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Of Love and Service

Date produced: 1960

Filmmaker(s):

Glen H. Turner

Description:

"Black and white film documenting the life experiences of Lorena E. Washburn in Manti, Utah. Film highlights Lorena's years of service to her community, Church, and family." Church History Library.


Brigham’s House

Date produced: 1960

Filmmaker(s):

Glen H. Turner

Description:

"Color film featuring historic buildings in central and southern Utah. Most of the film is about Brigham Young's house in St. George, Utah. Film shows inside and outside features of the house." Church History Library.


Ah, verda’? [Ah, right?]

Date produced: 1973

Filmmaker(s):

Sergio García Michel

Description:

" Ah, verda'? planteaba una extraña combinación entre la militancia política y la contracultural. Jugaba con el ataque a los símbolos del orden nacional y estatal (la bomba en el Monumento a la Revolución y en el PRI, los judiciales persecutores), la crítica a la sociedad de consumo representada por la huida de la pareja de jóvenes entre los espectaculares, la liberación sexual (la combi zarandeada porque dentro hacen el amor, o la urgente calentura de los monjes una vez que han probado el LSD y cruzado las puertas de la percepción), y la representación de la fantasía jipiteca de que el mundo sería más alivianado si todos probaran las drogas duras" (Vázquez Mantecón, 2012).

" Ah, verda' [Ah, right?] was a strange combination between political and countercultural militancy. It played with the attack to symbols of state and national order (a bomb in the Monument to the Revolution and in PRI offices [Revolutionary Institutional Party], the chasing police men), a critique to a consumer society represented by a young couple running away in between billboards, the sexual liberation (a truck shaken because someone is making love inside, the sex desire of monks once they have tried LSD and crossed the gates of perception), and the representation of the mexican hippies' fantasy in which the world would be cooler if everyone tried hard drugs" (Vázquez Mantecón, 2012).


Cura Alavés, Un [An Alaves Priest]

Date produced: 1975

Filmmaker(s):

José Ramón Aguirrezabal

Description:

A priest concerned with a couple living together without being married asks for a miracle, he prays for someone in the couple to become ill so that they will value life and the need to follow the precepts of religion.


Fin, El [The end]

Date produced: 1970

Filmmaker(s):

Sergio García Michel

Description:

"Una historia sobre el acoso sufrido por la juventud por parte del mundo de los adultos. La posición alternativa del grupo [de realizadores] se hacía explícita desde las primeras tomas, en donde los créditos aparecían escritos en las paredes de una casa en ruinas, omitiendo los apellidos y dejando solo los nombres de pila de quienes participaron" (Vázquez Mantecón, 2012).

"A story about the harassment suffered by the youth from the adult world. The alternative position of the group [of filmmakers] was made evident from the first shots, where credits appeared written on the walls of a house in ruins, omitting last names and leaving only the first names of the participants" (Vázquez Mantecón, 2012).


Coronation Tree, The

Date produced: 1938

Filmmaker(s):

A. I. Willinsky

Description:

"Item is a documentary film about the rationale for, the construction of, and the opening ceremonies of the Holy Blossom Synagogue. Seen are shots of the crowded and dim classrooms within the old Bond St. Synagogue, its predecessor. Also seen are scenes of the official sod turning, the laying of the corner-stone, and some of the construction work on Holy Blossom at its new location at the corner of Bathurst Street and Ava Road. These are followed by various scenes of the new building’s interior and exterior. The film ends with the May 16, 1937 official opening ceremonies of, and the transfer of the Torah scrolls to, the new facility. Identified in the footage is Edmund Scheuer." Ontario Jewish Archives.


Hermanas, Las [The sisters]

Date produced: 1971

Filmmaker(s):

David Celestinos

Description:

"Celestinos filmó la cinta en una vieja casa de Chimalistac, al sur de la Ciudad de México. Según la historia en ella habitan dos hermanas que viven un encierro real y metafórico a causa de su sexualidad reprimida. Las primeras imágenes de la película muestran a una de ellas vestida de novia, mientras que otra lleva la cola del vestido. La escena da pie a un erotismo doloroso: una de ellas se acaricia para que la cámara muestre en close up sus lágrimas. Un flash back nos muestra la causa: el momento de su infancia en que una monja de visita en la casa le dio manotazos por haberle mostrado una imagen de una mujer desnuda que encontró por casualidad. El personaje busca liberación. (...) La otra hermana también busca salir de la casa (emblema del ámbito doméstico familiar), y encontrar su libertad sexual" (Vázquez Mantecón, 2012)

"Celestinos filmed the tape in an old house in Chimalistac, south of Mexico City. According to the story, the house is inhabited by two sisters that live in a real and metaphorical confinement because of their repressed sexuality. The first images of the film show one of them dressed as a bride, while the other carries the tail of the dress. The scene is followed by a painful erotism: one of the caresses herself to make the camera show her tears in close up. A flash back shows the cause: the moment of her childhood when a nun hits her hands because she showed her a picture of a naked woman that she found by chance. The character seeks liberation. (...) The other sister is also looking forward to leave the house (emblem of the familial domestic scope), and to find her sexual freedom" (Vázquez Mantecón, 2012)


Hawaiian Holiday: A Pictoral Presentation of the Paradise of the Pacific

Date produced: 1947

Filmmaker(s):

A. I. Willinsky

Description:

"Item is a film of a trip to Hawaii taken by Dr. Willinsky and his wife, Sadie. In the form of a travelogue, footage of Hawaii's landscape, vegetation, landmarks and local population is interspersed with captions that were added in by Dr. Willinsky to provide information about the country's culture. Footage includes shots of sites around Honolulu and Waikiki, surfers, Hawaiian flowers, churches and temples, sugar cane farming and singers performing outside a hotel. Sadie is occassionally spotted exploring the sites and interacting with locals."


Trinidad Trails

Date produced: 1946

Filmmaker(s):

A. I. Willinsky

Description:

"Item is a film production of Dr. Willinsky's trip to Trinidad with his wife, Sadie. Filmed in the form of a travelogue, Willinsky intersperses footage of landmarks and the local population with captions that provide information about the country and its culture. Included are shots of sites around Port-of-Spain, cathedrals, mosques, a cricket match, a cocao bean farm, and the local population carrying out their daily activities. Sadie is regularly spotted sight-seeing and interacting with locals." Ontario Jewish Archives.


France and Spain

Date produced: 1954

Filmmaker(s):

A. I. Willinsky

Description:

"Item is a film of a trip to Spain taken by Dr. Willinsky, his wife, Sadie, and some of their friends. Despite its title, the film does not contain footage of France. In the form of a travelogue, footage of landmarks, the local population, and the Willinsky's activities are accompanied by music and Dr. Willinsky's commentary. Footage includes shots of the Square of Spain, Sadie walking along the streets of a shopping district, churches and monasteries, a boat cruise from Palma to Figuera, a spring festival procession and dancing in Majorca. Most of the scenes were taken in Palma and Majorca." Ontario Jewish Archives.


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