"George Mesaros, who has demonstrated his competence as a maker of good movies in other fields, turns to humor in this film comment on wartime conditions. The point of the story — for it is the foray and not the tale that is pointless — turns on providing for a picnic in the yard of the home. While the master of the house is shopping with ration points, the skeptical family gets, from the Victory garden, cooks and eats the alfresco feast, at the end of which Father — who really did find something in the shops — returns with loaded arms. First class Kodachrome pictures and a well knit continuity are used by Mr. Mesaros to bring to American audiences something of the spirit of easy and natural outdoor fun with food that for so long characterized the Europe of happy memory. Some of the scenes of cooking are so realistic that one almost reaches for what is shown on the screen." Movie Makers, Dec. 1943, 478.
La primera parte de la película recoge la historia pasada de Bizkaia y el País Vasco a través de sus pueblos. En cada pueblo se realiza una narración relacionada con la historia de ese lugar y su contexto en relación a Bizkaia.
The first part of this film tells the past story of Biscay and the Basque Country by depicting its towns. Each town has a narration, related to that place's history and to its context relating it to Biscay.
Segunda parte de la película que, partiendo del año1975, plantea qué ha sido de quienes perdieron la guerra. El filme habla de opresión, el mundo del trabajo, la evolución de los pueblos y los problemas que enfrentan.
The second part of the film starts in 1975, and tells the story of those who lost the war. The film speaks of oppression, the job market, the evolution of towns and the problems they face.
"Item is a double feature production of a trip Dr. Willinsky took to Portugal and Morocco with his wife, Sadie. In the form of a travelogue, footage of landmarks, landscapes, vegetation, historic sites and the local population is interspersed with maps and captions that were added in by Dr. Willinsky to provide context. Featured cities include Lisbon, Tangier, Casablanca and Villa Daressada. Sadie is occassionally spotted sight-seeing, interacting with locals and purchasing wares from street vendors." Ontario Jewish Archives.
"Cheering crowds greet the Prince of Wales - later to be the uncrowned Edward VIII - as his car passes by. The crowds also turn out for the third World Scout Jamboree at Arrowe Park on the Wirral. With tens of thousands of scouts attending, the event commemorated the 21st birthday of the Scouting Movement and the publication of 'Scouting for Boys', so it became known as the Coming of Age Jamboree." (BFI Player)
"Shots from an upper story window in Parliament Street of the activity in the street below prior to the arrival of carriages carrying the royal family and bride on their way to Westminster Abbey, during the ceremony and as the carriages return, highlighting in particular the foggy day. Scenes include crowds outside 100 Parliament St; a procession of civilians with flags which marches in the direction of the Cenotaph; the activities of troops prior to the arrival of the royal procession; carriages carrying the royal family and emerge from the fog near the cenotaph, are filmed as they pass by and head towards Westminster Abbey in the fog; activities in the street after the processions have gone; crowds waving at carriages as they return; activities as crowds disperse from in front of the building opposite; film concludes with a procession of civilians with flags which marches from the direction of the Cenotaph" (EAFA Database).
"The 'prize winner' of the title of course was just a goat who had pulled down for its owner a ten-dollar bill as a prize at the county fair, a sum which its owner promptly had sunk in the nearest bucolic palace of chance. The committee disregarded any possessive tendencies of its own in the goat line and decided the entrant really did know his onions when it came to making pictures. But of course every one even on the fringe of the amateur world knows J. Kinney Moore is one of the tops among the amateurs." American Cinematographer, Jan. 1938, 28.
"When one lives near the inland water, a boat is a necessity for a visit to the store. While Father is shopping, the young son takes a boat on an exploration in the land of monkeys, birds, alligators, zebras camels, giraffes, and other exciting game. Although he has a gun, his shooting is done with camera. An adventure that could be enjoyed by any boy. His return to the wharf is timed with the return of his Father and homeward bound, surrounded by the dense jungle" PSA Journal, Oct. 1962, 36.
"It is a platitude that there is more in Mexico than meets the eye. In Quaint Old Mexico, however, Guy Nelli proves that there is far more in Mexico than usually meets the camera. Mr. Nelli presents the gradual awakening of Mexico, as the farmers drive their produce to market, with a startling sense of early morning atmosphere; market scenes are developed lucidly and effectively. The high peak of the film is reached with a most remarkable sequence of religious festival shots, as virtually an entire village re-enacts the Stations of the Cross. The intense religious emotion evident in these scenes has rarely been caught for the screen. Mr. Nelli's film is outstanding for its fresh approach and, above all, for the natural and casual quality of its shots." Movie Makers, Dec. 1946, 488.
Documental sobre un mercado en Barcelos, un pueblo del norte de Portugal, que se celebra todos los jueves del año. En él, se pueden encontrar hasta las cosas más inverosímiles.
Documentary about a market in Barcelos, a northern town in Portugal, that happens every Thursday of the year. In the market, even the most improbable things can be found.
Total Pages: 38
Amateur Cinema