"Amateur silent film of a boy scout troop making a fiberglass canoe step by step from a mold, from start to finish. Boy scouts all help in each part of the process. They then take their finished canoes on a trip where they learn how to row their new canoes and camp out on the river." Chicago Film Archives
"Depicts the year-round activities of the Machias Lumber Company on the Machias River in Washington County, Maine. Includes scenes of winter logging in the forest with hand tools and horses, as well as the spring log drive, with loggers using peaveys to break up log jams on icy rivers as the logs are moved from the forest to the mill. Includes footage of lumber loaded onto schooners in Machias for transport to New York and schooner being towed to sea by sardine boat." oldfilm.org
"doc. turistico"/tourism documentary
"doc. a fantasia"/avant-garde documentary
"In Grand Adventure Louise Fetzner presents a lively record of a daring run through the wild rapids of the Colorado River, as it courses the Grand Canyon from Lee's Ferry to Lake Mead. While thrilling scenes of the intrepid boats and boatmen provide the film's drama, Mrs. Fetzner has not overlooked human interest sequences on the small daily activities of these hardy adventurers. Generally good in photography and editing, the film falls off in pace somewhat in its latter portions. And perhaps the frequent inserts of a title-map of the Colorado are more hindrance than help in what is essentially an action picture." Movie Makers, Dec. 1952, 340.
"Grand Canyon Voyage is the record of how seven daring people in three tiny boats ran the Colorado River from Lee's Ferry in Arizona, through the awesome gorge of the Grand Canyon, to Lake Mead in Nevada. The trip itself was the exciting and gallant climax to four years of dedicated effort by Al Morton. Ideally, this film record of the trip should be infused with this same excitement, this same sense of gallant adventure. That it is not consistently so inspirited will be a source of sincere regret to all who know Mr. Morton. But perhaps no motion picture of this dangerous, demanding river run could recreate this spiritual overtone. The physical odds against filming were too great, too overwhelming, for controlled camera work and integrated continuity. Survival itself became more important than an image of it. Al Morton, we believe, has done a supremely difficult job far better than would the most of us. He has done it as well, surely, as any cameraman living." Movie Makers, Dec. 1951, 411.
"Amateur stage play directed by Roger Clapp and starring Dorothy Stebbins." Northeast Historic Film.
Total Pages: 5