"The Toilers, a 150 ft. Kodacolor reel made by Arthur G. Greaves, demonstrates the continuity possibilities of Kodacolor, a much neglected aspect of amateur color movies. Men at work — in the harbors, along the seacoast and inland, caring for flocks and harvesting grain — is the motif of the picture, relieved by a few glimpses of men and children at play. The picture is distinguished by beautiful photography of consistent quality and by a smooth succession of moving compositions in color. These qualities, combined with a clear continuity, give the film much more unity than is usual with Kodacolor reels. This is one of the all too few Kodacolor films that may be viewed as a subject possessing an artistic purpose as a whole, rather than as a series of separate scenes and sequences. Its chief color triumph is, perhaps, in the scenes of the harvesting against the background of fields of golden grain." Movie Makers, Dec. 1931, 658.
"Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging operations, other vessels, etc. One sequence shows a Kelly raft of aviation spruce being broken up; another shows logs being unloaded from the log barge 'Monongahela' (formerly the ship 'Balasore', whose figurehead is shown sitting on shore). The B.C. Packers cannery at Quathiaski Cove is shown. Troops arrive at Nanaimo from Vancouver on the 'Princess Victoria' and parade through the streets" British Columbia Archives.
"The Tokyo Olympics, 1964 takes us to Tokyo and the Olympic games and provides us with a ringside seat for the numerous events that composed this athletic activity. Bad weather cannot be helped in a work of this kind, but the results in this picture did not suffer because of any inclement weather. For cut-aways we see the Emperor of Japan in his box, the smiling faces of the Orientals in the audience, and even an occasional glimpse of the cold drink hustlers charging 50 yen for a bottle of Coca Cola" PSA Journal, Sept. 1965, 51.
"Brickett Bridge, Andover Maine was built in 1871 of native spruce lumber. It served its purpose well until 1948 when it was replaced with steel and concrete." oldfilm.org
‘Camera pans over cottages in the village of Tolleshunt D’Arcy. Paintings of the coronation are shown followed by a photo of Queen Elizabeth II. A shot of the church with two old men sitting on a bench by the road. Another shot of the church followed by a sign post for the village and the Union Jack flag flying. A man goes into a telephone box in the middle of the village as a bus drives past. Flags and bunting decorate the village. Two women come out of a shop. One woman gets onto a bike and the other walks away. There is a shot of Tolleshunt D’Arcy Post Office and the postmistress, Miss Blaxhall, comes out under the filmmaker Joyce Allingham's direction. The baker puts up coronation decorations outside his shop and people put decorations on string around the village. A little girl waves a Union Jack flag. Close up of a girl and boy decorating pots using red, white and blue ribbon. Shots of people decorating their gardens. Two people come out of a Co-operative store and a little girl walks down the street carrying a basket. Mr and Mrs Emeny come out of the Thatcher’s Arms and another couple walk out of the front door of their cottage and smile at the camera. A woman wraps red, white and blue ribbon around her bird table and another woman carries a crown on a pillow. Camera pans across the street to show the villagers decorating. Children play in the street and a father lifts his little girl up to the camera and they both wave. People stand in a group and look at the camera. Miss Jessie Bacon looks through the window of Salter Lodge. Shot of the decorated D’Arcy Motors garage. The owner stands outside the garage where the Castrol oil and Esso petrol is sold. The proprietor, his wife and dog stand outside the Red Lion pub. Joyce’s sister, Margaret Allingham, and Margaret's husband, Philip Youngman Carter, stand outside their home in the main street. They then pose by the front door of D’Arcy House. Shot of a dog sitting in the garden. Close up of a woman hanging her washing on the line. Various shots of villagers going to church. A woman and her two children stand outside their home looking at the camera. A man climbs up a ladder to put up some bunting. Various villagers pose for the camera outside their homes and shops. One man cuts a rose and smells it. A car drives along the road followed by a shot of people coming out of a village shop. Shot of people looking out of the windows of the Queens Head pub and standing outside the tobacconist shop. Various shots of villagers standing outside shops and houses. A poster introducing the Tolleshunt D’Arcy Coronation Celebrations, June 2nd 1953 at the grounds of D’Arcy House. The poster states that there is a television in the village by Radio Vision, Maldon. It gives the line up of events for the day: Parade meet at The Maypole at 1.40pm followed by 3.45pm Sports; 4:30pm Sit Down Tea For Children; 5.00pm Running Buffet For Everyone; 5.40pm Sports Continued; 7.15pm Presentation of Prizes; 8.30pm Dancing in The Village. The procession of decorated lorries, vans, prams, cycles and fancy dress is shown. Camera pans over the people in the crowd dressed up in costumes. Close ups of the carnival floats driving past the camera. Children participate in various relay races. The film ends with scenes of a pram race with men dressed as women and the adult 'babies' drinking pints of beer’ (EAFA).
"How tomatoes change from blossom to fruit -- Frame by frame shots of tomato blossom giving birth to tomato -- Care of tomato plants." UC San Diego Library.
"The Tombs Of The Nobles, 400 ft., 16mm., is distinguished both in its subject matter and technical triumph over seemingly insuperable photographic odds. In it Mr. Hansen has achieved a clear and valuable record of Egyptian art and history as he found them presented on the interior walls of countless Egyptian tombs. Only by a careful placing and manipulation of sheets and mirrors in the cramped space of each tomb was Mr. Hansen able to cast sufficient light from the doorways onto the hundreds of paintings which he photographed. The film's continuity has been planned and edited in a simple, documentary style, adapted for use as an informal lecture subject. Its technical accomplishment seems unparalleled in the annals of amateur filming and has been well employed in recording subject matter entirely different from the general amateur picture." Movie Makers, Dec. 1931, 658.
"Film documents the Royal Visit of King George VI and Queen Elizabeth in Toronto May 22, 1939. Film shows the royal party traveling through the city and at various locations including Union Station, City Hall, Queen's Park, and Exhibition Place. The Toronto Movie Club presents the film, which was shot by over 25 club members staged at different locations. "The Toronto Movie Club : Its first fifty years, 1934-1984" pp. 14, 15, provides additional details about this film including the fact that many copies of the film were sold and one copy was presented to the King and Queen." Archives of Ontario.
"Film record of a visit to North Devon comprising shots of local beauty spots, visitor attractions and the activities of locals and tourists." (EAFA database)
Total Pages: 203
Amateur Cinema