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Mohawk Pals

Date produced: 1944

Filmmaker(s):

Frank E. Gunnell

Description:

"Frank E. Gunnell has used a novel continuity motif in Mohawk Pals that ties together what otherwise would be a rambling film story. Two boys are shown doing their "homework," and the final assignment is to write a composition on vacations. The film then pictures the summer adventures at Lake Mohawk of the two boys and a girl of similar age. From time to time, there are inserted shots of the boys writing, and sentences from their compositions are cleverly double exposed at the bottom of the frame, to serve as subtitles for the film. The cinematography is immaculate, and the youngsters appear without self consciousness in their various pursuits of fun on a summer vacation." Movie Makers, Dec. 1944, 496.


Moods of Nature

Date produced: 1934

Filmmaker(s):

Paul Burnford

Description:

"'Moods of Nature' by Paul Brunford, recently won a prize in the Institute of Amateur Cinematographers' contest in England. Not only does Brunford show a fine sense of rhythm, but a keen eye for composition and a splendid sense of cutting and dramatic values in nature. This picture merely deals with a storm arising and then subsiding. Brunford uses both water and earth to show this. The smashing waves, bending trees and waving wheatfields combine to create his drama. His photography however, is something for which he is to be especially congratulated." American Cinematographer, Jan. 1936, 24.


Nequasset Bridge

Date produced: 1957

Filmmaker(s):

Walter Mitton

Description:

"Title, 'Nequasset Bridge is on new location of Route 1 near the famous ship-building city of Bath.'" oldfilm.org


No Indian to Guide Them, or What is a Kemp

Date produced:

Filmmaker(s):

Meyer Davis

Description:

"Begins with a close-up intro of the Davis's in a small boat. One of the girls falls overboard and is saved. A woman drops her jewels overboard. Family disembarks. Finds a clue on a piece of paper. The Family sets out in boat with shovels, saws, axes, etc. Quarrel with another family. Find a deed." oldfilm.org


Ogden Point

Date produced: 1967

Filmmaker(s):

R. C. Robinson

Description:

"Ogden Point is a nice little documentary helped along to a very great extent by an exceptionally smooth narration or commentary and an equally nice delivery" PSA Journal, Aug. 1967, 37.


On the Reef

Date produced: 1968

Filmmaker(s):

Graemer Grosvenor

Description:

"On the Reef can refer to only one place in the world and that's the Great Barrier Reef off the eastern coast of Australia. Graemer Grosvenor handled the world of sea life very nicely with a smooth flowing story of a group of young adventurers in this area of the unusual. This film from Australia had no difficulty in capturing the Nature Film Award" PSA Journal, Oct. 1968, 49.


Opeechee Stream Bridge, Searsport

Date produced: 1949

Filmmaker(s):

Walter Mitton

Description:

"Bridge construction, Meadow Brook Bridge, Maine. 'Opeechee Stream Bridge, Searsport' 'The Gypsie Bridge Builders enjoy the summer breezes of Penobscot Bay while replacing one of the few stone bridges remaining on Route 1.' Detailed documentation of bridge building in rural Maine." oldfilm.org


Operation S.T.A.R.

Date produced: 1962

Filmmaker(s):

Jewell Dawson

Description:

"Footage along the American River that was used to save the American River Parkway." Sacramento Public Library.


Patterns

Date produced: 1966

Filmmaker(s):

Jack Pashkovsky

Description:

"Patterns is an abstract type of filming endeavor and depicts lines in mass and motion as created by reflections in rippling bodies of water" PSA Journal, Sept. 1966, 35.


Peggy’s Cove [1935]

Date produced: 1935

Filmmaker(s):

Esther Bollinger

Edward A. Bollinger

Description:

"In Ultima Thule and Peggy's Cove, produced by Edward A. Bollinger, ACL, and Mrs. Bollinger, one finds what must be the ultimate in beautiful scenic photography, magically infused throughout with a sensitive feeling for the relationship of ordinary people to their natural backgrounds. Beyond the veritable perfection of many of the scenes in these pictures it seems impossible for camera and film to go, even when guided by skill and imagination as superb as Mr. and Mrs. Bollinger's. Compositions, cutting and sequence structure are incisive and stirring, while the title wordings and execution leave little to be desired in suave good taste. The two subjects are first and last reels of a four reel study of Nova Scotia, in which, it is understood, Mr. Bollinger has done the camera work and his wife the editing and titling. It is a happy combination, from which have resulted documentary reels of magnificent skill and breathtaking beauty." Movie Makers, Dec. 1935, 550.


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