"A schoolboy in need of material for a geography theme launches Five Days From Home, as Dad gets out the movie projector and shows Son the cine harvest of his summer holiday. Among the points covered in a whirlwind auto trip from New York to Canada are Quebec City, Montmorency Falls, a Canadian pulpwood mill and Ausable Chasm, in New York State. Mannie Lovitch's handling of these subjects is always competent, occasionally excellent. His inquiring camera found many scenes of quaint charm in the old St. Lawrence city, and his full scale visual treatment of the pulp mill is sustained in interest by a superb bit of scoring with modern music by Virgil Thompson. Of especial note is Mr. Lovitch's mobile cross-cutting of the three to four themes which make up his coverage of the usually difficult Ausable Chasm." Movie Makers, Dec. 1948, 493.
"New England Holiday is the kind of travel film any movie maker should be proud to produce. Replete with human interest and a warm feeling of good fun, this two reel record is distinguished by a wealth of splendid compositions and natural camera treatment. Albert F. Watts has lavished on such typically New England subjects as Gloucester harbor, the fishing fleet or a clam bake the sensitive feeling of an artist for line and mass and the alert understanding of cinematics of a genuine movie maker. Smoothly integrated sequences have been edited with unerring suavity and liveliness, comprising a whole which is both vital and lovely to look at. The production is fundamentally weakened only by a selection of title wordings considerably less spirited and effective than the films which they accompany." Movie Makers, Dec. 1938, 620.
"Beach Holiday, an 8mm. story in Kodachrome, deserves high praise because of its smooth and interesting treatment of material that is directly within the reach of every movie maker. Made by Raymond O'Connell, this subject is a fine example of natural continuity, done in a simple, straightforward manner. The interior shots, which show the family getting up in the morning, their planning and preparation for a day at the beach and, at the end of the film, their return home, afford excellent examples of good exposure and technical work on 8mm. interior scenes. Many of the transitions are well planned, notably a clever shot which shows the final packing of the picnic hamper at home. Its cover is raised in the kitchen, so that the hamper fills the entire frame. The cover is then lowered, revealing a beach scene in the background. The outdoor work gives an excellent exposition of a day at the beach, complete with swimming, sports and boardwalk amusements." Movie Makers, Dec. 1937, 628.
"Among the Ten Best, A Christmas at Home, by Edmund Zacher, II. ACL. is a lovely mine of bright gems which glows with all the warmth and color so surely associated with this festive season. Although essentially of slow pace, the film never once loses appeal, as it presents with loving and tender enthusiasm the countless minutiae of beauty which blend into the charm of Christmas at home. Mr. Zacher's color photography, predominantly interior, is crisp and delicately beautiful, while his sensitive selection of material and cunning choice of angles are an unfailing delight. Multiple exposures of such charm and flawless craftsmanship as almost to defy detection adorn his opening and closing sequences, and the entire production is pleasantly scored with appropriate music and sound effects. More than once a previous winner in these annual selections, Mr. Zacher seems not yet to have reached the full measure of his fine skill with camera and film." Movie Makers, Dec. 1935, 534.
"Bringing Kodacolor indoors was the task E. M. Barnard, ACL, set for himself in Christmas 1933, and the result is a 400 foot reel of very charming Christmas studies. One of the few attempts at a complete personal story in color, this picture presents a well photographed and adequately planned film of the youngsters' enjoyment of the holiday. Exposure for interior Kodacolor seems to be no problem to Mr. Barnard, for the majority of his scenes have perfect color rendition as well as very effective and interesting lighting. Some of the studies of his small daughter have an appealing loveliness that is impossible to get in black and white, for they present the very delicate flesh tones with perfect faith as well as the colors of costumes and incidental Christmas background. This film marks a new step in personal indoor filming and leads the way to more extensive use of the color medium by artificial light." Movie Makers, Dec. 1934, 546.
Total Pages: 2