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Home Movies

Date produced: 1941

Filmmaker(s):

Fred Evans

Description:

" 'Oh, would some power the giftie gie us, to see ourselves as others see us.' In a sophisticated, fast moving satire, Fred Evans has struck at some of the blights of amateur movie making and screening. Turning his opening guns on tyros who ignore the instruction book which accompanies a new camera, Mr. Evans proceeds in a light, witty manner to poke cine fun at those movie makers who insist on learning the hard way. The picture continues on its farcical path, pausing now to watch invitations being telephoned for a screening of an as yet on-existent film and again to sympathize at the scene of frantic last minute editing. Home Movies has as its climax, of course, the fiasco of the screening, which should not be "tipped off" by a verbal preview. Compact and restrained, this movie offers meaningful as well as light entertainment." Movie Makers, Dec. 1946, 471.


Hooked

Date produced: 1934

Filmmaker(s):

Walter Mills

Wendell Patton

M. P. Gamber

L. Thorny

Description:

"Hooked, an 8mm. comedy by the Grand Rapids Movie Makers, was intended as a straight drama of the trout streams. It has ended, however, as a delightful farce of a movie club trying desperately to complete such a picture — and is probably the better because of this mid production metamorphosis. For, although the first and original section of the picture is wholly charming and well photographed, it is in the latter section that the film picks up spirit, sparkle and definite dramatic power. It is in this part that the producers have conceived and executed a number of cinematic coups, climaxing them with a stunning multiple exposure sequence probably never before equalled or even approached in this medium. Walter Mills, ACL, L. Thorny, ACL, M. P. Gamber and Wendell Patton, of the Grand Rapids club, continue and enhance, with this film, their rightful reputation as most able advocates of 8mm." Movie Makers, Dec. 1934. 534.


How to Use Filters

Date produced: 1940

Filmmaker(s):

Kenneth F. Space

Description:

"Simplicity and directness mark How to Use Filters, made by Kenneth F. Space for the Harmon Foundation. A teaching film must be free from overburdening theory. Mr. Space knows when to forget the deep dark secrets of theory and when to speak out about the actual, practical facts. His film was well filmed, and the subject matter was chosen to present the case clearly and in an interesting fashion. The user of a movie camera will learn more about filters from seeing this film than he can gain from reading many pages on the subject. It tells just what to expect from various filters and stresses the results obtained from their use more than it does the reasons why they work. Mr. Space's movie is one of the few educational films which are simple enough to be effective." Movie Makers, Dec. 1940, 604.


How to Use Your Camera

Date produced: 1938

Filmmaker(s):

Kenneth F. Space

Description:

"A milestone in the pedagogy of personal movie making, How to Use Your Camera, produced by the Harmon Foundation and photographed by Kenneth F. Space of that organization's staff, is a simple and straightforward exposition of the fundamentals of camera operation. This picture, reel one in a forthcoming series of releases to be entitled You Can Make Good Movies, is marked by attractive and technically superior photography. The remarkable restraint exercised in planning and directing the picture is its outstanding virtue because, although the principles of camera manipulation covered are elementary and brief, they are crystal clear. It would have been easy to have covered too much ground in a one reel film of a technical procedure, and, in restricting the scope of the picture, the producer showed astonishing understanding of both the movie medium and of the technique of teaching movie making. The photography is beautiful, the sequencing and editing exquisite gems, in themselves examples of good technique, and the titling is excellent. Movie Makers will be impatient to see the companion reels in the series, and the Harmon Foundation deserves acclaim for its pioneering work." Movie Makers, Dec. 1938, 618.


Just the Ticket

Date produced: 1969

Description:

"Just the Ticket is an 8mm entry from England by the Altrinecham Cine Club. This film will particularly appeal to the average film maker, for it deals with one of the devious ways of obtaining additional filming equipment without too much static from the little wife. A good trick if you can get away with it. But then, you may have to face the consequences as the film reveals. It's in color, all 17 minutes of it, and is especially recommended for wives of movie makers. Winner of the Best Club Film Award," PSA Journal, Mar. 1970, 43.


Kaleidoscopio

Date produced: 1946

Filmmaker(s):

Roberto Machado

Description:

"Kaleidoscopio, by Dr. Roberto Machado, is a brilliant and provocative study in abstractions, filmed in its entirety through a kaleidoscope. Dr. Machado's cinematic extension tube, however, is quite obviously not the familiar small toy of one's childhood: in one sequence, delicate human fingers are deployed before the device, while in another a set of colored, kitchen measuring spoons do a gay dance in multiple. The lighting — which traditionally was transmitted only through the base — ranges from that type (through gleaming balls of crushed cellophane) to reflected illumination on an assortment of children's marbles. Billed by its producer as a "film musical," Kaleidoscopio is indeed instinct with strong rhythmic patterns and pulsations. The picture is an exciting and imaginative advance along the ever widening frontiers of personal motion pictures." Movie Makers, Dec. 1946, 471.


Last Entry, The

Date produced: 1932

Filmmaker(s):

James F. Bell, Jr.

Description:

"Among the ten best, The Last Entry, running seven reels 16mm., is one of the most ambitious amateur photoplays ever undertaken and completed. The plot, requiring many elaborate interior sets, is based on a mystery story that opens with a house party. While a room is darkened for the projection of amateur films, one of the guests is murdered and all present may be suspected equally. The detective handling the case uncovers the fact that the murdered man, an author, has lived on blackmail effected by threats of exposure through publication, which throws suspicion on several of the guests of the house party who were discovered to be his victims. However, in the end, the murder is solved by screening the same pictures that were on the projector when it was committed. Although this plot offered great difficulties in the direction of large group scenes, the creation of the necessary lighting effects and the interpretation of the actors' roles, it is beautifully and suavely handled. In the film are several lighting treatments that may be listed as among the most effective ever achieved by amateurs. One chase sequence staged through long corridors, a large, dimly lighted attic and on the roof of the mansion at night in the rain, can be likened only to the effects secured in the best professional mystery photoplays. James F. Bell, jr., ACL, was director with Charles H. Bell, ACL, and Benjamin Bull, jr., ACL, cameramen and Lyman Howe, ACL, in charge of lighting." Movie Makers, Dec. 1932, 537-538.


Last Reel, The

Date produced: 1986

Filmmaker(s):

Arthur H. Smith

Description:

"An edited home movie by Arthur H. Smith of Smith's later years, living with his wife Blanche in Big Bear Lake, California, including a description of his filmmaking process." Archive.org


Lenses and Their Uses

Date produced: 1940

Filmmaker(s):

Kenneth F. Space

Description:

"On use of camera lenses to produce desired photographic effect. Demonstrates functions of different lenses." National Archives.


Making of Dinosaur Dream, The

Date produced: 1995

Filmmaker(s):

Sidney N. Laverents

Charlotte Laverents

Description:

Documentary film chronicling the background and production of Dinosaur Dream (1995), which Sid Laverents made in his late-80s with assistance from his wife, Charlotte.


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