"Of Kings And Queens: This Kodachrome entry endeavors to explain the game of chess to a little girl watching it being played by her father and a friend. Moving in close to the chess board, the camera shows in detail the various chess men and their relation to the game, as an off-stage voice explains this relationship to the girl. C. Richmond Lawrence employed his Bolex H-16 camera with great skill in photographing this film, and the narration on the sound track is of high calibre." American Cinematographer, May. 1951, 192.
"Nature Of Life: From far away Trieste, Giuseppe Della Noce sent this 550 foot black and white sound film, which represents tremedous effort, both in the photography and in the sound recording. Displaying the sensitive poetic talents of its maker, Nature Of Life is by way of revelation of life itself. The opening shots, conceived with great imagination, suggest the beggining of time, the settling of the earth and its eventual population. The mating instinct is portrayed in a childhood friendship that ripens into love and finally marriage, and the picture goes on from there to show the progression of life symbolized finally by an old couple slowly plodding up a mountain path, while two frisky youngsters pass them coming down the mountain. Unfortunately choice of narrator for the comentary was not the best and the narration, on which much of the picture's continuity and effectiveness depends, falls far short of its goal." American Cinematographer, May. 1951, 192.
"My Sierra Hideway: Leon Paddock, using a Bolex H-16 camera and a variety of four lenses, has produced a fine pictorial account of the beauties of the High Sierra mountains in California. The sound, on magnetic tape, enhances the film's presentation which gets off to a fine start with excellent titles." American Cinematographer, May. 1951, 192.
"Lily Was A Lady: Roy C. Wilcox failed to state what camera he used in filming this fine study of the habits of Lily, a praying mantis, but both his color photography and his editing skill have netted a highly interesting film about one of nature's queerest insects." American Cinematographer, May. 1951, 192.
"Leo Caloia unlimbered his new Auricon sound camera to produce much of this picture and all of its sound track, but tighter editing as well as better direction would have greatly inproved the result. The continuity has to do with a couple, seen washing the supper dishes, discussing a proposed vacation, for which they have been putting money in a joint bank account. As they discuss the various places they would like to visit, there follow a number of scenes of each, then the camera cuts back to the discussion. The wife is summoned to the door by the mailman, receives a bill from a sporting goods store. She questions her husband about it and he confesses to having spent the proceeds of their bank account for a new set of golf clubs." American Cinematographer, May. 1951, 192.
"British cine amateur Donald S. James aided by Maureen Cottle has produced a tightly-knit comedy depicting three methods of capturing a burglar. In each episode, the same burglar enters the same home, but in each case, different methods are taken by the householders to effect his capture. The low key lighting is very effective and good editing has resulted in very professional results on the screen. Narration and sound effects on the recorded track round out the superior treatment of this better than average amateur effort." American Cinematographer, May. 1951, 192.
"This humorous-sounding title suggests nothing of this film's content which has to do with a vacuum cleaner salesman and his tribulations when he is forced to pose as a woman, when a girl friend's husband arrives home unexpectedly. Both the exterior and interior shots are carefully exposed and a moderatly good editing job combines to make this a better than average effort." American Cinematographer, May 1951, 192.
"Fred Hudson and Donal Michalsky of Los Angeles combined their talents to produce on black-and-white film the origin of a mountain storm and its eventual metamorphosis as a turbulent stream of water. The storm is depicted in gathering clouds moving swiftly among mountain peaks, thanks to ultra-speed photography. Highly artistic shots of the first raindrops falling on a pool indicate the break of the storm, and the camera then records in excellent rainfall shots the progression of the storm, forming of rivulets and their eventual building up to a mountain stream. The various moods are enhanced by the theme music on the sound track, excellently recorded." American Cinematographer, May 1951, 192.
"Seashore plant and animal life (e.g., crustaceans, anemones, worms, octopus, jellyfish, etc.)" (BC Archives)
Also exists in a shorter version called Sea Creatures, which was probably edited from the original film for classroom use in 1969..
"Animals found in the mountains of BC: birds, squirrels, chipmunks, black bear, deer, bighorn sheep, mountain goats, etc." (BC Archives)
This film appears to have been made during the years 1944-1950.
Total Pages: 299
Amateur Cinema