"Film of picturesque scenes of flowing water." Library and Archives Canada.
"Hooked, an 8mm. comedy by the Grand Rapids Movie Makers, was intended as a straight drama of the trout streams. It has ended, however, as a delightful farce of a movie club trying desperately to complete such a picture — and is probably the better because of this mid production metamorphosis. For, although the first and original section of the picture is wholly charming and well photographed, it is in the latter section that the film picks up spirit, sparkle and definite dramatic power. It is in this part that the producers have conceived and executed a number of cinematic coups, climaxing them with a stunning multiple exposure sequence probably never before equalled or even approached in this medium. Walter Mills, ACL, L. Thorny, ACL, M. P. Gamber and Wendell Patton, of the Grand Rapids club, continue and enhance, with this film, their rightful reputation as most able advocates of 8mm." Movie Makers, Dec. 1934. 534.
"documentario"/documentary
"In the Beginning is a title that appears for the second time in these lists, for this film is a new version of a picture by the same name that was produced in 1935 by Fred C. Ells. The first picture was filmed in black and white when Mr. Ells was working in Japan, and the second picture was made in color in this country. In the Beginning tells, with extraordinary beauty, the story of Creation in the Book of Genesis, and it is climaxed by the creation of man and his works. It is a symphonic film of water, earth and of nature, graced by the cinematic skill and artistry familiar to all who have seen Mr. Ells's work. He has the gift of exquisite motion picture composition and distinctive choice of precise subject matter to which, in this picture, is added a unique control of color. Some of the scenes of birds forming moving patterns on the sand are astonishing, both in composition and in color effect. Back lighting, slow motion and the telephoto lens are tools that Mr. Ells uses frequently, but never for their obvious effect. They are but part of the magic by which he takes his audience back to the days of Creation." Movie Makers, Dec. 1942, 506.
"An impressionistic portrait of city life during a day off in the summertime, with poetic narration set opposite some very observant and intimate views of Vancouver and its inhabitants. These include numerous street scenes; departure of the passenger ferry 'Hollyburn'; shots of and from Interurban railway and streetcars; sequences on Chinatown, Kitsilano Beach, Stanley Park, Victory Square, and the downtown waterfront; and a glimpse inside a typical beer parlour. The film received honourable mention in the amateur category at the 1950 Canadian Film Awards." (BC Archives)
Opening credit reads: "The Vancouver Branch of the National Film Society presents..."
Additional credits (on 1986 restored version): "Restored 1986 by Dennis J. Duffy for National Film Week '86 in co-operation with Canadian Filmmakers Distribution West and the Provincial Archives of British Columbia. Restoration funded by BC Heritage Trust."
"doc. didattico"/educational documentary
"As an openly avowed disciple of Herman Bartel, one of the old masters of nature filming, Martin E. Drayson has been an ably and imaginative pupil. Seldom have individual scenes of such delicate beauty as his poured across the screen of personal movies. Interlude in Sunlight, like Mr. Bartel's work in Awakening or Pathetique, is essentially an effort to interpret, in cinematic imagery, compositions of music. As such, it is divided into three sections or movements, comprised pictorially of bees, flowing water and flowers. The musical scores which these interpret are Paganini's Moto Perpetuo, Massenet's Meditation from Thais, and Johann Strauss's Wiener Blut waltzes. Preceding these pieces (during the lead title assembly) and between the several sections, Mr. Drayson has elected the use of complete silence." Movie Makers, Dec. 1945, 496.
"Members of the Preston Family on holiday in the Lake District. The film includes various landscape shots of Lake Windermere and the boating activities that take place around the pier and lakeside. Concludes with footage of farm workers stacking hay on to a horse-drawn cart; farm animals grazing in the fields and a man and woman playing with some puppies in a garden." (NWFA Online Database)
"Lake Mohawk, Preferred, made by Leo J. Heffernan, is a picture of the attractions, residences, entertainments, dog shows, yachting regattas and water sports of Lake Mohawk in New Jersey. But Lake Mohawk, Preferred is also a film with a continuity idea utterly new to amateur movies, for the not unusual subject matter of the picture is held together with a "screwball" theme and "gags" that keep you wondering what is going to happen next and entertained in the meantime. A handsome couple have a movie camera. "Concentrate to make good movies," says their instruction book. This they do in a very pleasant way (see the frame enlargement on page 577), and the results are surprising. Their mental efforts transport them and the camera bodily about the lake, at just the right time and place to film whatever is going on. They have some astonishing experiences, too. Sometimes they can't seem to materialize, and they pick up odd characters in their voyages through ether. But their method works and they get beautiful and lively sequences of life at Lake Mohawk." Movie Maker, Dec. 1940, 603.
"This picture, telling a dramatic story of a mysterious curse hovering over a stretch of lonely beach, was produced in Kodachrome and runs 400 feet." Movie Makers, Dec. 1939, 614.
Total Pages: 11
Amateur Cinema