El filme retrata la forma de vida en la mar.
The film portrays the life on the sea.
Una película sobre el proceso de hacer las cuerdas/amarras de los barcos.
A film about the process of making the strings/moorings of ships.
"Dramatized documentary: Depicts life in the Belgian Congo and French Cameroons." National Archives.
"Portrait of Calhoun School, founded in 1892, and its vocational work among rural African Americans of Lowndes County, Alabama. The film shows the living conditions of the poor and illustrates how the school makes a difference in health education, agriculture, and road construction." The Field Guide to Sponsored Films.
"On college student work campers from the Hartwick Seminary and the farmers' cooperative movement in Cooperstown." National Archives.
Film treatment of the poem "When the Frost Is On the Punkin" by James Whitcomb Riley. Intertitles with text from the poem are interspersed among images that match the themes and content of the poem. The scenes include shots of harvest work, fall scenery, turkeys, and pumpkins.
"This film shows a newspaper delivery boy, Douglas Woodley, son of Charles Devenish Woodley, on his route." Library and Archives Canada.
"Shows children at a sugar bush in Ontario in springtime." Library and Archives Canada.
"Film about the Woodley’s at their place in the country." Library and Archives Canada.
"El guión tenía una fuerte influencia de La hora de los hornos, y tendía a la explicación pedagógica de las condiciones de opresión, mostrando la diferencia entre la forma de vida de ricos y pobres y con una explicación sencilla de cómo el capitalismo sienta las bases de una explotación que finalmente es la base de las razones de la huelga [El filme muestra la huelga de Rivetex en Cuernavaca] . El título de la película (Nosotros sí existimos) jugaba con el término legal que había declarado la huelga inexistente" (Vázquez Mantecón, 2012). "The script had a strong influence of The hour of the furnaces , and it tended to a pedagogical explanation of the conditions of oppression, showing the difference between the way of life of the rich and the poor, along with a simple explanation of how capitalism sets the basis for exploitation, which is the origin of the strike [The film portrays the Rivetex strike in Cuernavaca]. The title of the film [We do exist] played with the legal term that had declared the strike non-existent" (Vázquez Mantecón, 2012).
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Amateur Cinema