"Below Zero, as its name implies, was filmed entirely at temperatures which varied between —5° and —32°. The film was made, at Chapeau de Paille, over the Lincoln's Birthday week-end of 1940, and during one of the nights that the producer spent there, the mercury dropped to —42°. Chapeau de Paille is the 'Headquarters Depot' of one of the largest logging-operations in Northern Quebec, in the 'Haute Mauricie'. This short bit, in color, gives some slight idea of another, longer, film (in black and white) entitled, 'Life in the Northern Bush', which follows the activities of the Lumber-jack, through the seasons, from the first cutting in the fall until the next summer, when the logs are delivered at the mills" ("Program Notes," 1940).
"Joseph J. Harley, filmer of nature in her many moods and an understanding lover of great music, brings a subtle and beautiful study of ice, snow and wintry waters, which is presented with the recorded music of On the Shores of Sorrento, by Richard Strauss. Here was a problem of finding music that would meet the mood of the footage and of then so editing the latter that the climaxes, both musical and pictorial, would integrate. Although, of course, Sorrento lacks the ice and snow of Mr. Harley's film, yet Strauss's tone poem coalesces amazingly with the sparkling Kodachrome of winter which has been joined to it. Mr. Harley has elected to do something that, had it been done a quarter century ago, would have made cinematic history. In doing it, he has matched the best of the past and has added a new brilliance from his own abundant creative imagination." Movie Makers, Dec. 1946, 488.
'Scenes of Frinton covered in snow and ice. A man plays with a dog and people dig paths through the snow. People attempt to walk through the snow; some out to enjoy themselves, others seeking to carry out a normal routine of shopping and other daily business. A man tries to unlock his frozen car. In the town centre there is a shop with a 'sale' sign in the window. The area is practically deserted. Hammonds' filling station is covered in snow and deserted. A lorry attempts to drive through the snow, but is having to rely on a push. One vehicle that does manage to take to the road is a Land Rover. Finally, a snow-covered St. Mary's Church and frozen power cables brought down by the severe conditions' (EAFA).
Footage of residential Los Angeles after a snowstorm in 1932. Opens with an Amateur Cinema League leader and a stop-motion animated title.
"Robert P. Kehoe accepted a strong challenge and secured a fine result in filming Snow on the Mountains. Filming so static a subject as snow forms, iced trees and wind storms on a mountain presents a real task of vitalizing the material. Mr. Kehoe has brought weird and beautiful life to the screen. This film, excellently scored to present the musical message suggested by the snow scenes, builds from the pleasantness of subdued ice and snow forms, through the almost animate figures created by winter on trees and bushes, to a breath taking climax of a snow storm on the mountain. Culminating the beautifully edited and intelligently filmed footage is an inspiring sequence of flaming powdered snow, reflecting the full crimson of the sunset. So remarkable is this action that the impression imparted is almost one of a cascade of liquid fire flowing across the screen. In order to secure many of the scenes, Mr. Kehoe stood so long in the snow that it was necessary actually to lift him into a motor car and to remove the cine equipment from his chilled hands at the end of his task." Movie Makers, Dec. 1944, 494.
Amateur film club production that parodies Russian tragedy literature. The story revolves around two warring families, the Yagustynkas and the Chenstohovas, a romance, a religious curse, and murder. Exaggerated intertitles contribute to the film's "burlesque" of Russian culture and literature.
"A journey from bustling Chicago to the fall foliage and winter landscape of rural Wisconsin." Chicago Film Archives.
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