"Bill Turnbull of Denver entered several 8mm subjects of the Chicago Fair. To our mind they were among the very best pictures of that event that had been submitted to us in the past two years. His pictures were well cut, nicely edited and deserving of honorable mention." American Cinematographer, Feb. 1936, 73.
El filme comienza con personas preparándose para la fiesta del pueblo. Gente cocina, decora, come y bebe vino. A esto siguen imágenes de una competencia de motocicletas, gente en las calles comprando largas tiras de ajo, competencias en el pueblo, arquitectura y esculturas, calles muy llenas y finalmente tomas de juegos de feria durante la noche.
The film begins with people getting ready for a party of the town. People are cooking, decorating, eating and drinking wine. There are images of a motorcycle competition, people in the streets buying large strips of garlic, competitions in the town, architecture and sculpture, very crowded streets and finally a few shots of games in a fair at night.
Todos los miércoles en Villafranca de Ordizia se celebra una singular feria que, en muchos aspectos, marca la tendencia de los precios y estimación de los productos del campo, ganado, etc.
Every Wednesday in Villafranca de Ordizia, there's a singular fair that, in many ways, marks the trend for prices and estimation of country goods and cattle.
"Black Book and Camera has good old George, you know George, photographing all the pretty lassies at the World's Fair. He then asks for their names and addresses so that he can send them a photo. Wouldn't a black book full of names and addresses be worth a pretty penny? W-e-l-l. . . George gets a lot of pretty pictures, but as for those names and addresses. . ." PSA Journal, Aug. 1967, 37.
"Charles and Robert Coles showed a fine knowledge of the use of filters in their twin subject, 'Cascade and World's Fair.' Also they showed a grasp of composition and camera angles that was refreshing." American Cinematographer, Dec. 1933, 342.
"Among the ten best, Century of Progress, in Kodacolor, by Herbert H. Johnson, ACL, is a striking illustration of the degree of perfection that color motion picture photography has attained. Its studied angles and dignified composition are augmented by excellent photography. Mr. Johnson paid careful attention to the very important point of exact exposure in relation to color value and, as a result, brought a new version of the Fair to the one who had never seen it in color before. By taking plenty of time he was able to single out the best camera positions and wait for the lighting that was most favorable. The excellent handling of the camera brought a sense of intimacy to each scene. The film's only fault is an excessive use of lap dissolves which detracted somewhat from the smoothness of the continuity." Movie Makers, Dec. 1933, 499.
"A Century of Progress, the one reel record of the Fair in Kodacolor, by Edmund Zacher, II, ACL, is distinguished by the freshness of its dramatic treatment rather than by the faultless excellence of technique. In this latter field, Mr. Zacher, choosing to experiment along relatively unblazed color trails (slow motion, night photography, dissolves, etc.) has on occasion made slight errors, a fact which he himself is the first to admit. Dramatically, however, his film is a joy and a delight, replete with human interest, unhurried but unflagging in its presentation of the Fair from ever fresh viewpoints." Movie Makers, Dec. 1933, 523.
A film featuring various activities in the city of Clacton UK.
"It stars a young boy, named Bill, who writes to his friend Jim, reflecting on their times together the previous summer. Title cards of the boy’s handwritten letter are interspersed with images of their summer highlights, including scenes of fishing, automobile stunts of “Bob King and his Devil Drivers,” and a motorcycle hill climb competition." Chicago Film Archives
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