[Also known as Conway]
"Kodachrome travelogue, photographed from 1935-1937, of Alexander Black's ancestral sites in Edinburgh, Scotland, and his return home to New York City, including six shots of the recently constructed Empire State Building at different times of day and night." UC Berkeley Library.
"Andros Blue Holes had to be in color to show us that the Blue Holes are really blue. J. Benjamin of Toronto takes us on 18 minutes of the most fascinating underwater filming ever attempted. The beauty and mystery of the Blue Holes far outweigh the dangers involved in exploring them. Very entertaining and very educational" PSA Journal, Nov. 1969, 57.
"In this delightful pictorial record, amateur filmmaker Reginald Rigby takes a close look at the animal world. From a wobbly young owl discovering how its wings work to elephants from Bertram Mills Circus enjoying welcome free time in the fresh air; from an extremely enthusiastic lamb to some decidedly unimpressed cattle, this film casts a humorous eye upon aspects of animal and avian behaviour." (BFI Player)
"Between 1877 and 1885, an English photographer, Eadweard Muybridge, conducted detailed experiments analyzing human and animal motion using rapid photography. In 1968, John Straiton took the published works of Muybridge and created from them a fascinating and hilarious film. A tribute to the serious maker of the first nudie before the invention of movies." Canadian Filmmakers Distribution Centre.
"Animules are imaginary animals which may be constructed from such common materials as wet paper, paste, wire, string, and paint. A class of junior high students show how to make animules. A base of wet newspaper is tied around a thin piece of wire and paper mache is then added and molded to the desired shape. A coat of paste gives a smooth surface which may then be painted. Odds and ends pasted on for decoration" Library and Archives Canada.
"Among the Ten Best, Another Day, by Leslie Thatcher, ACL, is a splendid example of the relatively simple avant garde film, so popular among European amateurs but so seldom attempted by even the advanced workers of the American continent. Set against the background of Toronto, Another Day portrays in semi abstract fashion the dramatic changes which overtake the life and tempo of a great city as Saturday crosses the noontime deadline from work to play. Mr. Thatcher's conception of this theme is clean cut, his execution suave and technically brilliant. Dissolves, wipeoffs and double exposure are blended intelligently with matchless straight photography to enhance the beauty of striking angles and compositions. With the subject matter of such films ready to the hand of every amateur cameraman, it is a strange phenomenon that to date they are not attempted more often." Movie Makers, Dec. 1934, 513, 534.
"Another Happy Day" was the winner in the home movie classification, the prize going to T. Lawrenson of Dundee, Scotland. Mr. Lawrenson is a member of the Institute of Amateur Cinematographers of London. Also is he a veteran of the American Cinematographer's contests, having been one of the three major prize winners of 1935. Also is the chief actor in the home movie a veteran, a child who now has reached seemingly the mature age of four years, and who of course was but two when he made his debut on the home movie stage in 'Happy Day.' He is a black-eyed, camera-unconscious and personable youngster, who proceeds on his lawful occasions in complete indifference to a live lens." American Cinematographer, Jan. 1938, 27.
"An amateur film made by and starring the husband and wife duo, John & Evelyn Kibar. After receiving numerous travel brochures in the mail, the Kibars begin reflecting on all the possible destinations they could visit - including Colorado, Bryce Canyon National Park and Jackson Hole, Wyoming. Actual travelogue footage shot by the Kibars acts as our reflective imagery, while title cards with dialogue are dispersed throughout the film." Chicago Film Archives
"This humorous-sounding title suggests nothing of this film's content which has to do with a vacuum cleaner salesman and his tribulations when he is forced to pose as a woman, when a girl friend's husband arrives home unexpectedly. Both the exterior and interior shots are carefully exposed and a moderatly good editing job combines to make this a better than average effort." American Cinematographer, May 1951, 192.
Total Pages: 203
Amateur Cinema