"Multiple Sidosis by Sidney N. Laverentz a PSA member of National City, California. Sid's title is a mind-boggler surpassed only by the unbelievable single frame multi-image exposures, all in synchronization, that is reminiscent of his winner of a few years ago, "One Man Band." This 10-minute 16mm film won for him a Ten Best medal and the Golden Microphone Award, the new title for the past Sound Award" PSA Journal, Nov. 1970, 38.
"Father attempts to blend his hobby of photography with "his other hobby" when mother goes off on an all day's shopping tour. Things are not so goo as father tried to figure the diaper angle, juggles the overheated bottles, tries a breakfast of dry pablum and while bananas. But finally father learns, baby is fed, and they both joyfully go through the ritual of the morning bath - a little off schedule. Father rushes through the other chores, and when mother returns, she finds both father and baby sleeping the sleep of exhaustion. Only after mother takes over can father return to his photography" PSA Journal, Oct. 1963, 41.
"An animated puppet film. It shows children dreaming and then the puppets start to dance. A very short film but delightful for all ages" PSA Journal, Nov. 1956, 22.
"Take a man who wants to play golf and his wife who wishes to see the sights on a family vacation and you have the simple plot of Nantucket Turnabout. Richard Elms treats the idea with a freshness, however, that lifts it from the usual vacation film class. Through the mechanism of the wife's desire to visit historical places, some lovely views of Nantucket are logically inserted in the film, while the husband wearily tags after her as his prepayment for a chance to play golf. The eventual golf game ends with the wife, fresh after her sight seeing, winning easily, while the exhausted husband repeatedly drives to the rough, far into the final sunset." Movie Makers, Dec. 1945, 496.
"In filming Nantucket, A Chapter from Early America, Russell T. Pansie chose a happy subject for Kodachrome — the weatherbeaten grays and pastel colors of the ancient buildings of Nantucket. Most color films are made with an effort to present colors as brilliantly as possible, but this picture is a delightful exception, and it is a notable example of the versatility of color film in the hands of a competent cameraman. In Nantucket, A Chapter from Early America, we see the orderly streets of the island, the historic buildings that date from the early Eighteenth Century, the mansions built by the prosperous sea captains of the Nineteenth Century and we glimpse the island's natural charm. But, in the brief footage that he wisely allowed himself, the cameraman has achieved more than an architectural study; he has reproduced the atmosphere of life as it was lived in the past." Movie Makers, Dec. 1943, 474.
"Everybody has religion of some kind, of some creed. But to try to portray it in motion pictures takes courage in any language your faith. In The Nativity, Sal Pizzo has picture the story of the birth of Christ with unerring good taste, complete reverence and warm beauty. In it he follows old Biblical paintings as a pattern, but he animates these tableaux in a natural manner. One might wish, in fact, that he had followed them even further and used lighting to suggest halos around Mother and Babe. The long-shot model of the town of Bethlehem is believable. The bearded faces of the innkeepers are believable and, a great achievement, the costumes of the opulent kings are believable. The acting is handled with admirable restraint, the story being carried by the words of familiar Christian carols of background music. Especially well-staged are the scenes of the shepherds around their fires and of the Magi as they present their gifts to the Child in the humble manger. Mr. Pizzo and his associates have planned and executed a picture on a subject that few if any would dare to attempt. They are to be congratulated on their tender and moving triumph" PSA Journal, Jan. 1955, 50.
"E. Tad Nichols, III, born in the West, has been in the saddle almost since he first toddled. Much of his time has been spent among the Western Indians, and he has an intimate knowledge of their ways. So skillfully has he planned and edited each sequence of Navajo Rug Weaving that the audience has the rare satisfaction which comes from seeing just the right amount of each step of this ancient art that has held one method and course for many centuries. The direction and filming are of such excellence that the viewer almost seems to be present for the carding, spinning, dyeing and actual weaving of the rugs. Here is the human record film at its best." Movie Makers, Dec. 1945, 495.
"Un-staged documentary footage shot and edited by Sallie Wagner. Sallie's description of the film: 'Wide Ruins and area, farming Navajos, Black Rock - Medicine Man, Cut Hair plowing, Joe Toddy following Cut Hair, planting, Patsy Martin standing on Cultivator, Jim House's wife husking corn, Paul Jones helping husk corn, sheep dipping at Ganado, Dwight Wagner viewing sheep dipping, wool shearing at Wide Ruins, loading sheep at Chambers, tall man in tan outfit Bill Cousins, Bent Knee sitting on fence, Crip Chee's grandson in closing scene'." New Mexico States Archives.
"Whitehall Newsreel featuring : Morecambe Baths opened on 27th July 1936, with a civic ceremony and female models. Followed by footage of football in Christy Park (Morecambe) then General Evangeline Booth addressing a crowd; cuts to firemen and the gutted timber yard of Hustler's Sawmills; cuts to Remembrance service and procession. Finishes with dancers dressed as sailors. Interspersed with seafront shots." (NWFA Online Archive)
"New England Holiday is the kind of travel film any movie maker should be proud to produce. Replete with human interest and a warm feeling of good fun, this two reel record is distinguished by a wealth of splendid compositions and natural camera treatment. Albert F. Watts has lavished on such typically New England subjects as Gloucester harbor, the fishing fleet or a clam bake the sensitive feeling of an artist for line and mass and the alert understanding of cinematics of a genuine movie maker. Smoothly integrated sequences have been edited with unerring suavity and liveliness, comprising a whole which is both vital and lovely to look at. The production is fundamentally weakened only by a selection of title wordings considerably less spirited and effective than the films which they accompany." Movie Makers, Dec. 1938, 620.
Total Pages: 38
Amateur Cinema