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Sir Christopher Wren

Date produced: 1934

Description:

A biographical documentary about the architect Sir Christopher Wren made as if Christopher Wren was discussing his own buildings.


Birdland Homes

Date produced: 1934

Filmmaker(s):

Phillips

Description:

"Documentary on the nesting and feeding habits of birds found in Norfolk and Lincolnshire and filmed from a hide over a two-month period. Birds seen are: common plover, redshank, whooper swan, mute swan, bittern, ringed plover, oyster catcher, black-head gull, bearded tit, sedge warbler, reed bunting, red hawk, snipe and Montagu's harrier." (EAFA Database)


Shades of Bacchus

Date produced: 1934


With the Old Berkeley Hunt

Date produced: 1934

Filmmaker(s):

Eunice Alliott

Eustace Alliott

Description:

"Two reels of film recording the activities of the Old Berkeley Hunt in the cubbing and hunting seasons." (EAFA Database)


Water Country, The

Date produced: 1934

Filmmaker(s):

Khoji Tsukamoto

Description:

"A detailed study of a Japanese waterside community, emphasising their dependence on boats for most aspects of their lives. Catching fish, getting from home to the fields and taking produce to market. Significant detail of rural subsistence - fertilising fields, cutting rushes and women using foot-powered water wheel." (EAFA Database)


Transport

Date produced: 1934

Filmmaker(s):

Agnes Thubron

John Thubron

Description:

"A montage of traffic showing how people and goods are moved about in various countries." (EAFA Database)


Sundown

Date produced: 1934

Filmmaker(s):

Henry Bulleid

Description:

"Amateur filmmaker and cinema historian H.A.V. Bulleid employs rapid montage and a sense of foreboding in this rural tragedy set in the Welsh countryside. On farmland in rural Wales, where crumbling farm buildings reflect the rural desolation, a young lady spends her holidays wandering the fells with her ever reliable dog. When she meets a young farmhand, a romance develops. But as the girl grows closer to the young man, she pays less attention to her dog. And when the dog is left at the farmhouse as the pair goes rock-climbing, tragedy ensues. Sensing a problem, the dog searches the fells as day turns to night. But will he find his master? And will the young lovers survive?" (EAFA Database)


Southwold Holiday

Date produced: 1934

Filmmaker(s):

Victor Harrison

Description:

"Nineteen thirties holiday film of the Harrison family at a number of Suffolk coastal holiday hotspots; including Southwold, Lowestoft, the Broads (Beccles), and Thorpeness. This reel, with scenes in both Dufaycolor and black and white, shows the family having a jolly old time bathing, picnicking at their beach hut, horse riding, and sailing. Intertitles include “Susan on the li-lo” and “tea with the mater” (BFI.org.uk)


Doomsday

Date produced: 1934

Filmmaker(s):

Ruth Stuart Rodger

Description:

"Science fiction film influenced by the style of inter-war European art cinema." East Anglian Film Archive.

"Each year the contest sponsored by the American Society of Cinematographers through this magazine seems to bring forth a surprise. For several years the 8mm cinematrographers have been setting the pace, but never has any of them reached the goal achieved this year by Miss Ruth Stuart. Miss Stuart has been a contributor to this contest every year for the past three years; in 1933 she was given the medal for travel pictures. Her 200 ft. 16mm subject 'Doomsday' was also awarded honors in the British Institute of Amateur Cinematographers. In the American Society of Cinematographers contest just closed she was given a recognition for the Outstanding picture, in photography and Documentary pictures. It will be surprising to many that this unusual honor should befall a woman. Photography, by the unwritten law, is supposedly the realm of male species. Miss Stuart, however showed such a fine understanding of the value of pictures that move, how to fabricate these moving photographs into an interesting document that would hold any audience anywhere in the civilized world. For a person who films she must have developed a stony heart in order to cut as judiciously as the picture indicates. There is a tempo to the production that is very seldom achieved by an amateur. There are no obvious pet shots or scenes. Each sequence, each scene, each picture was left in production for a purpose to give it atmosphere to help the story along." American Cinematographer, Jan. 1937, 25.

"Well photographed, well planned film dealing with the contrasted fears of town and country folk and their reaction to catastrophe" (IAC 1975).

‘A fantasy based upon a fear which has preyed upon credulous minds from the beginning of time' is the maker's description of this ambitious attempt to show how people react to the possibility of a catastrophe and then to the real event. The story hinges upon a cosmic event that upsets the Earth's equilibrium, causes an imbalance of weather conditions and other natural forces, resulting in widespread panic’ (EAFA Database)."


Happy Day

Date produced: 1934

Filmmaker(s):

T. Lawrenson

Description:

"In the Home Movie field, Lawrenson submitted a fine document of a day with his little 2-year-old daughter. The main portion is given over to a day at the seashore. But he gives reasons for everything he does even to going home. He shows a storm coming up and after the family has arrived safely at home, the little looks out of the window while the raindrops patter on the windowpane." American Cinematographer, Jan. 1936, 24.


Total Pages: 299