Documental sobre el ciclo de vida de la mariposa Papilo Machaón, desde su fase inicial como larva hasta su forma final como mariposa. “En el atardecer, descansan las mariposas esperando al nuevo día para continuar su misión, libando y fecundando flores, manteniendo así el equilibrio ecológico del fascinante mundo de la naturaleza”. (Papilio 1980)
Documentary about the life cycle of the Papilo Machaón, from its initial stage as a larva until its final form as a butterfly. "At sunset, the butterflies rest awaiting the new day to continue their mission, absorbing polen and pollinating flowers, maintaining the fascinating ecological equilibrium of the natural world. (Papilio 1980)
"Some of the most beautiful insects of France. Coleoptera (beetles, beetles, longhorn beetles, etc.). Lepidoptera: eggs, caterpillars, pupae, accelerated birth (zygène), slow flights (papilio, zygène, sphinx, etc.). Parasitic and predatory insects: braconid, pentatomide, ammophile, mantis." rough english translation of a description provided by Canal-U.
"The Monarch Butterfly, winner of the MPD Nature Film Trophy, depicts the life cycle of this well known butterfly and shows the various stages through which it must pass" PSA Journal, Sept. 1966, 35.
"The Butterfly with Four Birthdays is a well done documentary on the life cycle of the Anise Swallowtail (Papilio Zelicaon). The Zelicaon, often mistaken for the Monarch, lives in the Western United States and lays her eggs on the anise plant, also known as sweet fennel. From the egg comes the baby caterpillar, thirdly the pupa or chrysalis stage, and finally, on its fourth birthday, the butterfly. This film also received the MPD Nature Film Award" PSA Journal, Sept. 1965, 50.
"The monarch butterfly comes home to the butterfly trees at Pacific Grove, California, from Canada and the Pacific Northwest, in the early fall. School children, with the help of the grownups, stage a colorful parade in honor of these monarchs. The habits and complete life cyce unfold before us; the butterfly, eggs, larva or caterpillar, chrysalis, and the emergence of the new butterfly. A fascinating subject presented beautifully" PSA Journal, Nov. 1960, 40.
"A study of the Wanderer Butterfly presented in an interesting manner. Making full use of extension tubes and telelenses, the excellent extreme close-up photography affords the audience a detailed glimpse of the life cycle of this beautiful insect." PSA Journal, Dec. 1955, 36.
"There is a lively and rewarding sense of participation about Nature Campers which, despite its threatening length, should give this picture wide appeal. In it, an eager-eyed group of young people and a few engagingly raffish naturalists pursue their studies of the outdoors with enthusiasm — and sound cinematics. Birds, butterflies, frogs and fish are among the creatures which come before Herbert Shumway's camera. But they come there, not just in the stiff ultracloseups of the studio, but as a natural part of the picture's development. The background musical selections are an enjoyable addition to an entertaining picture." Movie Makers, Dec. 1951, 412.
"Monarch Butterfly Story: This film, with its carefully written and recorded narration, is equally meticulous in its photography which chronicles the life-cycle of the Monarch butterfly from egg to adult. Major Anderson and his wife Claire Louise have collaborated in producing one of the finest studies of insect life ever produced by a non-professional film maker, and already one large educational film distributor is negotiating for its purchase. Employing two Bolex H-16 cameras, the Andersons have produced several excellent sequences in time-lapse photography aided by equipment home-made for the purpose by Mr. Anderson. The picture opens with scenes showing adult Monarchs in natual habitat. Interesting facts regarding the butterfly are told in the narration. Then the egg-laying period is shown, followed by closeups of the egg, hatching of the pupa, and it ultimate growth to an adult through the various stages of metamorphosis natural to the Monarch. It is the meticulous ultra-closeup photography and the perfectly executed time-lapse camera work that gives this production its class, and easily makes it one of the best 16mm color films of the year." American Cinematographer, May. 1951, 190.
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