"Members of the National Film Society of Canada (Vancouver Branch) parody the early experimental works of American avant-garde filmmaker Maya Deren [to whom the film is dedicated]." (BC Archives)
The film is subtitled: "A conflict between two philosophies of time and space."
The film was shot in an area of sand dunes on Sea Island in Richmond, BC, near the location of Vancouver International Airport.
"The Glory Road is a film story of flying fists and hard punching youngsters battling their way to the top of the amateur boxing world. It records, with amazing completeness and verity, the actual ring contests of the 1938 Golden Gloves championship fights. Taking up the story at the bottom of the ladder, Dr. Clifford Decker pictures the long grind of training, the whirl of preliminary elimination fights, the trip of a local picked team to New York for the semi finals and the eventual rise of a Binghamton boy to the Eastern championship after a victory in Madison Square Garden. A sizable accomplishment, this film is more than a mere record. The producer has added imagination and has built up a significant continuity with stirring crises. Although the vast bulk of material, necessary to make the document complete, rather overbalances the film and detracts from its pure motion picture value, The Glory Road is an extraordinary picture." Movie Makers, Dec. 1938, 618-619.
"A background film, to be used to 'point up' a lecture (or sermon) on the benefits Nature disposes upon us" American Cinematographer, May, 1938, 204.
"The Abbé Tessier, who is a lecturer at Laval University, Quebec, made this film for use in connection with his own educational work. The film should be viewed with this in mind" American Cinematographer, April, 1938, 170.
"Record of a Woodley family trip to the Gaspé." Library and Archives Canada.
"Glimpses of Rural Hungary was the first film ever made by Elizabeth Rearick but its excellence must be credited to more than beginner's luck. It represents a willingness to follow instructions carefully and an ability to compose scenes as they are selected. The picture contains a charming record of the people and customs of Hungary, but capturing this was secondary, for Miss Rearick planned the film to be principally a record of folk dances. Most unusually accurate exposure and focusing make the film outstanding in its technical aspects. Clear, crisp, steady pictures inevitably do a great deal to present a subject in a delightful way. One of the remarkable features of the film was the rock steadiness of the camera, although Miss Rearick did not use a tripod at any time. The sequencing is worked out well and, although the film is intended for use in physical education work, it has a tremendous general interest value. The entire finished product is one of which an experienced filmer might well be proud." Movie Makers, Dec. 1933, 500.
"Item is a film taken by Dr. Willinsky of a trip to Rome, Italy. In the form of a travelogue, footage of landmarks, ruins and the local population are interspersed with captions that were added in by Dr. Willinsky to provide information about the country's history and culture. Included are shots of the Pantheon, the Colosseum, a Roman market, the Appian Way and dinner at a Roman restaurant. Dr. Willinsky's wife, Sadie, is occassionally spotted in the footage with travel companions who are probably relatives or family friends." Ontario Jewish Archives.
"The refreshing story of a voyage by river into the Canadian wilds, presented by F. R. Crawley in Glimpses of a Canoe Trip, is really deserving of a less modest introduction than that implied by the word, "glimpses." Here, within one reel, is as comprehensive a movie tale of a trip by canoe as one could desire. The entertaining continuity, based on the natural sequence of events, is not loaded with unimportant detail; instead, footage is conserved for the more interesting episodes involved in paddling and portages. These are given a well rounded treatment that has genuine entertainment value coupled with a freshness of approach born of the enthusiasm of the maker. This sort of thing communicates itself to the audience, especially when photography, editing and titling are as well handled as they are here." Movie Makers, Dec. 1937, 629.
"A Glimpse of Paris shows us the usual sights of the French capital as well as some of the less common places. Tight editing keeps the film moving yet the feel of jumping rapidly from one spot to another, so often prevalent in travel films, is not present in this one" PSA Journal, Sept. 1964, 50.
Total Pages: 299
Amateur Cinema