The film describes through rhymes and music the gothic architecture of Vitoria, capital of Álava in Spain.
"En Patria Libre, Sergio García documentó los primeros logros de la revolución sandinista en Nicaragua. [...] Se trataba de un documental convencional, con una voz off (leída por Felio Eliel) sobre un momento de frescura y esperanza por el triunfo del Frente Sandinista de Liberación Nacional. El arranque del documental con una serie de imágenes de Sandino en alto contraste que culminan en la foto de un adolescente guerrillero (mientras que en la banda sonora se escucha a Pablo Milanés cantar "Los caminos") preludian el tono que se desarrollará sobre el caso de la revolución sandinista" (Vázquez Mantecón, 2012.)
"In Patria Libre [Free Country], Sergio García documented the first achievements of the Sandinista Revolution in Nicaragua. It was a conventional documentary, with an off voice (read by Felio Eliel) about a moment of freshness and hope because of the triumph of the Sandinista National Liberation Front. The documentary begins with a series of highly contrasted images of Sandino that end with the picture of a guerrilla teenager (while the soundtrack plays "Los caminos" [The roads] by Pablo Milanés), which is a prelude to the tone that will be used to describe the Sandinista Revolution" (Vázquez Mantecón, 2012).
"Se trataba del regreso de un soldado de origen mexicano a la Ciudad de México después de haber combatido en Vietnam con las tropas estadounidenses. El hombre llega a la estación del ferrocarril de Buenavista y recorre la ciudad para acabar finalmente en el departamento de su hermano. Busca trabajo y no lo encuentra. Por la voz off que sigue el hilo de sus pensamientos, nos enteramos que a su mente guerrera le cuesta trabajo adaptarse a la vida pacífica. La película intercala una serie de secuencias oníricas que de alguna manera ilustran su delirio belicista: sueña que es un soldado griego que asesina al niño que lo molesta en el taxi colectivo (un pesero) que lo conduce a casa de su hermano; imagina en el personaje que lo entrevista cuando aplica para obtener un trabajo a Napoleón Bonaparte (interpretado por Juan José Gurrola) dirigiendo una batalla; o sueña que es un caballero medieval que asesina a su familia en un pacífico día de campo. Finalmente el personaje no encuentra cabida en la sociedad pacífica y acude –todavía en traje de caballero medieval – al aeropuerto para comprar un boleto de avión "a la guerra más próxima"" (Vázquez Mantecón, 2012).
"It is about the comeback of a Mexican soldier to Mexico City after fighting in Vietnam along with American troops. The man arrives to the train station in Buenavista y goes around the city to end up at his brother's apartment. He looks for a job and cannot find one. The off voice, that follows his train of thought, tells us that his war mind has trouble adapting to a peaceful life. The film inserts a series of dreamlike sequences that in a way illustrate his war delirium: he dreams he is a greek soldier that murders the kid that bothers him in a collective cab that drives him to his brother's house; he imagines the character that interviews him when he is looking for a job is Napoleon Bonaparte (played by Juan José Gurrola) directing a battle: or he dreams he is a medieval knight that murders his family in a peaceful day in the country. Finally the character doesn't find a place in a peaceful society and goes –still in medieval armor– to the airport to buy a by a plane ticket to the "nearest war" " (Vázquez Mantecón, 2012).
"Esta cinta se basaba en una idea de David Celestinos de enviar a diversos equipos de filmación a desarrollar historias sobre lo que ocurre un domingo en la Ciudad de México de manera simultánea. El resultado fue interesante, en la medida en la que muestra la cotidianidad dominguera de diversos personajes que provienen de distintas clases sociales: un borracho llega con su compadre a la casa de la vecindad y es recibido de mala manera por la mujer, un grupo de juniors pasa el día en Cuernavaca, un hombre solitario recorre las calles y parques del centro de la Ciudad de México, un velador se aburre en el edificio que custodia, dos sirvientas pasan el día en Chapultepec, una familia clasemediera que va a misa y a pasar un día de campo... La cinta sigue el planteamiento hecho por el neorrealismo italiano de no convocar actores profesionales para presentar historias sencillas, ligeramente dramatizadas" (Vázquez Mantecón, 2012.
"This film was based in an idea by David Celestinos of sending diverse filming crews to develop stories about what happens simultaneously on a Sunday in Mexico City. The result was interesting since it showed the Sunday everydayness of diverse characters from different social classes: a drunk man arrives at his friend's house in a poor neighborhood and is received in a bad way by a woman, a group of juniors that spend their day in Cuernavaca, a lonely man that goes through the streets and parks of Mexico City, a night watchman that is bored in the building he is in charge of, two maids that spend the day in Chapultepec, a middle class family that goes to mass and to have a picnic... The film follows the idea posed by Italian Neorealism of not using professional actors to present simple stories, slightly staged" (Vázquez Mantecón, 2012).
"Item is a film of a trip Dr. Willinsky took to the Spanish Moroccan city of Tetuan with his wife, Sadie. In the form of a travelogue, footage of the sights along city streets, landmarks, markets and the local population are accompanied by music and Dr. Willinsky's commentary. Sadie is occassionally spotted sight-seeing." Ontario Jewish Archives.
"Item is a production of Dr. Willinsky's cruise and trip to Argentina with his wife, Sadie. In the form of a travelogue, footage of cruise activities and entertainment, beaches, landmarks, and the local population is interspersed with captions and maps that were added in by Dr. Willinsky to provide context. Featured cities include Santos, Montevideo, Buenos Aires and Rio De Janero. Sadie is ocassionally spotted in the footage site-seeing and interacting with the locals." Ontario Jewish Archives.
"Item is a production of Dr. Willinsky's trip to Switzerland with his wife, Sadie. In the form of a travelogue, footage of landmarks, the landscape and the local population is interspersed with captions and accompanied by music and Dr. Willinsky's commentary. Footage includes sites around Berne, Yungfraujoch, and Lucerne. Sadie is occassionally spotted sight-seeing and interacting with locals." Ontario Jewish Archives.
"Item is a production of Dr. Willinsky's trip to Spain with his wife, Sadie. In the form of a travelogue, footage of landmarks, historic sites, and the local population is interspersed with captions and maps that were added in by Dr. Willinsky to denote locations and provide context. The production includes footage from Madrid, Cordoba, Segovia and Valencia. Sadie is occassionally spotted exploring sites and interacting with locals and travel companions who are probably family friends or relatives." Ontario Jewish Archives.
"Item is a film of a trip to Hawaii taken by Dr. Willinsky and his wife, Sadie. In the form of a travelogue, footage of Hawaii's landscape, vegetation, landmarks and local population is interspersed with captions that were added in by Dr. Willinsky to provide information about the country's culture. Footage includes shots of sites around Honolulu and Waikiki, surfers, Hawaiian flowers, churches and temples, sugar cane farming and singers performing outside a hotel. Sadie is occassionally spotted exploring the sites and interacting with locals."
"Item is a film production of a trip from Naples to Nice taken by Dr. Willinsky and his wife, Sadie. In the form of a travelogue, footage of landmarks, ancient ruins and the local population is interspersed with captions and maps that were added in by Dr. Willinsky to denote locations and offer context. Featured cities include, Pompeii, Salerno, Rome, Cannes, Antibes, and Menton. Footage includes shots of Vesuvius, images taken from a gondala ride in Venice, Venetian street performers, market scenes, cathedrals, children dressed in costumes for a carnival, and various local craftsmen at work. Sadie is occassionally spotted in the footage interacting with locals and with travel companions who are probably relatives or family friends." Ontario Jewish Archives.
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