"In the fall of the year, the late flowers are blooming, the evergreens have about completed their year's growth in preparation for the heavy winter, the deciduous have donned their golden mantles soon to become their winter blanket. All part of the thanksgiving for a bountiful season. The tall golden hillside trees set in a great panorama, interspersed with the dark grenes, the paths carpeted with golden leaves of varying hues of yellow, orange and red. It is here we visit the Mortons with their trailer in the pines" PSA Journal, Nov. 1959, 49.
"Three short film sequences detailing competitions, parades and activities at local Agricultural Shows." (EAFA Database)
"Two Dudes In Montana, by Lester F. Shaal, is an engaging and altogether competent record of a dude ranch vacation. In it, two attractive Eastern youngsters are seen adapting themselves with enthusiasm to the strange and stimulating adventures of Western ranch life. Developing his theme deliberately and in carefully integrated continuity, Mr. Shaal shows his tenderfeet taking to the saddle for safaris which progress from an afternoon's outing to full scale pack trips into the high mountains. The producer brings to this subject matter a fine technical skill with movie tools which has long been his. New and rewarding in his present work is an evolving eye for the appeal of human interest." Movie Makers, Dec. 1948, 496.
Documental corto sobre el pueblo de Villa de Corres. El filme comienza con varios paisajes de los alrededores y planos de montañas y el río. A continuación se muestra el pueblo, aparecen casas, el río, calles y algunas partes características como el Castillo, el hospital, la iglesia de San Esteban, el bebedero, la fuente , la plaza, etc. También aparecen algunas personas mayores y niños por las calles. Se comenta que es un pueblo con una población de 30 habitantes pero que es uno de los pueblos más longevos de la provincia de Álava.
Short documentary about a town called Villa de Corres. The film begins with several landscapes of the surroundings and shots of the mountains and the river. Then the film shows the town, houses, the river, streets, and some landmarks like the Castle, the hospital, the San Esteban church, the drink fountain, the fountain, the square, etc. Some older persons and children are also seen. It is said that the town only has a population of 30 persons, but that it is one of the longest-living towns in the Alava province.
"A detailed study of a Japanese waterside community, emphasising their dependence on boats for most aspects of their lives. Catching fish, getting from home to the fields and taking produce to market. Significant detail of rural subsistence - fertilising fields, cutting rushes and women using foot-powered water wheel." (EAFA Database)
Educational short film showing farming in California, and several mines and ghost towns in Nevada.
Film treatment of the poem "When the Frost Is On the Punkin" by James Whitcomb Riley. Intertitles with text from the poem are interspersed among images that match the themes and content of the poem. The scenes include shots of harvest work, fall scenery, turkeys, and pumpkins.
"The Texas Forest Service was faced with a grave problem. Large parts of Texas were being devastated and deforested by numerous fires. The fires were caused by the idle fancy and carelessness of backwoodsmen. Which He Hath Planted was produced for the Service by Larry J. Fisher, ACL, as part of the campaign to lead these woodsmen into more constructive paths. It is a striking example of how, with imagination, a motion picture can be constructed to fit the needs of a very special situation. Mr. Fisher and the Forest Service had to find a common ground on which to base their appeal against the pyromaniacal instinct. Realizing that, however uneducated, most people from the backwoods have both acquaintance with and veneration for the Bible, they decided to peg their entire film on quotations from the Scriptures. What they have produced is a beautiful welding of applicable Biblical passages, both spoken and sung, to forest scenes, the end result tending to promote the idea that trees are rich and wondrous manifestations of God and are not intended by Him to be destroyed by man's casual whim. The lesson is well taught. But the film imparts a sense of beauty and reverence that far outlives the immediate lesson. For that, Mr. Fisher's blending of music and word and image is responsible." Movie Makers, Dec. 1946, 486.
"White Hearts, filmed by William R. Hutchinson, whose Blossom Forth the Fruit placed in Ten Best last year, presents further evidence of Mr. Hutchinson's understanding of the treatment necessary in handling progressive developments in nature when it is used for educational subjects. This story of celery raising begins with shots of farmers preparing the rich black soil and concludes with sequences showing the produce, packaged, ready for shipment. One of the difficulties overcome was the achievement of variety of value in the scenes showing the white celery stalks in contrast with extremely dark earth. Human interest is introduced by including intimate shots of the workers. Logical progression, interesting compositional effects and a genuine feeling for texture and tactile values make this a fine study picture." Movie Makers, Dec. 1942, 508.
"Shows a traditional wild rice harvest, including parching, threshing or jigging by foot power, and fanning. Participants are the John Chicag family and Gerald Strong." Minnesota Historical Society.
Total Pages: 9
Amateur Cinema