"A two-part lecture travelogue film on the state of Arizona. The film would have been originally presented with live narration by the filmmaker, Robert Davis. Part one includes footage of desert landscapes, ranches, pre-historic artifacts, Native American art production & industry (wigs, textiles, etc), saloons, regional industry (logging, agricultural, and dams). Part two also includes footage of desert landscapes, cacti and dams as well as scenes from Phoenix and the surrounding area. Highlights from part two include a tour of a trailer park and footage of people skiing and sledding down a snowy hill." Chicago Film Archives.
"The Hunted deals with a pioneer or settler of the old West who seems on the prowl for some thing or person, but we are not told why. An Indian soon enters the scene and tries to shoot the settler, whereupon the settler fires back. The duel is short lived with a tragic outcome, after which the reason for the hunt is revealed" PSA Journal, Sept. 1966, 35.
"An Indian brave keeps his ear to the ground in vain!" Oldfilm.org
"The wilderness of Colorado where the visitor may wonder how the Indian can extract a livelihood from the dry, treeless land. To be sure, there are trees, and some with the raiment of ghosts, from which life long ago departed. The rugged Indian does eke a living from this waste, mostly from sheep, goats, weaving, and trinkets. The film is a record of these things in well chosen settings, including a desert storm" PSA Journal, Oct. 1961, 49
"Tells the story of 'Little Hunter' hunting a bear using images carved into stone walls near the Colorado River by a Native American tribe." Church History Library.
"Edited film used by an amateur travel-lecturer documents travel in western and southwestern United States beginning at a rodeo in Phillipsburg, Kansas (trick riding, lassoing jack rabbits, roping calfs, wrestling steers, horse races, bucking broncos and bucking steers as well as scenes of an airplane flyover and of an airplane crashing which possibly was a stunt) and continuing to Black Hills, South Dakota (forest scenery and ca. 1927 construction of Mount Rushmore--blasting off cliff face, scaffolding, men working and completed monument). Shown are roadside scenery, railroad tracks, men cleaning railroad tracks with hose and tank on small train car on the way to an unidentified mountain fishing camp possibly in Colorado (canoeing, fishing in stream, and a smokehouse) and a mountain farm where colts are branded. Cog railway is taken up to Pike's Peak. Travels continue to to the Southwest (unidentified southwestern town possibly Santa Fe with adobe buildings and men and children in Mexican dress singing and playing guitar, American Indian dance performance indoors possibly Zuni, parade of American Indians in unidentified city perhaps Gallup and Navajo band. Scenes of the southwest continue with Navajo in Canyon de Chelly (hogans and herding sheep), prehistoric archaeological sites (Mesa Verde, Chaco Canyon another unidentified cliff dwelling possibly Montezuma's castle) and Taos Pueblo. Film records American Indian dances at a gathering of Indian tribes possibly at Gallup, intertribal horse races and women's tug-of-war. Hopi are shown dancing at Hopi. Also shown are Indian women (possibly Apache or Navajo) and children together and children in cradleboard and the Navajo reservation (hogans, women spinning and weaving under a ramada, herds of sheep and goats and "dipping sheep"). Natural wonders of Grand Canyon, Monument Valley and Rainbow Bridge National Monument are featured.Travel continues to Yellowstone National Park, California (scenery, black bears, hot springs and geysers) and onto the California coast possibly Monterey (seals on rocks). Also shown are an unidentified town with oil pumps and derricks and people waterskiing" via the Human Film Studies Archives, Smithsonian Museum.
"Mungo Martin demonstrates the making of a Bee Mask. Tony Hunt models the mask and provides a short rendition of the Bee Mask Dance" (Duffy, 140).
This film is also known as Mungo Martin Makes a Mask.
"Edited film describes life on the Navajo Reservation. Scenes include women weaving, grinding corn and caring for children (baby is bound into cradle board) and men herding, hoeing corn, silversmithing, and washing and binding their hair. Also shows Navajo Rodeo (encampments, stinger and bronco riding, wild cow milking and horse racing), trading post at entrance to Monument Valley (exchanging rug for goods), Ganado Mission, workers in uranium mine and scenic views of Monument Valley and Canyon de Chelly. Efforts to deal with lack of water is discussed in narration," Human Studies Film Archives, Smithsonian Museum.
"'Navajoland' entered by Richard V. Thiriot, of Salt Lake City, is a travelogue on that part of the great Southwest where dwell the dwindling and not-to-well-off Navajos. Thiriot has caught the beauty of this colorful country with his camera and Kodachrome film, and concludes the picture with intimate shots of some of the Indians who inhabit Navajoland. Had Thiriot been able to schedule his filming during the stormy weather season and thus been able to capture the colorful skies abounding in Navajoland at that time of the year, his photography would have greater pictorial interest, highly neccesary where subject material is predominantly static. Thiriot used a Filmo 70-DA and Kodachrome film." American Cinematographer, Apr. 1950, 145.
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