Filme experimental en el que sobre una imagen fija de un semáforo, el sonido es el principal protagonista.
Experimental film in which sound is the main protagonist over a fix image of a traffic light.
Un joven evoca su pasado en el que pierde a su esposa en un accidente de automóvil. Lleno de dudas, decide reunirse con ella.
A young man remembers the loss of his wife due to a car accident. Filled with doubt, he decides to reunite with her.
"This color film, released in partnership with the International Film Bureau Inc., presents the identifying features of trees as they change through the seasons. The bud and leaf scars of the deciduous broad-leaved trees are examined, as well as the distinguishing features of their bark. The cones and needles of the narrow-leaved evergreens are also described and compared. Extensive time-lapse photography shows the emergence of new leaves and flowers as spring arrives. Size, shape, and the arrangement of the buds and leaves on the twig are presented as ways of distinguishing and identifying trees, " via SUNY College of Environmental Science and Foresty.
"General scenes around Acapulco; Bay, ships, beach, poolside, city scenes, landscape, cliff diving, traditional dance and crafts." UC San Diego Library.
"Two Visual Arts students of the San Carlos Academy find themselves embroiled in contradictions, spiritual inclinations and concerns about the political and social conditions of Mexico, which puts them in a quandary about what stance to take in the Student Movement of 1968." Ambulante.
"Columbia College student film about a young man receiving and responding to his Vietnam draft card." Chicago Film Archives
"University of Illinois Chicago (UICC) animated student film about being drafted to the Vietnam War." Chicago Film Archives
"A stop-animation film set to the song “Close to You” by The Carpenters. It was made by a Chicago high school student as a hobby back in 1971. It went onto win an award from the “Young Chicago Filmmakers Festival” that same year." Chicago Film Archives
"La película realizaba un montaje lúdico al yuxtaponer los mensajes políticos oficiales escritos en las bardas de la ciudad con imágenes o textos que los ironizaban o alteraban su sentido. El título viene de un juego de palabras con el fraseo de las sílabas "Mé-xi-co" / jí-ca-ma", que solían usarse entonces como porra en los partidos de fútbol de la selección nacional" (Vázquez Mantecón, 2012).
"The movie had a playful montage by juxtaposing official political messages written in walls around the city with images or text that ironized them or altered their meaning. The title comes from a word game that played with the phrasing of the syllables "Me-xi-co / ji-ca-ma", a popular chant during the national team soccer games of the time" (Vázquez Mantecón, 2012).
"Hacía un alegato sobre lo que sucede al otro lado de la tranquilidad de la vida burguesa. Se alternaban imágenes de placidez doméstica de la clase media con escenas de la guerra de Vietnam y las rebeliones estudiantiles de la época. Al final de la cinta, sobre la fotografía de un mitin en Tlatelolco, una pregunta: "saber, darse cuenta, ¿cuándo?" "(Vázquez Mantecón, 2012).
"It was an allegation about what happens at the other side of the bourgeois life tranquility. Images of middle class house placidity were alternated with scenes from the Vietnam war and the students' rebellions of the time. At the end of the film, over the photography of a political rally in Tlatelolco, a question: "to know, to notice, when?" " (Vázquez Mantecón, 2012).
Total Pages: 299
Amateur Cinema