"An eight week Western camping trip in the summer of 1936 by seven boys from the Hartford, Connecticut area, under the leadership of Ken Strong, a Hartford Seminary graduate. Filmed by then teenage amateur movie maker Robbins Barstow (1919-2010)." Center for Home Movies.
"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid utilizes colour tinting and complex montage to create a surreal portrait of a young woman's dreamscape. Taking a sleeping pill before bed, Kathleen's worst fears come to life as the medication begins to affect her dreams. Surreal nightmares of love lost amidst the bleak countryside and love's unwanted return on the city streets, twist the boundaries between her unconscious state and waking life" (EAFA Database).
"The film-maker's three children - John, Mary and Anne Arundel, in a story of seaside treasure-hunting, with the familiar plot devices of an old map, inn, sea cave and rising water threatening to cut off escape" (EAFA Database).
"Not content with the typical family holiday bucket and spade film, Herbert Arundel from Longsdon in Staffordshire recorded his three children in a tense drama during a pre-war holiday in Cornwall. Its youthful protagonists and smugglers' treasure plot pre-dates the Famous Five by a good few years and culminates in a splendidly tense finale. Will the Arundel children return from the adventure victorious or will the evil local put a stop to their ways?" (BFI Player)
Film record of the third international canoe race over the St. Maurice River in 1936.
"Norman McLaren and Helen Biggar’s urgent work of animated agit-prop utilises a mixture of film forms (from found footage to title cards and staged action) stitched together with rapid editing to create an incisive and disorienting polemic against government armament spending. Made in 1936 as fascism was on the rise throughout Europe, the film was the result of collaboration between animator McLaren and sculptor Biggar, made during their tenure at the Glasgow School of Art. The idea was to use a rapid succession of violent images to jolt the viewer into demonstrative action against a new war, decades before such Brechtian techniques were employed by artists like Jean-Luc Godard. The result is one of the most striking and memorable of all animated political films" British Film Institute.
Total Pages: 299
Amateur Cinema