"Christmas Nuts, presented with a sound on film recording on a separate 16mm. film, produced by Paul Braun and Howard Goodman, is not only an interior color picture of exceptional beauty and impeccable technical quality but is also one of the best puppet films thus far created. With a camera technique paralleling that of the latest theatrical, animated talkie cartoons, the story of a wolf "hijacking" Santa Claus and the consequent near calamity for the two squirrels is unfolded in a completely cinematic fashion. The camera moves freely from medium shot to closeup, the mechanics of the sets are not obstrusive and the puppets move with agility and grace. The sets, which were designed and constructed with great care, are very handsome and exquisitely finished so that no imperfections are revealed in the enlarged picture of them on the screen. The sets, in combination with the colored lights used in part to illuminate them, embody the producers' theory of "created color." That is, no attempt is made to simulate nature, but rather to produce pleasing, vivid color combinations, as in the illustrations of a child's story book. A cleverly compiled dialog, song and music accompaniment has been synchronized with the picture, although recorded, at present, on a separate film." Movie Makers, Dec. 1935, 534.
"The Last Review, by George A. Ward, ACL, is an almost faultless example of a military motion picture, into which is woven a story that has the rare quality of evoking deep emotion from the audience. Actually, the film is a record of the camp life of the 105th Field Artillery of the New York National Guard, in its summer instruction quarters at Pine Camp, N. Y. Dramatically, it is the story of a Field Artillery private soldier and his friend, the oldest horse in the regiment. Condemned to be shot because of age and the approaching motorization of the command, the horse is reprieved and is given a review by the entire regiment in honor of "the artilleryman's best friend." The tale was not fictional, but actual. The hero was a member of the regiment, he loved the veteran horse and the review was actually held, not for purposes of filming but as a tribute. The film ends with the review, while actually the reprieve was only temporary and the equine actor has since been destroyed because of age. In this film, Mr. Ward exhibited cinematography of high quality and much incidental beauty. He contrived, as well, to give a military record that errs in no detail and that has no false note. To crown it all, he filmed a scenario, in itself moving and acted with complete sincerity." Movie Makers, Dec. 1934, 534.
"When The Red Gods Call, 1600 ft., 16mm., is noteworthy as an exceptional record of wild animal life in the great north woods and was made by W. H. Dodge. With infinite patience and camera skill, Mr. Dodge succeeded in recording the natural movements of moose, bear and other wild animal subjects and his photography under difficult conditions, as exemplified in this film, is exceptional. The results gained in many of the telephoto shots and in shots taken with fast lenses and superspeed film were made possible by a specialized cine outfit, developed by the maker of the film himself. Beautiful nature shots, as well as exceptional night and flare work, add to the original qualities of this film." Movie Makers, Dec. 1931, 685-686.
Total Pages: 12