"The fact that the film, Camp Pinnacle, made by Robert F. Gowen, was provided with a clear spoken accompaniment served to enhance the workmanlike excellence of its cinematic presentation. Since it was a film made, avowedly, to sell to prospect parents the advantages of Camp Pinnacle, it would hardly have been fair to look for those more delicate nuances of atmosphere and sequence which may become a labor of love in the more personal film. Thus Camp Pinnacle was chosen for its excellence as a straightforward exposition, in glowing color, of every interesting aspect of the lives of the lads and their counselors at camp. In setting this forth, Mr. Gowen has chosen simple, natural sequences and has interpreted these with technical excellence and secure knowledge of the Kodachrome medium." Movie Makers, Dec. 1936, 551.
"Footage of a Jewish boys camp in Bridlington for boys from Manchester, Birmingham, Sheffield and Glasgow. The member parade around in uniform playing brass instruments, an officer take the salute and the boys do rifle drills. The cadets are then seen laying wreaths and parading. There are then scenes of the boys going down to the beach and playing in the sea." (NWFA Online Archive)
documentario/documentary
"...ci presenta con una dinamica visione quelle che è una delle più superbe opere compiute dal Fascismo in Liguria"
"...presents us with a dynamic vision what is one of the most superb works accomplished by Fascism in Liguria."
—I littoriali del cinema a Venezia, Cinegiornale, 1936
"This film is 'a love letter to the city' from Chicago native and filmmaker Warren E. Thompson. It is a continuing effort to record some of the events, characteristics, problems and glories of Chicago. Footage includes architecture, sculpture, housing, Lake Michigan, Chinatown, parades, Maxwell Street Market, and the people of Chicago. Thompson captures life and culture from the most affluent to the poverty stricken." Chicago Film Archives.
"The Annual Fancy Dress Ball at Glasgow School of Art: 'Something New Under the Sun'. Includes two ballets, 'Hungarian' and 'Machine Age' and animated sequences." National Library of Scotland Moving Image Archive.
"The film was shot by Henry Iliffe Cozens, a student of Downing College, Cambridge" (EAFA Database).
Total Pages: 299
Amateur Cinema