "death of the bourgeois intellectuality". Montero uses intertitles as a resource for irony, a sort of outside narrator that interpellates the story: "What is bourgeois intellectuality?". The revolutionary fight of the young man and his friends is filled with a sense of humor. In a sequence that reminds us of The Carabineers, they go to the rooftop of a factory to begin the armed fight. (...) Finally a sign shows one last derision "And if the sun is bourgeois, we will stop the sun" " (Vázquez Mantecón, 2012).


Mi casa de altos techos [My House of High Ceilings]

Date produced: 1970

Filmmaker(s):

David Celestinos

Description:

"Two Visual Arts students of the San Carlos Academy find themselves embroiled in contradictions, spiritual inclinations and concerns about the political and social conditions of Mexico, which puts them in a quandary about what stance to take in the Student Movement of 1968." Ambulante.


Alexander Black: Grandfather of Picture Plays

Date produced: 1938

Filmmaker(s):

Alexander Black

Malcolm Black

Description:

"A family collaboration between Alexander Black and his son Malcolm, this film frames an excerpt from Adolph Zukor's 1919 Paramount Screen Magazine film The evolution of the picture play, made on the twenty-fifth anniversary of Black's first picture play performances, with 1938 Kodachrome footage of Alexander Black addressing the camera and reading a 1919 letter from Zukor affirming Black's status as a cinema pioneer." UC Berkeley Library.


Making of Dinosaur Dream, The

Date produced: 1995

Filmmaker(s):

Sidney N. Laverents

Charlotte Laverents

Description:

Documentary film chronicling the background and production of Dinosaur Dream (1995), which Sid Laverents made in his late-80s with assistance from his wife, Charlotte.


Seven Till Five

Date produced: 1933

Filmmaker(s):

Norman McLaren

William J. MacLean

Description:

"Filmed by Norman McLaren and Willie J. MacLean, [Seven Till Five] shows a day in the life of the Glasgow School of Art." National Library of Scotland Moving Image Archive.


Suite Two: A Memo to Oscar

Date produced: 1947

Filmmaker(s):

Dorothy Burritt

Stanley Fox

Description:

"Produced as a gift to Dorothy Burritt's husband, filmmaker Oscar Burritt (who was working in Toronto at the time), this is an offbeat study of life at their Vancouver apartment -- suite 2, 1960 Robson Street. The camera explores the apartment and the household memorabilia, and Dorothy is seen sitting for a portrait by painter Peter Bortkus. Later some friends drop by for a screening of Sacha Guitry's film Pearls of the Crown, followed by a party. Among the guests are Moira Armour, film editor Maureen Balfe, UBC student Stanley Fox, photographer Peter Varley, and an unnamed figure wearing a bird costume. Most of the people shown would have been involved with the National Film Society of Canada (Vancouver Branch). Suite Two won honourable mention (amateur category) at the first Canadian Film Awards in 1949." (BC Archives)

The film was restored in 1986 by the British Columbia Archives.


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