"A Vacation with Lucy Carlisle, Margaret Pinkham, Virginia Carlisle." oldfilm.org
Documental corto sobre el pueblo de Villa de Corres. El filme comienza con varios paisajes de los alrededores y planos de montañas y el río. A continuación se muestra el pueblo, aparecen casas, el río, calles y algunas partes características como el Castillo, el hospital, la iglesia de San Esteban, el bebedero, la fuente , la plaza, etc. También aparecen algunas personas mayores y niños por las calles. Se comenta que es un pueblo con una población de 30 habitantes pero que es uno de los pueblos más longevos de la provincia de Álava.
Short documentary about a town called Villa de Corres. The film begins with several landscapes of the surroundings and shots of the mountains and the river. Then the film shows the town, houses, the river, streets, and some landmarks like the Castle, the hospital, the San Esteban church, the drink fountain, the fountain, the square, etc. Some older persons and children are also seen. It is said that the town only has a population of 30 persons, but that it is one of the longest-living towns in the Alava province.
Una película que invita a hacer un viaje por la Rioja Alavesa, en especial por el pueblo de El Villar. Un recorrido que muestra los edificios, los paisajes naturales y su
A film that invites to make a trip through the Rioja Alavesa region, specially through the El Villar town. A journey that depicts buildings, natural landscapes and the people of the region.
"Playful family montage by the experimental filmmaker who headed the USC School of Cinematic Arts from 1949 to 1951" centerforhomemovies.org
"Whither Flowing," depicts the nervous evils caused by parents in the thoughtless upbringing of children. The drama was compactly told, well acted and directed, and was marked by unusual photography." Photoplay, Nov. 1929, 67. "...Whither Flowing is a psychological study of hysteria.... Dr. Heise's Whither Flowing won second award in the dramatic division of the recent Photoplay Magazine contest...” Movie Makers, Feb. 1930, 104.
"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid presents a comedy of manners featuring a mysterious arrival from a distant land. A family endure a group photograph, taken by their maid, but are interrupted by the arrival of a letter announcing the imminent visit of an Australian cousin named Kit, and his companion, named only as 'Pilkington'. The daughter speculates over the identity of Pilkington, hoping for a notorious Australian bushranger, but Cousin Kit arrives accompanied only by a large cardboard box. Inside is the answer to all their questions - a dog - the very same Mr. Pilkington. But will Kit and Pilkington upset the normal balance of the family? Or will the family only upset their Antipodean cousins? And will Kit achieve his aim of finding an English wife?" (EAFA Database)
"The Will and the Way is a simple story of '"little people" — but it looms large in its appeal to the human heart. There are, in its tender adventures, the laughter of sympathy and the tears of pathos. From these, as from any great expression of beauty, there comes the genuine and ennobling uplift of the spirit which is so rare in a workaday world. Chester Glassley has been equal to his task. His photography, both indoors and out, is as nearly flawless as skill and patience will permit. His camera treatment is marked by a wise concentration on close views, a dramatic selection of angles and a fine sense of matching and contrasting color values. Good cutting, paired with a brilliantly executed montage sequence, rounds out the technical achievements. But his greatest production triumph lies in the casting and direction of the two lead players, who bring to the amateur screen its most genuine and sensitive acting to date. A young wife is to have a baby. Because of a harsh experience with a rum sodden doctor, she turns blindly toward the thought of going only to a specialist, a great obstetrician, famed both for his fine care and his $1000 fees. Her young husband's reaction as he learns of this feeling is the simple theme of the entire story: "I don't know where we'll get the money, but if that's the doctor you want, then that's the doctor you're going to get!" From then on. life for the young couple is a race against time, punctuated for the husband by a frantic search for cash, which leads him through the indignities of a pie eating contest, the insults of '"amateur night" and the bruises and battering of a vastly unequal prize fight. But the baby wins in the end. The harried father collects only three hundred dollars of the specialist's fee, a sum he begs the great doctor to accept as a down payment. This the physician does, only to return the entire amount later — with a receipted bill — as his tribute to the boy's courage. The Will and the Way is a short, unassuming film, made technically with the simplest tools provided by the craft. But, in its unfailing imagination, its moving tenderness and. above all. in its deep understanding of the human heart, this film is a proud peer among its colleagues of the Hiram Percy Maxim Award." Movie Makers, Dec. 1940, 576-577.
"Any husband who has ever cast a wandering eye in the direction of a neighboring redhead should appreciate the husband and wife shenanigans related in The Wolf's Tale, by George A. Valentine. In addition to its redhead, and further complications, Mr. Valentine's film has the great merit of brevity, though it includes several travel shots and a little family background as well as its smoothly told story. Basically, however, the moral of The Wolf's Tale is: Leave redheads alone." Movie Makers, Dec. 1948, 495.
"Most Christmas films seem to be concerned with only one aspect of this December holiday — the gaiety of family life around the tree, opening presents and a festive dinner. Grace Lindner has recorded the material side of the season in the early footage of her film, Xmas Time, as she shows gleaming shop windows, hurrying shoppers, decorated doorways and members of her family around the hearthside. But in a smooth transition from a creche under the tree to the children saying their prayers, she ends her film with a series of architectural studies of the spires and bell towers of churches, filmed through bleak branches against a winter sky. This moving climax, accompanied by a choir recording of The Lord's Prayer, admirably fulfills her aim to portray the triumph of the spirit of Christmas over the baser observances." Movie Makers, Dec. 1951, 412.
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