"Item is a film of a trip to Spain taken by Dr. Willinsky, his wife, Sadie, and some of their friends. Despite its title, the film does not contain footage of France. In the form of a travelogue, footage of landmarks, the local population, and the Willinsky's activities are accompanied by music and Dr. Willinsky's commentary. Footage includes shots of the Square of Spain, Sadie walking along the streets of a shopping district, churches and monasteries, a boat cruise from Palma to Figuera, a spring festival procession and dancing in Majorca. Most of the scenes were taken in Palma and Majorca." Ontario Jewish Archives.
"Item is an audio-visual production of Dr. Willinsky's Hellenic cruise near Greece with his wife, Sadie. Production contains footage of the ancient ruins and other landmarks they visited, including sites in Mycenae, Pergamum, Athens, Troy and Gallipoli. In the form of a travelogue, music and Dr. Willinsky's commentary accompanies images for about the first 30 minutes. The remainder of the production is mute." Ontario Jewish Archives.
"Item is an audio-visual production of Dr. Willinsky's trip to Israel. In the form of a travelogue, Willinsky accompanies footage of landmarks, ruins and the local population with audio commentary. The production includes a brief discussion of the formation of the state of Israel and features various cities, such as, Jerusalem and Tel-Aviv. Sadie [Willinsky] is occassionally spotted in the footage interacting with locals and visiting the homes of friends." Ontario Jewish Archives.
"Item is a film taken by Dr. Willinsky of a trip to Italy. In the form of a travelogue, footage of landmarks, ruins and the local population is interspersed with captions that were added in by Dr. Willinsky to provide information about the country's history and culture. Although the title highlights the film's documentation of Rome and Naples, other Italian cities are featured as well; including, Pompeii, Florence and Venice. Dr. Willinsky's wife, Sadie, is occassionally spotted in the footage with travel companions who are probably relatives or family friends." Ontario Jewish Archives.
"Item is a film taken by Dr. Willinsky of a trip to Rome, Italy. In the form of a travelogue, footage of landmarks, ruins and the local population are interspersed with captions that were added in by Dr. Willinsky to provide information about the country's history and culture. Included are shots of the Pantheon, the Colosseum, a Roman market, the Appian Way and dinner at a Roman restaurant. Dr. Willinsky's wife, Sadie, is occassionally spotted in the footage with travel companions who are probably relatives or family friends." Ontario Jewish Archives.
"This rare footage of Seattle and environs in the 1930s was shot by amateur filmmaker Iwao Matsushita. See downtown streets and sidewalks, Lincoln Park, Seward Park, Volunteer Park, a UW football game, rambunctious kitties and other surprises from more than 60 years ago." Seattle Channel.
Footage of residential Los Angeles after a snowstorm in 1932. Opens with an Amateur Cinema League leader and a stop-motion animated title.
"Luz externa fue una de las producciones más ambiciosas del súper 8 mexicano. El guión se basaba en el monólogo de Ernesto, un machín jipiteca, que relata a un amigo las peripecias con su novia Raquel. Posteriormente el guión sirvió como la base del cuento con el mismo título que apareció como parte del libro El rey se acerca a su templo. Tanto la película como el cuento se abocaban a describir el abanico amplio de la juventud clasemediera urbana contracultural que había aparecido a fines de los años sesenta y principios de los setenta: los macizos que acceden al consumo de drogas, las muchachas de buena familia que se acercan a ese mundo, los nuevos conversos a la revolución social o los intelectuales que participan del ambiente con simpatía" (Vázquez Mantecón, 2012).
"Luz externa [External light] was one of the most ambitious productions of the Mexican super 8. The script was based in the monologue of Ernesto, a 'machin' hippie, that tells a friend about his adventures with his girlfriend Raquel. The script served later as the base for a short story with the same title that appeared as part of the book El rey se acerca a su templo [The king approaches his temple]. Both the movie and the short story described the wide range of the middle class urban countercultural youth that emerged at the end of the sixties and the beginning of the seventies: the strong men that had access to drugs, the girls from good families that entered that world, the new converts to social revolution or the intellectuals that sympathize with that ambiance" (Vázquez Mantecón, 2012).
"Era una película muy sencilla, filmada al estilo de cine directo, que seguía los pasos y la vida de un personaje urbano singular: un hombre que acompañado de su perro recorre las calles de la ciudad, las barriadas miserables. La cinta lograba momentos de una gran intimidad al mostrar la vida de este paria solitario y marginal, como aquel en que comparte con su perro un pastel para celebrar su cumpleaños en la soledad de su cuarto" (Vázquez Mantecón, 2012)
"It was a very simple film, made in the style of direct cinema, that followed the steps and the life of a singular urban character: a man that in the company of his dog walks through the city streets, the miserable neighborhoods. The film achieved moments of great intimacy by showing the life of this lonely and marginal pariah, like the moment when he shares a cake with his dog to celebrate his birthday in the loneliness of his room" (Vázquez Mantecón, 2012)
"Title onscreen indicates that the footage shows an outing of the Munich amateur film club to Dachau, 1942. . . . They arrive at the station and begin filming in the residential/commercial areas of the town (NOT the camp)." United States Holocaust Memorial Museum.
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