"The vivid pageantry and somnolent landscapes of Mexico assume a new grandeur as filmed by Ralph E. Gray, a cinematographer who has long been recognized as one of the most accomplished amateurs on the continent. The land of contrasts and contradictions is beautifully presented in Typical Times in the Tropics, for here is one of the few travel films that ignore the tourist penchant for flashy trivia, to reveal the spirit of a people and the pictorial splendor in terms of lasting values. Mr. Gray has lived in Mexico long enough to recognize what is really significant; consequently, his film — for all its 1400 feet — seems to be a distillation of the unique charm which continues to attract Americans on vacation. The Mexican's strange blend of religious sincerity and garish ceremony is evidenced in a ritual filmed in Cholula, in which the local livestock — besmeared with gaudy paints and dyes — are presented for the blessing of the village priest — to insure the animals' fertility. The bouganvillea and hibiscus that frame the vistas of sleepy Fortin are contrasted with a boisterous Cuernavaca carnival and the hard riding charros of Mexico City. The latter scenes give Mr. Gray an opportunity to display his technical prowess at its best, for his handling of exposure problems in filming sombrero shadowed faces, his revealing closeups of spectators and skillful following of the wild horses and steer roping are proof of his stature as one of our finest amateur filmers. One of Mr. Gray's most valuable assets is a keen eye for detail, whether it be in the embroidery of a shawl or the weird sculpture left in the path of a lava flow. Intelligent use of a polarizing filter heightens the tawny stuccos of the cathedrals and intensifies the architectural detail of the facades and bell towers; and a fine feeling for human interest gives his shots of a Tehuantepec celebration, the Tirada de Frutas, an added opulence. The cliff divers of Acapulco staged some hairbreadth scenes for Mr. Gray, and he has made the sequence even more breathtaking by cutting in shots of the rocky hazards which had to be cleared by these young daredevils. Saving his trump for a fiery finale, this second time Maxim Award winner winds up with a series of frames of Paricutin, smouldering under her own gray vapors. Sustaining interest throughout 1400 feet of film is no mean task, even when abetted by the natural resources of Mexico; but Mr. Gray has met his challenge with a maximum of taste, discrimination and a completely craftsmanlike approach to a subject that has seldom been presented with such polish and vitality." Movie Makers, Dec. 1946, 470-471.
"Documentary: Depicts experiences of a new missionary as he gains self-confidence in his work in the Belgian Congo where the people are suspicious and only slowly accept the mission." National Archives.
"2 part edited travelogue following young men on a bicycle trip cross country (San Francisco to New York City) with Wandering Wheels, a faith based organization. Along with the noteworthy locations they visit, such as the Four Corners and New York City, this film includes much documentation of their down time and visits to Native American and small town communities to sing and meet with the people." Chicago Film Archives.
"In 2 parts, the film depicts a cycling journey around central Europe through Belgium, France, Switzerland, Italy, Yugoslavia, West Germany, and the Netherlands. Tourist scenes includes shots of Venetian canals, the leaning tower of Pisa, and Dutch windmills.In 2 parts, the film depicts a cycling journey around central Europe through Belgium, France, Switzerland, Italy, Yugoslavia, West Germany, and the Netherlands. Tourist scenes includes shots of Venetian canals, the leaning tower of Pisa, and Dutch windmills." Chicago Film Archives.
"The Texas Forest Service was faced with a grave problem. Large parts of Texas were being devastated and deforested by numerous fires. The fires were caused by the idle fancy and carelessness of backwoodsmen. Which He Hath Planted was produced for the Service by Larry J. Fisher, ACL, as part of the campaign to lead these woodsmen into more constructive paths. It is a striking example of how, with imagination, a motion picture can be constructed to fit the needs of a very special situation. Mr. Fisher and the Forest Service had to find a common ground on which to base their appeal against the pyromaniacal instinct. Realizing that, however uneducated, most people from the backwoods have both acquaintance with and veneration for the Bible, they decided to peg their entire film on quotations from the Scriptures. What they have produced is a beautiful welding of applicable Biblical passages, both spoken and sung, to forest scenes, the end result tending to promote the idea that trees are rich and wondrous manifestations of God and are not intended by Him to be destroyed by man's casual whim. The lesson is well taught. But the film imparts a sense of beauty and reverence that far outlives the immediate lesson. For that, Mr. Fisher's blending of music and word and image is responsible." Movie Makers, Dec. 1946, 486.
"With While the Earth Remaineth, Hiram Percy Maxim Memorial Award winner for 1945, Frank E. Gunnell crowns a long and distinguished career in the history of personal motion pictures. Beginning ten years ago with Adirondack Adventure, a Ten Best winner on 400 feet of black and white film, this career now embraces no less than ten award winners in nearly every category of amateur movies. Mr. Gunnell's chef d'oeuvre is a stirring and splendid climax to these efforts. The film is based upon the twenty second verse of the eighth chapter of Genesis, wherein the Lord pledges that He shall never again smite the earth, as He had done in the recent Deluge: For while the earth remaineth, seedtime and harvest, and cold and heal, and summer and ivinter, and day and night. shall not cease. Beginning with this great and noble theme, Mr. Gunnell doubles back in his production to show the creation of this Earth which the Lord has blessed. Here, used interpretively rather than for itself alone, Mr. Gunnell's superb craftsmanship with the camera rises to new heights of power and dignity. His sequences suggesting the formation of the cosmos and the first coming of light to the new planet are among the most stirring and purely creative passages in the history of amateur movies. His use of already existing scenes — a geyser or boiling springs of mud — to suggest the primordial genesis are imaginative editing at its highest plane. Flowers, fruits and the fowls of the air take on new beauty in Mr. Gunnell's moving testament to God's handiwork. As befits such a splendid theme, While the Earth Remaineth is scored with music of great stature. Presented with the picture are passages from Beethoven's Pastoral Symphony; the Symphony in D Minor, by Cesar Franck; Robert Schumann's Third Symphony; Harold in Italy, by Berlioz; the Deems Taylor suite, Through the Looking Glass; Omphale's Spinning Wheel, by Saint-Saens. and the Symphony in D Major, by Haydn." Movie Makers, Dec. 1945, 477, 494.
"“Wooden Face of Totonicapan” is a [1942] color film covering the art of making wooden masks in Totonicapan, Guatemala. The film was made under the auspices of the "Good Neighbor" film project, run by the Office of the Co-Ordinator of Inter-American Affairs in New York as part of the WWII war effort. It was produced by Ralph E. Gray." Periscope Film.
Un análisis histórico y religioso sobre el retablo ubicado en la basílica Asunción de Nuestra Señora de Lekeitio.
A historic and religious analysis about the altarpiece located un the Assumption of Our Lady of Lekeitio Basilica.
"This collaborative student film follows a confused young man throughout his day, as he navigates various environments (church, neighborhood streets, parties, etc), never seeming to fit in. Beatles songs featured prominently throughout." Chicago Film Archives
Total Pages: 7
Amateur Cinema