"It stars a young boy, named Bill, who writes to his friend Jim, reflecting on their times together the previous summer. Title cards of the boy’s handwritten letter are interspersed with images of their summer highlights, including scenes of fishing, automobile stunts of “Bob King and his Devil Drivers,” and a motorcycle hill climb competition." Chicago Film Archives
"Dear Boys is a personal motion picture which might have been made in many an American home this past year. Looking about him, C. Manley DeBevoise found his two sons in the Army and his once lovely flower garden changing into a Victory vegetable patch, well tended but mundane. It was from these materials, mixed with imagination and technical competence, that Mr. DeBevoise compiled his film. Mother is discovered (as the picture begins) writing the familiar greeting to her service sons. Her comments during the course of the letter provide the subtitles and the continuity for this attractive record of domestic doings, while Mr. DeBevoise's carefully sequenced scenes tell the story. Dear Boys is simple, sincere and a family film story which any movie maker would be proud to produce — and to own." Movie Makers, Dec. 1943, 477.
A short travelogue that chronicles a round trip from New York City to France and back. Includes footage of the ship’s departure from NYC, a view of the statue of liberty, the deck of the SS France ocean liner, as well as brief shots of St. Lazare station in Paris.
"Shows Don and Phyllis Munday on a backpacking expedition into the Bella Coola Valley, then climbing Mount Saugstad" British Columbia Archives.
"To make a family film of youngsters that is entertaining to a stranger is quite an achievement, but to make a family picture that is, at the same time, an almost perfect record of the really human qualities of children and parents is a truly notable accomplishment. This is what John Martin has done in his picture, A Day with the Young Martins. His theme is the "from dawn to dusk" story of the Martin family, and he wisely has avoided emphasizing the clock or other obvious methods of holding the picture together. Instead, the story seems to tell itself, and the little episodes that must have been planned, or they could not have been caught with the aid of lighting equipment and camera, have a natural, sincere quality that is very welcome. The picture rates chiefly because of its delightful treatment, but technically it is entirely adequate." Movie Makers, Dec. 1936, 542.
"Raven and his creation of the world and its inhabitants is an old Indian legend. This version is skillfully portrayed in pantomime, costume and setting. The grace and skill of the actors, an excellent narration and music score, combined with imaginative use of the camera, make this an engrossing experience for the audience. One of the Ten Best, this film was awarded the Northern California Council of Amateur Movie Clubs' Trophy for the best scenario film and will be included in the package" PSA Journal, Oct. 1963, 40.
"This amateur horror film, made by longtime Austin resident Ramon Galindo, follows a group of kids as they go fishing. When one girl falls and injures herself, she is taken by a Frankenstein-esque villian to an abandoned, rural house where he prepares a potion to give her as she lays on skeleton bones. When the girl makes a run for it, her friends and a sheriff’s officer join in to help rescue the girl and capture the villain. This film was made in 1964 with children from Austin’s Travis Heights neighborhood. Austin local Chris Crow plays the villain and commissioned the music for the film locally. It was shot in Hays County between Kyle and San Marcos, Texas" Texas Archive of the Moving Image.
A short film about the young Martin children.
"A Day In the Country shows Utah, including Mt. Timpanogos from the east, with views of Anderson and his wife." University of Utah Marriott Library.
Total Pages: 299
Amateur Cinema