"Edited film with intertitles documents the round the world cruise of the Fleischmann family and friends on board the yacht "Camargo," Human Studies Film Archive, Smithsonian Museum.
Edited film "chronicling travel through the Caribbean including scenic landscapes, cities and villages, dance, local markets and fishing. Wells travelled on the M/s Stella Maris II. Locations filmed include Puerto Rico, Saba St. Kits, Gaudelupe, St. Lucia, Barbados, Paramaribo, Tobago, Trinidad, Grenada, St. Vincent, Dominica, Martinique, Fortress of San Felikpe Del Morrow (San Juan), For Christianvaern, Fort Fleur depee XVIII siecle, and Sam Lord's Castle," Human Studies Film Archives, Smithsonian Museum.
"A competent example of a well-planned film of a holiday for two." BFI National Archive.
"Edited film by Floyd Henry Wells, a retired salesman and a member of the Wally Byam Caravan Club of Airstream trailers, chronicling travels through Tahiti, Fiji and Samoa including scenic views, dance and martial arts displays, cruise ship Mariposa, shipboard activities, underwater photography, collecting sponge or coral, lagoon, market, harbor scenes, outriggers and urban scenes," Human Studies Film Archives, Smithsonian Museum.
"...a record of his trip to Australia." (Sharcott)
"B&W: views of Arrow Lakes scenery from a sternwheeler; arrival; the "Minto" at dock. Two men travelling by packhorse in the Lardeau. The steam tug "Beaton". Sequence on gold mining in the Cariboo, with footage of a hydraulic mining operation. COLOUR: Vancouver; Lions Gate Bridge and Stanley Park approach; city skyline. Trip on the steamship S.S. "Catala": views at sea; approaching settlement; people meeting the boat; log boom and sawmill adjacent to the dock. Alert Bay: views of village, store, homes, etc.; Indian children at play; schoolgirls in red sweaters [from St. Michael's Indian Residential School]; steamboat arriving; many shots of totem poles, graveyard, etc. Fishing fleet in harbour, preparing nets, and heading out to sea. Fishboat crew hauling in net full of thrashing salmon, and brailing them onto boat. Other fishboats setting their nets, hauling in salmon. Fishboat crew unloading salmon onto conveyor; shots of cannery wharf, female cannery workers. Savary Island: family vacation scenes; lodge; children at play; adults playing golf on beach at low tide; departing on a boat trip." (BC Archives)
"Depicts a rum-running expedition from Victoria to "Rum Row" off the California coast with the mother ship M.V. Malahat. The tender M.V. Hickey is shown transferring cases of liquor to American vessels and avoiding US Navy cutters. At San Martin Island, Mexico, the Hickey puts in for repairs." (BC Archives)
NOTE: The original reversal film was lost in the 1990s after being sent out for video transfer in Vancouver. Only the BC Archives analog video transfer is extant.
"A documentary of Dr. Fernando F. Guerrieri's cruise on "The Five Bells" from Los Angeles to Salina Cruz, Mexico with intermediate shore stops. There are scenes from some of the sleepy villages. The main interest is life aboard the yacht, cleaning, mending, fishing, eating, and all the other things and events one might expect on a yacht in southern waters. The picture creates a feeling of relaxation and restful purpose, with some deep sea fishing" PSA Journal, Nov. 1958, 46.
"Sea Theme: M. R. Weinstein, J. C. Couffer and Conrad Hall have collaborated in the production of a thematic and quite pictorial account of a young couple with a sailboat at sea. The variety of moods are enhanced by the carefully chosen musical score, which has been combined with the film. The picture begins by showing the youth and girl loafing in the sun on the ship's deck. A breeze springs up and they go into action setting sails and the wheel for a cruise in the bay. The camera follows the craft, both in long shot and intimate medium on-deck shots as it churns through the water, runs into a calm, then again bends to the breeze and returns to port at dusk. Consistency of photographic quality is a highlight and the sound recording is quite professional. The picture was filmed with a Bolex H-16 camera and a variety of four lenses." American Cinematographer, May 1951, 190.
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