Película argumental en la que un adolescente enamorado de una artista descubre que está no merece sus desvelos y vuelve a su vida normal de joven estudiante.
Fiction film in which a teenager in love with an artist discovers she is not worth losing sleep over, and the goes back to his regular young student life.
"Edited film created by Frank L. Kreznar, an award winning amateur filmmaker, documents Slovenia, Croatia, Bosnia-Herzegovina, Vojvodina, and Serbia. Most of the footage is of countryside or mountainous areas although Kreznar depicts Zagreb, Croatia, and Belgrade, Serbia. The historic Petrovaradin Fortress in Vojvodina, Serbia, is only historic building filmed. The footage of Slovenia emphasizes agriculture, while the footage of Bosnia-Herzegovina includes scenic shots of mountains and waterfalls. Kreznar also shows traditional houses in the rural areas providing a contrast to modern Soviet construction such as Soviet-style apartment buildings. Shots of urban areas also include an emphasis on the lack of cars, high volumes of pedestrian traffic, and the popularity of public transportation. He depicts churches that are still being actively used while discussing the lack of Soviet suppression of religion in Yugoslavia, and he shows the existence of privately held business enterprises such as taxi services and cafés. He also mentions that the majority of Yugoslavian agriculture is under private, family control and that private businesses with five or less employees are allowed to exist. Kreznar discusses the impact of wars between Eastern and Western Europe on this territory, showing various war memorials throughout the film. The film ends with footage of hitchhikers – mainly from countries in Western Europe – attempting to travel through the country" via the Human Studies Film Archives, Smithsonian Museum.
"A dog tells her story, and sings for you." UCLA Film & Television Archive.
"An award-winning, detailed study of the life of this fascinating bird. Exciting sequences of their remarkable courage in defense of their young." Oldfilm.org
“Kaya Tanyeri 1 Mayıs 1977 mitingine elinde 8 mm kamerası ile katıldı. Kızı Çağla Tanyeri de ses kayıtlarını alıyor ve babasına yardım ediyordu. Kaya Tanyeri miting öncesi Beşiktaş’taki coşkuyu ve Taksim’e yürüyüşü kaydetti. Taksim meydanına geldiğinde ve “malum” katliam başladığında ne yazık ki çekimi yapamadı. Öncesinde çektikleri ile sonradan yaşanan katliamın fotoğraflarını kullanarak ve “Görevimiz Tehlike” filmine gönderme yaparak kurguladı. Hiç gösterimi yapılmadı. Bu film yıllarca Kaya Tanyeri’nin kişisel arşivinde kaldı. Ta ki bize erişinceye kadar. Biz bu filmi ve Güneşli Bataklık filminin kamera arkası belgeseli olan ‘Güneşe Dönük Kamera’ isimli 8mm filmlerini dijitalleştirdik. ve işte sizlerle paylaşıyoruz.” Sinematek.tv: http://sinematek.tv/1-mayis-77-1977/ (1 November 2019).
“Kaya Tanyeri attended the meeting, 1 May 1977, with an 8mm camera in his hands. Her daughter, Çağla Tanyeri, was assisting the recording as well. Before the meeting, Kaya Tanyeri made a record of the "enthusiasm" in Beşiktaş and the march on Taksim. When they came to Taksim, the infamous massacre was just starting and he could not continue to record everything. Using the former shootings and the photographs of the massacre, he edited the multiple audiovisual resources in reference to the Mission: Impossible. The film has never been screened before and it was stored in Kaya Tanyeri’s archive until Çağla Tanyeri found the original material. The original 8 mm film was digitized to share with a larger audience by Sinematek.” Sinematek.tv: http://sinematek.tv/1-mayis-77-1977/ (1 November 2019).
A documentary film demonstrating how learning and education in the classroom can be supported by an engagement with the local community and natural history.
Itsasoko bizimodua.
El filme retrata la forma de vida en la mar en Lekeitio
The film portrays the life on the sea in Lekeitio.
PNV-k egin zituen ahaleginak propiedadiak berreskuratzeko.
El filme muestra los esfuerzos del Partido Nacionalista Vasco por recuperar bienes.
The film depicts the efforts made by the Basque Nationalist Party to recover assets.
Total Pages: 299
Amateur Cinema