"This film shows a newspaper delivery boy, Douglas Woodley, son of Charles Devenish Woodley, on his route." Library and Archives Canada.
"Film was created for the Toronto Star to recruit paper delivery employees. Film shows paper boy delivering the Toronto Star and buying a radio and bicycle with his earnings. Film was produced by Thatcher Film Productions, Toronto, Ontario, Leslie P. Thatcher. It was presented by the Toronto Star" Archives of Ontario.
A married couple responds to a newspaper ad seeking homes for foreign delegates visiting America. The couple receives the news that their guests are coming from Hong Kong, China, and they begin to alter their home and appearances to adjust to Chinese customs. However, when the delegates arrive, they do not meet the couple's expectations.
"In Narrow Gauge Kingdom Roger H. Klatt presents an ambitious and highly successful documentary study of the rapidly vanishing narrow gauge railroads of the Far West—and of Colorado in particular. Excellently photographed and edited, Narrow Gauge Kingdom gives rewarding evidence of high-caliber research carried out by a genuine railroad enthusiast. Both picture-wise and in well-delivered narrative, Mr. Klatt has delved deep into the flavor of his subject, producing a film which, despite is length, is interesting throughout and of lasting historical significance. A newcomer to the Ten Best competitions Mr. Klatt has used the medium of the motion picture with rare competence. Not only has he effectively pinned down the dramatic possibilities inherent in his subject, but he has utilized the mountain background of Colorado to fine advantage. Apparently neutral between the proponents of magnetic stripe or tape recording, Mr. Klatt has used both, skillfully putting the narration and railroading sound effects on magnetic stripe and and effectively indigenous guitar accompaniment on a separate tape!" PSA Journal, Jan. 1955, 48.
"When an experienced cameraman such as Oscar H. Horovitz turns his technically competent camera on attractive outdoor subject matter, attractive outdoor pictures are quite likely to result. When, in addition, such a producer lines to discipline his editing, inform his narrative, and make graceful his musical score, a motion picture of true charm and beauty will be his reward. Such is the happy combination which makes up Colonial Williamsburg. A thrifty thirteen-minute study of this handsome 18th Century capital." PSA Journal, 1954, 50.
"Eye to Eye, by Tullio Pellegrini, is an instructive and hilarious romp through the insect world, as seen via extension tubes and as scenarized with a sharply satiric sense of humor. Mr. Pellegrini has managed to poke just the right amount of fun at both insects and insect hunters (particularly movie makers) to tickle the most crusty rib in the audience. Among the more madcap moments are a parody of Dragnet, in which a spider lures his hapless victims to their deaths, and a sequence of "Bug-o-Phony" sound, in which (audio-wise) caterpillars make like locomotives and ladybugs like taxicabs" PSA Journal, Jan 1955, 48.
"Choosing one of the most common sites of seasonal move making, Benjamin Crocker has by the sheer virtuosity of his production methods come up with an attractive and entertaining travel short. Here are, to be sure, Marineland, Miami, Silver Springs, Cypress Gardens and all the rest, tied neatly together with an animated map and a lively commentary. But with his clean camera work, fresh viewpoints and incisive editing, Mr. Crocker covers them in a tight ten minutes of unflagging good fun. To these same subject other amateurs have devoted twenty, forty or even-sixty minutes, and, all too often, have encountered the inevitable law of diminishing returns, Florida Vacation Fun dances where others have dawdled" PSA Journal, Jan. 1955, 48.
"Het is Lente in Holland!, by Esther Cooke, may well be one of the most beautiful and perceptive travel studies of this (or any) contest year. For here is no banal tourist mish-mash of the usual wooden shoes, windmills and cheese markets; we find in their stead a literate and respectful account of a small country with its old and cherished travel conditions. Technically sparkling and esthetically pleasing, It is Spring in Holland is so deceptively simple that each viewer is likely to assume that he could easily do likewise. But the skill which Mrs. Cooke has lavished on each succeeding scene should not be taken lightly. Her exposures are exact, creating color which seems magically luminescent; her viewpoints are knowingly selected to create fresh and revealing compositions, and her editing has blended the whole into a travel study of exceptional poise and beauty" PSA Journal, Jan. 1955, 48-49.
"Once Upon a Rose is romantic fantasy of a high and handsome order. In it a young gallant on a walking tour comes upon a lovely pleasance leading, at its far end, to a columned Grecian portico and the statue of a goddess. Starting to dance upon the wide stone steps, he soon hears footballs echoing behind him. The goddess has come to life and, in a series of gay modern dances, she and the boy make tender and romantic love. Then, like the princess in the fairy tale, she is again transfigured into stone—and the young man is left with only a rose to mark her memory. Now...except for brief opening and closing sequences, all of this action takes place in the single setting of the Grecian porch. To be sure, the choreography by Jimmy Inman (who also plays the young gallant) is lively and kinetic. And Mary Jo Bishop is graceful as the girl. But the film's real rhythmic flow is due in its major part to the imagination and skill of the producer, William H. Eddy. It is from his fluid camera that there blossoms this rose-scented romance which never was" PSA Journal, Jan. 1955, 49.
"Mathis Kverne returns to the winner's circle with another delightful and imaginative animated cartoon, Strokets Kavalerer—which has been translated for us "Main Street Romeos." This time we meet two boy paint brushes who try, with varying degrees of success, to win the hand of an attractive girl brush. One, a wordly boulevardier, plies her with costly presents, while the other, a real booby, offers her naive, if presumptuously intimate, gifts. When the lady has at last been won—by the booby, of course—we follow the happy couple through their marriage and the birth of their first born, a yellow brushlet of undetermined sex. Although this film may not captivate the viewers as completely as did Mr. Kverne's Muntre Streker (Ten Best 1952) that picture's promise is more than fulfilled. The animation here is smoother in all respects, the development of the story line more definite and the personalities of the individual characters more precisely realized. The result is a film of lighthearted charm which will enchant one and all. And puzzle them too, for the animated methods used by Kverne are still his own secret!" PSA Journal, Jan. 1954, 49.
Total Pages: 299
Amateur Cinema