“Kaya Tanyeri 1 Mayıs 1977 mitingine elinde 8 mm kamerası ile katıldı. Kızı Çağla Tanyeri de ses kayıtlarını alıyor ve babasına yardım ediyordu. Kaya Tanyeri miting öncesi Beşiktaş’taki coşkuyu ve Taksim’e yürüyüşü kaydetti. Taksim meydanına geldiğinde ve “malum” katliam başladığında ne yazık ki çekimi yapamadı. Öncesinde çektikleri ile sonradan yaşanan katliamın fotoğraflarını kullanarak ve “Görevimiz Tehlike” filmine gönderme yaparak kurguladı. Hiç gösterimi yapılmadı. Bu film yıllarca Kaya Tanyeri’nin kişisel arşivinde kaldı. Ta ki bize erişinceye kadar. Biz bu filmi ve Güneşli Bataklık filminin kamera arkası belgeseli olan ‘Güneşe Dönük Kamera’ isimli 8mm filmlerini dijitalleştirdik. ve işte sizlerle paylaşıyoruz.” Sinematek.tv: http://sinematek.tv/1-mayis-77-1977/ (1 November 2019).
“Kaya Tanyeri attended the meeting, 1 May 1977, with an 8mm camera in his hands. Her daughter, Çağla Tanyeri, was assisting the recording as well. Before the meeting, Kaya Tanyeri made a record of the "enthusiasm" in Beşiktaş and the march on Taksim. When they came to Taksim, the infamous massacre was just starting and he could not continue to record everything. Using the former shootings and the photographs of the massacre, he edited the multiple audiovisual resources in reference to the Mission: Impossible. The film has never been screened before and it was stored in Kaya Tanyeri’s archive until Çağla Tanyeri found the original material. The original 8 mm film was digitized to share with a larger audience by Sinematek.” Sinematek.tv: http://sinematek.tv/1-mayis-77-1977/ (1 November 2019).
"Columbia College student film about a young man receiving and responding to his Vietnam draft card." Chicago Film Archives
"The Title is taken from the opening scene of a shoeshine box busy shining shoes with the help of a small boy. On the side of the box is the price of the shine, 10¢. An episode in a series of events in which the little box is every presented. A simple, yet touching portrayal in which the audience is so carefully drawn to live those few minutes with a wonderful little boy. The film leads but does not close in on us, our emotions may move with our interpretation. The maker, Antonio Cernuda, with a display of the artist and philosopher, has earned his second Gold Medal Award" PSA Journal, Nov. 1959, 47-48.
"The 104 is a serious, factual recount of the landing of the Pilgrims at Plymouth, Mass., early in the 17th Century in terms of what one sees and finds in the vicinity of Plymouth Rock today. The rock itself is the legendary start of it all, followed by glimpses of wax figures that have been created to resemble some of the monuments and other scenes in the area" PSA Journal, Sept. 1965, 51.
"This amateur film chronicles several young ranchers in their day-to-day activities. The film is divided into six chapters, each highlighting a different theme. Setting the scene with shots of a river bend and surrounding cliffs, the movie shows two young men skipping stones by a creek. After playing around with rocks and a rope swing, they drive back to 141 Ranch. At the ranch, they take care of their cattle and spend quality time grooming and riding their horses. The last chapter introduces a strange boy, who startles one of the ranchers as he washes a frying pan outside. The film ends with the young men riding their horses towards the camera" Texas Archive of the Moving Image.
"University of Illinois Chicago (UICC) student film that documents the Chicago Fire Department house and fire officers of 158 West Erie Street. Images of the officers at work and play are interspersed with portraits of the firehouse, which is located in Chicago's River North neighborhood." Chicago Film Archives
“Bu filmi ile Ümraniye 1 Mayıs mahallesindeki yoksul halkın barınma hakkı mücadelesi 1970’li yılların 2. yarısının atmosferinde veren bir film yapmış […]. 1977 senesinin 2 eylül günü 1 Mayıs Mahallesi’ne gecekondu yıkımı için gelen polisler ile mahalle halkı arasında çıkan ve 12 mahallelinin ölüp onlarcasının yaralandığı çatışmalar sırasında çeşitli sosyalist yapılar etrafında örgütlenmiş mahalle sakinlerinin gösterdiği direniş Türkiye’deki sosyalist mücadele tarihi içerisinde çok önemli bir yere sahiptir [...].” Sinematek.tv: http://sinematek.tv/2-gun-2-eylul-direnisi-1978/ (13 November 2019).
“The conflict between the District May 1 organized in various socialist collectives and the police that came to the district to demolish the shantytown, which resulted in 12 people living in the district killed on 2 September 1977 has an important place in the history of the socialist movement in Turkey [...]. [İshak Işıtan’s] film is about the poor people of Ürmaniye/District May 1’s a struggle for the housing right reflecting the atmosphere of the second half of the 1970s [...]. Sinematek.tv: http://sinematek.tv/2-gun-2-eylul-direnisi-1978/ (13 November 2019).
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