'Silent film shot by Miss Philippa Miller recording scenes of people and activities around the 1930s-style bay-fronted terraced houses and gardens in a small residential close at different seasons of the year. Miss Miller lived in Norwich so the film has provisionally been linked to Norwich, but identification of the location would be welcome. The film captures the relaxed and friendly relationship between the women, men and children filmed and Miss Miller behind the camera. From the film stock marks it appears that the film was shot between 1965 and 1967.
All but two of the scenes are filmed outdoors. Indoors we see four women sitting together looking at two boxed costume dolls and stroking a black poodle, and a brief scene of an elderly lady. The exterior scenes were filmed during winter, spring and summer and capture people's activities and domestic chores around their homes and gardens, their comings and goings, and various pet dogs. Scenes include: women clearing a path through snow; a row of ten sparrows on a ledge above a snowy roof; a man washing a car with cloth and bucket of water as laundry billows on a washing line; a woman dressed to go out in hat and coat carrying bags; children playing with a dog, a football, a toy pram and a toy tractor; a bride in white outfit with bouquet standing with a man, perhaps her father, and a woman chauffeur in peaked cap helping people into a car as they leave for a wedding; crocuses; another man washing a car; a boy on a tricycle; a knife grinder at work, operating his machine by treadle within a handcart with large wheels; a man mowing the lawn a man painting the front gate of a spring garden; a young man and woman; a man up a ladder cleaning windows; women with two children in matching coats; a house under construction with the timber frame of the upper storey and roof open; a woman hanging out sheets on a washing line; a woman shaded beneath a floral parasol standing in front of flowering rose bushes; a woman setting off on a bicycle; a woman holding a baby; children sitting on a lawn and playing with modelling clay; a young man; a woman at a window; a chaffinch; rose bushes; another lady dressed in hat and coat with bag going out; a woman playing ball with the black poodle; a man using an axe to chop at the roots in a hole around a tree stump' (EAFA).
The title card reads: an amateur movie reel in kodachrome. Footage includes: S. Hurok Ballet Theater : "La fille mal gardée" (excerpts); Folk Dance Demonstrations by Ukrainians; Chinese Stage Dragon Dance for Red Cross; Eaton's Santa Claus Parade (no date); A Bit of the Toronto Skating Carnival; and An Abrupt Change to Ballet on a Stage in Toronto. Library and Archives Canada
"Shows an expedition through northeastern British Columbia by Mary Gibson Henry, Pennsylvania botanist and plantswoman. Mrs. Henry was interested in the legendary "Tropical Valley" of northern B.C., where the warmth of hot springs supposedly fostered vegetation not otherwise found in the region. The film was shot in the summer of 1931, during the first of four such journeys she made in the period 1931-1935. Mrs. Henry was accompanied by her husband, Dr. J. Norman Henry; four of her children; topographer Knox McCusker (of the Dominion Topographical Surveys Branch); Dr. B.H. Chandler, a surgeon friend; and outfitter S. Clark, as well as various wranglers. The second and third reels of this three-reel film show the party of 16 travelling by pack-train, crossing rivers, caching food, and fishing, as well as some camp scenes. At an encampment of "Grand Lake Indians" on the Tetsa River, they engage Charlie Macdonald, the chief's son, to guide them to Toad Hot Springs on the Toad River, but they do not proceed north to Liard Hot Springs. On the return trip south, stops include St. Paul's Lake, Henry River, and Lake Mary and Lake Josephine [named after the Henry's daughters]; these place names do not seem to have become official. Following the Peace River, they arrive at Hudson's Hope (having travelled 800 miles in 79 days), and continue down river to Taylor Flats." (BC Archives)
The title given above is a supplied title based on the film contents. The actual title of the film is unknown, since it survives as reels 2 and 3 of 3 -- and the actual title and credits (if any) would likely have been at the start of reel 1.
"Almost every day of the year some 10 trawlers set out from the twin ports of Grimby and Hull, England, for the Arctic fishing grounds to return three weeks later with their cargo of deep sea fish. This film is a record of one such voyage with sound effects recorded on location. This will generate a nostalgic effervescence for those lovers of deep sea fishing and all will wish to join in the adventure without having to share in the work and inconvenience. The film moves with interest and excitement, a treat for all" PSA Journal, Oct. 1961, 47.
"Film record of a journey from the Cotswolds in central England to South West Wales and northwards through Wales, comprising shots of local beauty spots, visitor attractions and the activities of locals." (EAFA Database)
"One of the most difficult of amateur subjects, a record of a child's vacation, is presented most ably in Adirondack Adventure, by Frank Gunnell, ACL. The photography was a joy to behold and showed quite clearly that a great deal of care and experience was back of it. Fine outdoor lighting, which made the most of every scene, predominated. The continuity of this competent picture was developed in such a fashion as to feature Mr. Gunnell's small son naturally and unobtrusively. Incidents which make up the picture are handled clearly and yet with a light touch. Only a movie maker would appreciate the fact that the sequences were far from casual but, instead, were staged carefully. The real charm of a summer vacation has been preserved in this fine picture." Movie Makers, Dec. 1935, 534.
"Filmmaking brothers Sidney and Harold Preston present a beautifully shot record of time and place, taking us to the great Lancashire seaside resort in the interwar years. Whether enjoying the bird's eye view from the top of the tower, trying out the Pleasure Beach rides, or just befriending the donkeys on the beach, the three generations of the Preston family are clearly having a grand day out." (BFI Player)
Visual poem, synchronized to the Arabesques of Claude Debussy, that reflects on the home as a space of cinematic creativity for the amateur. It is the only film from the period directly credited to a female amateur filmmaker.
"A two-part lecture travelogue film on the state of Arizona. The film would have been originally presented with live narration by the filmmaker, Robert Davis. Part one includes footage of desert landscapes, ranches, pre-historic artifacts, Native American art production & industry (wigs, textiles, etc), saloons, regional industry (logging, agricultural, and dams). Part two also includes footage of desert landscapes, cacti and dams as well as scenes from Phoenix and the surrounding area. Highlights from part two include a tour of a trailer park and footage of people skiing and sledding down a snowy hill." Chicago Film Archives.
A film documenting various excursions during a holiday in the Lake District of the UK.
Total Pages: 13
Amateur Cinema