"Those sensual machines, steam tractors, reveal a remarkable ability to perform to music." Canadian Filmmakers Distribution Centre.
"Stereotype leans towards the experimental style to give us an insight on the plight of the Negro in the modern world" PSA Journal, Aug. 1967, 37.
"Our hero discovers a way to make 'clones' of himself and puts on a show – including four clones singing a barbershop quartet." Oldfilm.org
"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid employs an array of camera effects and trick photography techniques in this experimental short. Bulleid uses a mirror to distort a woman's reflection and a lens mask to conjure multiple images of her within the same frame, followed by a brief sequence showing how it was created. A ghosting effect uses double exposure to show the woman getting up from the chair but leaving her body behind. Bulleid also uses coloured filters and gauze diffusion to alter the look of his shots, and slow motion to change their visual impact. To display the versatility of interior shooting under normal lighting conditions, Bulleid uses orthochromatic film stock, before returning to exterior effects, using greased disc diffusion to create a dreamlike wash over the image. The film concludes with two sequences created using trick photography techniques including film reversal and split-screen shooting, and an example of step-zooming which gradually zeros in on the Big Ben clock tower at the Houses of Parliament in London." (EAFA Database)
"An experimental film with a sound track consisting of music made by glasses, various metals, drums and a flute. Using his talents as a painter, Peter Weiss starts with a manuscript of sketches upon which he bases his final shooting." PSA Journal, 1955, 37.
"Produced as a gift to Dorothy Burritt's husband, filmmaker Oscar Burritt (who was working in Toronto at the time), this is an offbeat study of life at their Vancouver apartment -- suite 2, 1960 Robson Street. The camera explores the apartment and the household memorabilia, and Dorothy is seen sitting for a portrait by painter Peter Bortkus. Later some friends drop by for a screening of Sacha Guitry's film Pearls of the Crown, followed by a party. Among the guests are Moira Armour, film editor Maureen Balfe, UBC student Stanley Fox, photographer Peter Varley, and an unnamed figure wearing a bird costume. Most of the people shown would have been involved with the National Film Society of Canada (Vancouver Branch). Suite Two won honourable mention (amateur category) at the first Canadian Film Awards in 1949." (BC Archives)
The film was restored in 1986 by the British Columbia Archives.
"Steiner is interested in film’s capacity to invigorate everyday sight, to alert viewers to the simple, magical visual pleasures available in nearly any circumstance. The film is divided into sequences that focus on specific kinds of imagery in and around ocean surf" Scott MacDonald via Light Cone.
Experimental film showing Sid Laverents performing as a drunken stand-up comedian. The film includes a laugh track and footage inserts of comedy club audiences.
"They Who Touch, an award winner in past International Festivals, is an experimental, symbolic film depicting the love play of a young boy and girl. Different people get different interpretations from the hands of the young couple which are featured in this film" PSA Journal, Aug. 1967, 37.
Total Pages: 16
Amateur Cinema