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Italy [1931]

Date produced: 1931

Filmmaker(s):

Stephen F. Voorhees

Description:

"Stephen F. Voorhees's 400 ft. travel film of Italian architectural scenes deserves placement in this list because it combines three factors but rarely brought together in pictures of this type. First, the photography is extraordinarily good, not only with reference to the routine requirements of exposure and focus but because it is artistic throughout and the composition never descends to the casual or the "snap shot" level. Second, Mr. Voorhees's film has a natural and easy continuity, jogging amiably through Venice and its environs, much as a traveler might do himself, pausing for a bit of incidental human interest and catching a scene that the filmer felt was unusual but presenting it without any preliminary flourishes, as one friend who might have said to another in the course of a stroll, "Don't miss that, by the way," pointing to something seen on the way. Last of the three things, so unusual to find combined, is a professional study, made by the filmer, himself a great architect, preserving those details which he wished to bring from northern Italy for later possible use. The great Colleoni statue is studied from many angles. Details of tiles and other wall ornamentations are offered and buildings are presented from one viewpoint after another. Yet all of this is done unpedantically and the nonprofessional audience is not aware that this subtle architectural record is more than a delightful travel film." Movie Makers, Dec. 1931, 658.


Havana

Date produced: 1930

Filmmaker(s):

Hermann Danz

Description:

"Havana, 400 ft., 16 mm., made by Herman Danz, is outstanding among the recent travel and vacation films rather more for its photographic quality than for its continuity. The film presents Havana, its harbor, street scenes and architecture. Mr. Danz has avoided almost all of the amateur's pitfalls, for the film contains no instances of wobbly "pamming," [sic] jerky shots or unfortunate camera angles, encountered so often in films of foreign cities. Even more important, the treatment is impersonal throughout and purely intimate shots were either not taken or were edited out to be included in a family reel. Thus the film is the type that strangers and friends can enjoy as much as a professional treatment of the same subject. Filters used with panchromatic film brought out cloud formations hanging over the picturesque harbor and emphasized the colorful architectural detail of the buildings." Movie Makers, Dec. 1930, 758-759.


Total Pages: 23