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Castle, The

Date produced: 1961

Filmmaker(s):

Ernest Frederick Attridge

Description:

"Casa Loma (house on a hill) was built by Sir Henry Pellat in Toronto. The design includes many of the things he admired in the castles of Europe. Much of the interior was imported. In this magnificence, Sir Henry lived until he could no longer afford the mounting city taxes. Out filmer takes us through this old castle that we may relive some of its greatness. The picture was made for the Kiwanis Club which was so active in reclaiming Casa Loma for Toronto" PSA Journal, Oct. 1961, 47-48.


Celle Qui Fait la Peinture

Date produced: 1963

Filmmaker(s):

James L. Watson

Description:

""That Which Makes the Picture" introduces its audience to the art of painting. Using a charming New England harbor scene, the viewer is shown the beginning sketches, the application of the basic colors, and the finishing touches to completion. After viewing the film, one has a greater appreciation for the care and attention to detail required of the artist working in oil paints" PSA Journal, Oct. 1963, 41.


Central America

Date produced: 1960

Filmmaker(s):

H. Lee Hansen

Description:

Kodachrome travelogue showing life and culture in Guatemala and Panama.


Century of Progress

Date produced: 1933

Filmmaker(s):

Herbert H. Johnson

Description:

"Among the ten best, Century of Progress, in Kodacolor, by Herbert H. Johnson, ACL, is a striking illustration of the degree of perfection that color motion picture photography has attained. Its studied angles and dignified composition are augmented by excellent photography. Mr. Johnson paid careful attention to the very important point of exact exposure in relation to color value and, as a result, brought a new version of the Fair to the one who had never seen it in color before. By taking plenty of time he was able to single out the best camera positions and wait for the lighting that was most favorable. The excellent handling of the camera brought a sense of intimacy to each scene. The film's only fault is an excessive use of lap dissolves which detracted somewhat from the smoothness of the continuity." Movie Makers, Dec. 1933, 499.


China’s Gifts to the West

Date produced: 1936

Filmmaker(s):

Kenneth F. Space

Dan Lindsay

Description:

"In China's Gifts to the West, we have what may be termed a tour de force of cinematic cutting. The most interesting part of the film is made up of a series of beautifully composed and photographed "stills," but the duration of each of these shots is so carefully timed that the entire sequence is fused into a relationship which conveys a distinct impression of cinematic motion — perhaps not "motion" in the ordinary sense of physical activity, but rather the deeper and more fundamental activity of the mind as it contemplates, one after the other, the various ideas which make up the unity of a conception. This has been accomplished by Mr. Space in his excellent choice of illustrations, which are projected into the mind in exactly the right order and appearance. Beside this purely cinematic achievement, the maker of the film is to be congratulated on his excellent taste in selecting and displaying objects of art to the best advantage. The photographic technique employed in producing closeups and ultra closeups of fabrics, china and other materials is undeniably pretty close to perfection." Movie Makers, Dec. 1936, 551-552.

"A Chinese and an American boy find China's products in the latter's home." The Educational Screen, Jan. 1946, 23.


Chinese Handbag, The

Date produced: 1949

Filmmaker(s):

George Kirstein

Description:

"An idol stolen from a Chinese temple and the efforts of a loyal retainer to recover it provide George Kirstein with a novel springboard for the unfolding of this unusual travel film. Subsequent events carry the principals from New York to Chicago, through the Southwest to Los Angeles and Hollywood, up the coast to San Francisco and finally back to New York for restoration of the idol. Far from hindering the sightseeing sequences, Mr. Kirstein's device enhances the presentation of this material. While the camera handling is satisfying throughout, tighter editing would speed up the pace and heighten dramatic interest." Movie Makers, Dec. 1949, 471.


Chromatic Rhapsody

Date produced: 1939

Filmmaker(s):

Robert P. Kehoe

Description:

"Combining the sensitivity of an artist and a camera skill that theoretically only professional experts could acquire, Robert P. Kehoe has produced, in Chromatic Rhapsody, a film that would command the amazed admiration of any movie club in the country. This beautiful picture can only be described as a scenic — a scenic held together rather tenuously by editing to create a symphonic arrangement of color and to associate scenes with the seasons. It is in the sheer beauty of color cinematography that Chromatic Rhapsody excels. This reviewer has never seen, in any medium, more gorgeous color photographs of autumnal foliage and winter landscapes. One is so impressed with the flawless color that he is inclined to suspect that nature puts on a special show for Mr. Kehoe. The truth is probably that Mr. Kehoe has a special understanding of nature and an intuitional sensitivity to light and color. For the rest, as Mr. Kehoe would say, he simply follows exposure instructions. The film is marred somewhat by lack of complete camera steadiness, the only flaw in an otherwise superb cinematic accomplishment. A charming musical score, arranged by double turntable, accompanies the movie's presentation." Movie Makers, Dec. 1939, 634.


City of Klongs and Gods

Date produced: 1959

Filmmaker(s):

Oscar H. Horovitz

Description:

"Another of Mr. Horovitz's fine travel films of the Orient. This time the city of some 400 Buddhist temples, Bangkok, where the Emerald Buddha may be seen. the city is old but some of its new areas are modern. We visit several areas of the city including its waterfront where a large part of the population continues to live with its busy traffic of small boats and river merchants" PSA Journal, Nov. 1959, 48.


City, The

Date produced: 1968

Filmmaker(s):

George Franklin Hood

Description:

"The City was entered by its maker as an experimental film and ended up winning the Travel Film Award. Usually travel motion pictures have a difficult time in festival competitions, but this one came out almost on top. George Hood, who also won an Honorable Mention for Goin' Home, shows you 17 minutes of San Francisco that makes you feel you have lived there all your life - and he does all this without one word of narration, just sounds and music plus excellent filming" PSA Journal, Oct. 1968, 48.


Ciudad de la Paz

Date produced: 1952

Filmmaker(s):

Eduardo Douglas Di Fiore

Description:

"The curious and, to many of us, unknown peoples of the Bolivian Andes are the subjects of Ciudad de la Paz (City of La Paz), an interesting and colorful film by Eduardo Douglas Di Fiore. The peasants' life, arduous and squalid amid the beauty of their mountain home, has been competently and effectively documented. Their vividly colored costumes and monochromatic, weather-beaten faces take on a new beauty through the dramatic use of an interplay between natural light and shadow, a device which is used tellingly throughout the film. There are times, however, when Mr. Di Fiore tends to belabor his point. These overlong sequences, despite the ever-present beauty and grandeur, detract on occasion from the overall quality of the picture. The music and narrative (in Spanish) complement the mood and tempo of the film effectively." Movie Makers, Dec. 1952, 340.


Total Pages: 35