"documentario sull'attività marinara del giovani d'Italia prima del loro ingresso nei collegi e Accademie navali"
"documentary on the marine activity of the youth of Italy before their entry into the Naval Colleges and Academies"
—I Littoriali del cinema: Un’altra interessante serie di documentari,” La Stampa, September 3, 1939
"We had thought satire, especially in films, was a lamented art of the past. Thus it is a pleasure to report that it is back again with a vengeance in March of TV. Following both the visual and narrative patterns originated by the now-familiar March of Time series, Charles E. Coleman has created an uproarious satire on television and the inroads it has made into the American home. Both subtle and devastating by turns, the film leaves no aspect of this electronic marvel unscathed. On the technical side, all departments have been capably handled, with the crisp direction and portentous narration being, perhaps, the most notable. The acting is assured and natural, remaining always within the farcical framework of the satire. Whether you like, dislike or simply ignore the subject which this shortie so sparklingly derides, March of TV is unreservedly guaranteed to keep you in stitches." Movie Makers, Dec. 1953, 332.
"The Marble begins with two boys fighting over a game of marbles, and as one boy, Larry, chases one of the little spheres into the street, he is hit by a car and ends up in the hospital. His friend is deeply hurt over this, for he realizes it is his fault. He prays, calls on the local minister, does all he can to get his friend Larry to live. While at the church he has a vision that Larry is in church with him; then, in a flash Larry is gone" PSA Journal, Sept. 1966, 35.
"Shows children at a sugar bush in Ontario in springtime." Library and Archives Canada.
"Manos: The Hands of Fate is a 1966 low-budget horror film written, directed, and produced by El Paso native Harold P. Warren, who also starred in the picture. In the film, a vacationing family gets lost while driving through the Texas desert. Stopping at a mysterious lodge for the night, the family finds themselves captives of a polygamous pagan cult. Shot in Warren’s home town and cast locally, the film premiered at the Capri Theater in downtown El Paso on November 15, 1966, and received largely negative reviews. As Betty Pierce of the El Paso Herald-Post wrote, “A real high point came when the wife, Diane Rystad, was compelled to deliver the line, ‘It’s getting dark,’ at the moment when the El Paso sunshine was glowing its brightest.” Widely recognized as one of the worst films ever made, the movie nevertheless achieved cult status after its appearance on the television comedy series Mystery Science Theater 3000 in 1993" Texas Archive of the Moving Image.
"The Mannequin is another interesting bit of cinema which calls to our attention an inebriated fellow who, partly in his cups and partly in his imagination, sees beauty in a department store mannequin and tries to strike up an acquaintance" PSA Journal, Sept. 1966, 34.
"A visit in New York City but mostly in the spirit of its night life although we do see some of its people and sun-bathed architecture, all to the beat and narration of a Decca recording. The source of the picture material appears to be from magazines and other printed picture sources including some live (but static) posing. The use of camera movement and lens zooming conveys a feeling of motion and activity for an enjoyable visit in New York" PSA Journal, Oct. 1962, 35
Total Pages: 299
Amateur Cinema