Short film showing shots of various neon signs at nighttime.
"Ernest Kremer has produced, in The Silent Alarm, a film dealing with the first aid duties of the volunteer fire department of East Hempstead, N. Y. — hence, the "silent" alarm. The picture opens slowly, showing first aid training ifor newly inducted members of the department, but it builds to a remarkable climax in a sequence of the firemen using an inhalator on a badly suffering asthma victim. This closing sequence was filmed during an asthma attack from which the department, working heroically throughout the night, actually saved a man's life." Movie Makers, Dec. 1944, 496.
This film depicts the 1935 Silver Jubilee of King George V in Suffolk, UK.
A biographical documentary about the architect Sir Christopher Wren made as if Christopher Wren was discussing his own buildings.
"A Ski Story, by Albert E. Sigal, has been two years in the making — but it has been well worth the effort. Laid against the scenic grandeur of Yosemite National Park, the picture is eloquent testimony both to the thrills and the dynamic beauty of the sport of skiing. Mr. Sigal begins his story slowly with an introductory sequence which sets the mood of the piece. Sequences then follow in leisurely progression of the activities of the ski school, the joys of a hot lunch served alfresco beside the clubhouse, down mountain racing and cross country rambling. Mr. Sigal's consistently good color cinematography benefits to a degree by the clarity of the Western air, a boon so often denied to skiing movie makers on Eastern slopes." Movie Makers, Dec. 1943, 477.
"Bringing the flavor of Europe and its people that we all like to remember, Skibet, Danish for ship, tells the story of the building of the G. C. Amdrup, a modern motor vessel with a wooden hull. The saga is carried from cutting the massive tree which becomes the keel of the ship to the final addition of paint and superstructure. Mown in from Denmark to the Danish Consulate in New York City, and from there transported to Movie Makers office, Otto Wilhjelm's film portrays the incredible amount of hand labor used in constructing a ship without the help of modern power equipment, considered a necessity in the United States. It provides the nostalgia of a great individual craftsmanship. As to the G. C. Amdrup herself, it seems safe to say — after watching the solid chunks of wood being sawed, planed and bolted snugly to the crossbeams — that she will be sailing her northern run long after our Victory ships have rusted away." Movie Makers, Dec. 1947, 534.
"'Slum Clearance' was in 8mm. It was a record of the tearing down of tenement houses of the old type and showing them replaced with modern apartment buildings. Mighty interesting characters were shown, occupants of the slum tenements, children, etc. A very colorful sequence was built up in the early part of the picture. The latter part of the film is given over to the new homes and to suburban homes where the more fortunate of the slum dwellers moved. A fine document and an interesting picture." American Cinematographer, Feb. 1937, 73.
"One may assume that Oscar Horovitz is a graduate of Massachusetts Institute of Technology because of his interest in this film. It is a film which the school or alumni may use effectively in interesting students in M.I.T. It is a panorama of the student's activities from his entrance to graduation. It commences with an introduction of the school and carries through the class rooms, study halls, social halls, athletics, religious atmosphere, and the memorable day of graduation. To some, this would be a difficult subject to deal with but Oscar has produced a picture which sustains interest throughout" PSA Journal, Nov. 1957, 53.
"Garden shots, including time lapse shots of flowers opening, and a 1962 parade in Sidney or Victoria" British Columbia Archives.
"This film includes material originally shot by the Tilley brothers in the 1910s and 1920s. W.H. Tilley later edited, compiled, and transferred these clips to 16mm, adding caption from his perspective forty years later. Scenes of note include a Krit Motor Car demonstration (1910s), a circus parade on Congress Avenue (facing the Capital, 1912) in Austin. While the brothers worked commercially in filmmaking, these clips exhibit their practice as amateur filmmakers that captured footage of personal experiences" Texas Archive of the Moving Image.
Total Pages: 77
Amateur Cinema