"R.W. Smiley who produced New York World's Fair is at the head of the Publicity Department of the Royal-Liverpool Group of Insurance Companies, and made this film to show the visiting agents of those companies what the Fair was like, so that they might have an idea of what they could see, before ever they visited the Fair" ("Program Notes," 1940).
"documentario"/documentary
"...illustra un'ardita ascensione degli allievi della Scuola di alpinismo di Chiareggio, con cordate che salgono gli straptombi alla ricerca del falco abitatore delle vette"
"...illustrates a daring ascent of the students of the School of Mountaineering of Chiareggio, with ropes that climb the overhangs in search of the hawk that inhabits the peaks."
—"I Littoriali del cinema: i documentari della prima giornata," La Stampa, September 2, 1939"
"This takes us back to the Bijou days, the serial pictures, the villain with the mustache, and the slapstick comedy. It is a picture of several pictures, including lantern slides, and a soloist who sings to the accompaniment of a piano and lantern slides for the visual. A family goes to the 10¢ movie in the days which some of us like to look back to and reminisce as the good old days, before the talking pictures. This will be blownup to 16mm and included in the Package" PSA Journal, Oct. 1962, 34.
A film about King George V's Jubilee filmed in Norwich.
‘"The logo for Dufaycolor is at the head of the film. The subject matter was chosen to show off the process of the film stock's built-in colour filters" (EAFA Database).
"El guión tenía una fuerte influencia de La hora de los hornos, y tendía a la explicación pedagógica de las condiciones de opresión, mostrando la diferencia entre la forma de vida de ricos y pobres y con una explicación sencilla de cómo el capitalismo sienta las bases de una explotación que finalmente es la base de las razones de la huelga [El filme muestra la huelga de Rivetex en Cuernavaca] . El título de la película (Nosotros sí existimos) jugaba con el término legal que había declarado la huelga inexistente" (Vázquez Mantecón, 2012). "The script had a strong influence of The hour of the furnaces , and it tended to a pedagogical explanation of the conditions of oppression, showing the difference between the way of life of the rich and the poor, along with a simple explanation of how capitalism sets the basis for exploitation, which is the origin of the strike [The film portrays the Rivetex strike in Cuernavaca]. The title of the film [We do exist] played with the legal term that had declared the strike non-existent" (Vázquez Mantecón, 2012).
documentary chronicle about the Gruppi Universitari Fascisti (GUF) female championship in Rome, September 1937
"doc. a fantasia"/avant-garde documentary
The film chronicles the struggles of young medical interns who had to perform compulsory rural service as part of their medical training.
Total Pages: 77
Amateur Cinema