"The Adventures of Herman are not unlike those of Mickey Mouse, for although Herman may be of the same species, he is a bit bigger - just enough bigger to irritate the owner of the house in which he resides. Herman is about ten inches tall, and his movements, through single frame animation, are inter-cut with live action" PSA Journal, Aug. 1967, 36.
"Raymond Berger has based his film on the familiar story of a dog that finds his way back home from a long distance, paralleled with a little girl's grief at the dog's absence. Imprisoned accidentally in the luggage compartment of a parked car, Lassie, a magnificent Collie, is driven miles from home before his equally accidental release. As the dog turns homeward, Mr. Berger maintains the suspense of his adventures over difficult terrain with admirable skill. A little closer cutting in the final re- union scenes at home would have heightened the dramatic quality. The few long shots in this 8mm. film are outstandingly executed, and there are touching closeups of the little girl as she mourns her pet." Movie Makers, Dec. 1949, 468.
"This proved to be an unusual serio-comedy, telling of a restless young husband and how he was cured. It was very well acted by Alfred Fontana as the husband, Margaret Ervin as the vamp, Anne Howe, and Beatrice Traendly as the wife. The directon of Russell T. Ervin Jr. was remarkably good, revealing an unusual facility for telling a story concisely and quickly. Then too, he understood how to cover any histrionic imperfections of his cast. 'And How!' is a suprisingly neat amateur film" Photoplay, June. 1928, 66
"A group of four adults (including Eunice Alliott) look at/ stand close to a motor boat on a river; three of the adults with a small dog board the boat; as Eunice Alliott approaches boat, the man gets out and helps her board; the boat leaves the jetty and heads away; the boat returns to the jetty; the man helps the women disembark; the group walk up steps onto a lawn’ (EAFA Database).
"Excellent films have been made that show by more or less indirection what adults believe boys should do in camp. But what would boys like to do? Henry E. Hird, in The Big Adventure, seems almost to have thought with a boy's mind — a very real accomplishment for a busy executive — in producing this dramatic tale of boys in the woods. Two youngsters of about twelve years, armed with bows and arrows, are taken by their father on an island camping trip. Resigned, as most boys are under the instruction of their elders, they watch Father show them camp life in detail — and how he enjoys it! Suddenly he leaves for a war conference in Washington, and the two adventurers are alone for the night. A tramp appears, captures them, is outwitted by them and is seized by a helpful farmer. To bed and fears of invading bears go our heroes — when Dad returns, the conference deferred. It is a safe bet that young boys will approve Mr. Hird's dramatic movie as more realistic than some of the "approved solutions" offered to youthful campers." Movie Makers, Dec. 1945, 496.
"A most pleasant day with a little girl, her four kittens, and collie dog. The kittens do so many things that set them apart from other animals. They seem to enjoy their various playful activies before the flood lights and camera. While all this is going on, the collie feels just a little bit left out of things. Finally, all return to the barn for some fresh milk and a good night" PSA Journal, Nov. 1960, 39.
"A brief film designed as a trailer for home use rarely possesses the quality of general audience appeal. Grace Lindner may be justly proud of having achieved this elusive element in Bless This House. The film is a hymn of love, an ode in praise of home, the family, mutual understanding and other ingredients of the good life. That the theme is an emotional one is admitted. That it might have become painfully saccharine is granted. That it did not is due to the sensitive and restrained manner in which the filmer has presented her familiar scenes. Fred Waring's recording of the title song furnished the theme and is used as an integral part of the film." Movie Makers, Dec. 1950, 466.
"Mother puts a blue case on the mantel. Baby daughter takes the case and goes for wild flowers. The case suffers an accident and small fry seeks the piggy bank for money to buy another. She goes to the ceramic plant but there is no vase. The nice man agrees to make one and we may watch as he does this. When completed, he takes only a small coin in payment. A simple, but beautiful family motion picture" PSA Journal, Nov. 1960, 41.
"A short family film with the director's daughter as main actor and character" (Roepke, 176).
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