"Edited footage of western scenery on a road trip to Yellowstone Park. Includes scenes of camping and numerous landscapes, Mount Rushmore and the various grounds of Yellowstone with their hot springs and geysers." Chicago Film Archives
"Yellowstone by Jack W. Ruddell, FPSA, of Islington, Ontario, Canada. Jack put his past prize winning talents to good work on this beautifully done travel film. This 10 minute 16mm film was awarded an Honorable Mention" PSA Journal, Nov. 1970, 38.
"About 1800 John Colter discovered the area now known as Yellowstone National Park, set apart by the United States government in 1872 for the enjoyment of the people. It has an area of 3,458 square miles, approximately 62x55 miles. Colter's Hell, as it was then known, is a national vacation land of thermal activity, wild life, and tourists. In forty-three minutes, the Lawlers take us to all of the important thermal and water activities and a tour thru some of the remote areas where the wild life may be found, including the grizzly. This film has many, many more vistas animals, and birds than the usual visitor would see. If one cannot visit the Park he should at least see the film" PSA Journal, Oct. 1962, 33.
"Films about national parks and monuments fall into the traps of banality with greater ease than almost any other variety of footage. It was. therefore, with great delight that the judges reviewed Timothy and Delores Lawler's Isle of the Dead. For, using the famed Boecklin painting and the equally known Rachmaninoff music as theme and atmosphere, the Lawlers have produced a cinematic tone poem from the materials offered by Yellowstone and the Badlands. Their efforts completely dominate both music and painting, which become effective substrata of the esthetic whole. The film's great virtue and its slight defects spring from the same source — the single mood that the Lawlers have worked for and have achieved." Movie Makers, Dec. 1950, 464-465.
"With While the Earth Remaineth, Hiram Percy Maxim Memorial Award winner for 1945, Frank E. Gunnell crowns a long and distinguished career in the history of personal motion pictures. Beginning ten years ago with Adirondack Adventure, a Ten Best winner on 400 feet of black and white film, this career now embraces no less than ten award winners in nearly every category of amateur movies. Mr. Gunnell's chef d'oeuvre is a stirring and splendid climax to these efforts. The film is based upon the twenty second verse of the eighth chapter of Genesis, wherein the Lord pledges that He shall never again smite the earth, as He had done in the recent Deluge: For while the earth remaineth, seedtime and harvest, and cold and heal, and summer and ivinter, and day and night. shall not cease. Beginning with this great and noble theme, Mr. Gunnell doubles back in his production to show the creation of this Earth which the Lord has blessed. Here, used interpretively rather than for itself alone, Mr. Gunnell's superb craftsmanship with the camera rises to new heights of power and dignity. His sequences suggesting the formation of the cosmos and the first coming of light to the new planet are among the most stirring and purely creative passages in the history of amateur movies. His use of already existing scenes — a geyser or boiling springs of mud — to suggest the primordial genesis are imaginative editing at its highest plane. Flowers, fruits and the fowls of the air take on new beauty in Mr. Gunnell's moving testament to God's handiwork. As befits such a splendid theme, While the Earth Remaineth is scored with music of great stature. Presented with the picture are passages from Beethoven's Pastoral Symphony; the Symphony in D Minor, by Cesar Franck; Robert Schumann's Third Symphony; Harold in Italy, by Berlioz; the Deems Taylor suite, Through the Looking Glass; Omphale's Spinning Wheel, by Saint-Saens. and the Symphony in D Major, by Haydn." Movie Makers, Dec. 1945, 477, 494.
"Donald H. Kelly has cast a comic strip character in Superman Goes West, integrating travel sequences and comedy with great success. While the magnificent cinematographic record of a Western trip is the most engaging factor of the film, the entertainment value of the Superman motif cannot be minimized. The fictional hero is shown to be the consuming interest of a small boy passenger on the trip. The lad proceeds to read Superman comics under varying conditions, despite a changing background of allegedly awe inspiring scenery. One dream sequence with a Superman flavor is a triumph of trick cinematography." Movie Makers, Dec. 1943, 478.
"Harley H. Bixler, a technician, has been inspired with the might of America, and he has interpreted it according to his lights. In Cavalcade of America, taking our entire country as his canvas, he has painted in, with striking chromatic images, the physical and industrial high lights of our heritage. Here are the sinews of strength, awaiting only the activating force of human endeavor to turn them to the path of power. Here are the mills and the mines, the oil and the electricity, the farms and the factories without equal in our modern world. Mr. Bixler interprets his fine pictorial document with a narrative that is usually vivid but sometimes matter of fact and accompanies the whole with recorded music. Cavalcade of America is a striking study of a tremendous subject." Movie Makers, Dec. 1940, 602.