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Still image from While the Earth Remaineth in Movie Makers, Feb. 1949, 53.

Date produced: 1945


Frank E. Gunnell




900 ft





Sound Notes:



With music on disc.


Hiram Percy Maxim Memorial Award 1945, ACL Ten Best 1945 - General Class


"With While the Earth Remaineth, Hiram Percy Maxim Memorial Award winner for 1945, Frank E. Gunnell crowns a long and distinguished career in the history of personal motion pictures. Beginning ten years ago with Adirondack Adventure, a Ten Best winner on 400 feet of black and white film, this career now embraces no less than ten award winners in nearly every category of amateur movies. Mr. Gunnell's chef d'oeuvre is a stirring and splendid climax to these efforts. The film is based upon the twenty second verse of the eighth chapter of Genesis, wherein the Lord pledges that He shall never again smite the earth, as He had done in the recent Deluge: For while the earth remaineth, seedtime and harvest, and cold and heal, and summer and ivinter, and day and night. shall not cease. Beginning with this great and noble theme, Mr. Gunnell doubles back in his production to show the creation of this Earth which the Lord has blessed. Here, used interpretively rather than for itself alone, Mr. Gunnell's superb craftsmanship with the camera rises to new heights of power and dignity. His sequences suggesting the formation of the cosmos and the first coming of light to the new planet are among the most stirring and purely creative passages in the history of amateur movies. His use of already existing scenes — a geyser or boiling springs of mud — to suggest the primordial genesis are imaginative editing at its highest plane. Flowers, fruits and the fowls of the air take on new beauty in Mr. Gunnell's moving testament to God's handiwork. As befits such a splendid theme, While the Earth Remaineth is scored with music of great stature. Presented with the picture are passages from Beethoven's Pastoral Symphony; the Symphony in D Minor, by Cesar Franck; Robert Schumann's Third Symphony; Harold in Italy, by Berlioz; the Deems Taylor suite, Through the Looking Glass; Omphale's Spinning Wheel, by Saint-Saens. and the Symphony in D Major, by Haydn." Movie Makers, Dec. 1945, 477, 494.


Discussed by Gunnell in "The Earth is Everlasting" (Movie Makers, Jan. 1946, 14-15, 30-31). In the article, Gunnell describes his inspirations for making the film, and shares how the film was shot in several different locations over a period of years.

The film was available in the ACL's Club Film Library.


  • Maine, United States (Filming)
  • New Jersey, United States (Filming)
  • Yellowstone National Park (Filming)






  • Screened by the Philadelphia Cinema Club in 1946: Philadelphia, PA
  • Screened at the Staten Island Institute of Arts and Sciences in 1946: Staten Island, N.Y.
  • Screened by the Hartford Cinema Club in 1946: Hartford, CT
  • Screened by the Metropolitan Motion Picture Club in 1946: New York City, N.Y.
  • Screened by the Los Angeles Cinema Club in 1946: Los Angeles, CA
  • Screened by the La Casa Movie Club in 1946: Alhambra, CA
  • Screened by the Mount Vernon Movie Makers in 1946: Mount Vernon, N.Y.
  • Screened by the Amateur Motion Picture Club of St. Louis in 1947: St. Louis, MO
  • Screened by the Rockford Movie Makers in 1947: Rockford, IL
  • Screened by the Berkshire Museum Amateur Movie Club in 1947: Pittsfield, MA
  • Screened by the Fond du Lac Movie Makers in 1949: Fond du Lac, WI
  • Screened by the Hamilton Amateur Movie Makers in 1951: Hamilton, ON
  • Screened by the Winnipeg Cine Club in 1951: Winnipeg, MB
  • Screened by the Vailsburg Cine Club in 1952: Newark, N.J.
  • Screened by the Amateur Motion Picture Society of Denver in 1952: Denver, CO

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