"doc. turistico"/tourism documentary
"doc. scientifico-turistico"/scientific-touristic documentary
"Having slept the night beside a haystack, hapless travelling salesman Hercules Smith (Elmer Quane) awakes with his trusty canine companion Snapjack (Clovis Bige). Approaching a nearby house, past a man affixing a 'No Hawkers' sign to the gate, Hercules unsuccessfully attempts to sell a vacuum cleaner to the lady of the house, but manages to secure a position as a general hand. But each of his tasks end miserably with a series of unfortunate incidents involving cars, bees and unruly children. To make matters worse, Hercules is mocked at every turn by an elderly lady, who hands him instruction booklets and pamphlets for every occasion, from a copy of the highway code to a beekeeping manual and a guide to playing checkers. Fed up, Hercules retires to the back of the house for tea, but is constantly interrupted by the family's petulant cook, who deals out a similarly rough treatment to a prospective kitchenhand, Krimhild Colquhoun (Joan Bulleid). Setting a booby trap for the cook, the pair run off arm in arm, collecting their paycheques at the front door. Sitting in a field, a series of gags leads to an embrace, as the elderly lady delivers a final pamphlet: 'Advice for Young Mothers'" (EAFA Database).
"Film record of a trip to Funchal in November/ December 1936" (EAFA Database).
"Sixteen year old Robbins Barstow, an Amateur Cinema League member and a fan of Johnny Weissmuller's Tarzan movies, rounded up his siblings and friends and led them into the wilds of Granby, Connecticut for this epic tale of a journey into Edgar Rice Burroughs' Africa." via Archive.org
"Holiday footage taken by Laurie and Stuart Day during a fortnight’s break in the Swiss Alps prefaced by, and concluding with, scenes involving Laurie and Stuart Day at home in Stoke on Trent" (EAFA Database).
"Scenes of the preparations in Parliament Street and Whitehall an hour before the funeral procession and the procession itself filmed from an upper storey window in Parliament Street" (EAFA Database).
"We Are All Artists, traces our experience of the aesthetic in the everyday; it begins by considering the related categories of beauty, art, and craftwork before moving on to suggest some of the many ways that modern art and design have made our world more beautiful. Offering a broad definition of art as any "skillful or purposeful endeavor," the film suggests that we are all artists to the extent that we exercise aesthetic judgement through a range of quotidian activities. The film presents a montage sequence showing a woman cleaning, men painting a wall, a letter being typed, and activities in gardening and pottery and then concludes by proposing that even "exercising the powers of selection" —as in purchasing a hat—makes use of some attributes of the artist" (Tepperman, 237-238).
"The Annual Fancy Dress Ball at Glasgow School of Art: 'Something New Under the Sun'. Includes two ballets, 'Hungarian' and 'Machine Age' and animated sequences." National Library of Scotland Moving Image Archive.
"Short film sequences featuring members of the Hawes-Wilson family. The films feature: Violet Rachel Caroline Hawes Wilson (“Violet”) … Benjamin Hawes Allcroft Wilson (“Dad”) …, Eunice Alliott, two women and two men [who possibly include one of her sisters, Hylda Frances Hawes Wilson (“Hylda”), and possibly her brothers, Harold Stanley Hawes Wilson and Benjamin Stuart Hawes Wilson]" (EAFA Database).
Total Pages: 299
Amateur Cinema