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Repair of an Indirect Inguinal Hernia

Date produced: 1946

Filmmaker(s):

Vincent Vermooten

Description:

"Extreme clarity and freedom from the shadows frequently encountered in medical films mark the technical details of the surgery shown in Dr. Vincent Vermooten's Repair of an Indirect Inguinal Hernia. Dr. Vermooten was, from the beginning, acutely conscious of the problems involved in bringing the proper light sources to bear upon a complex operation in which every bit of motion possesses great significance. To make certain of a steady and complete lighting scheme, he constructed a special platform above the operating table. Floodlights, closely bunched about the platform, left no possibility of inadequately lighted areas. The result is a record of an operation, masterfully pointed up by lighting, which should prove invaluable for instructional purposes." Movie Makers, Dec. 1946, 488.


Reparative Operation for a Congenital Defect, A

Date produced: 1933

Filmmaker(s):

Philip A. O'Connor

Description:

"In view of the increasing use of substandard motion pictures for practical purposes by scientific and professional men and women, it is to be expected that among the ten best would appear a surgical film. Philip A. O'Connor, of Rochester, N. Y., filmed A Reparative Operation for a Congenital Defect, which was performed by Dr. William L. Wolfson, of Brooklyn, N. Y., and this film is included by Movie Makers in this annual listing because of two chief reasons. This very delicate operation required a large degree of manipulation by the surgeon, without the use of instruments, which adds to the danger of the operator's obscuring the field of vision and, consequently, to the difficulty of securing a clear motion picture record of his work. In spite of this handicap, the admirable cooperative effort between surgeon and photographer enabled Mr. O'Connor to present an exceptionally visible study of Dr. Wolfson's technique. In the second place, the film gave a complete record of the entire operation, from start to finish, including the preliminary anesthesia. Whatever hazards may have existed photographically were so easily hurdled by Mr. O'Connor that the person viewing the film is almost unconscious of the fact that it is a film. Needless to say, the technical photographic details of exposure, focus and lighting were of the highest order." Movie Makers, Dec. 1933, 500.


Reportaje Grafico Nacional

Date produced: 1950

Filmmaker(s):

Alvaro Chavarria Nunez

Description:

"Reportaje Grafico Nacional: Alvaro Chavarria Nunez, who aspires to producing newsreels in his native Costa Rica, presents in this entry a typical effort. The picture is a newsreel of several national events held in this country, and while it displays aggresive camera work, the film result, a dupe print, suffers a great deal because of inferior laboratory work, and therefore the true quality of the photography could not be properly evaluated. Nunez recorded the sound track, using his Auricon film recorder." American Cinematographer, May. 1951, 192.


Reporter Mecánico, El = Mechanical Reporter, The

Date produced: 1933

Filmmaker(s):

Delmir de Caralt

Description:

(Catalan): Film que recrea un documental esportiu del 1900 amb una bona dosi d'ironia. Se succeeixen escenes de ciclisme, futbol, jocs diversos, atletisme i banys a la platja; rodat a 16 imatges per segon (manualment), afegint rètols virats amb decoració i fons antics, i posant una especial cura en la indumentària dels personatges, tot amb la finalitat de donar una major versemblança al film.

Film that recreates a 1900 sports documentary with a good dose of irony. It includes scenes of cycling, football, athletics, and bathing on the beach follow one another. In order to give greater credibility to the film it was shot at 16 frames per second (manually), adding colour intertitles with antique decor and backgrounds, and putting special care into the characters costumes. [Description from the Filmoteca de Catalunya catalog]


residue 2

Date produced:

Filmmaker(s):

Angus Hanson

Description:

"Experimental film. A collage film combining found footage (on mixed film stock) with hand-painted stock and hand-scratched stock leader. No readily identifiable locations are shown." (BC Archives)

"The authorship and origins of this unusual film are not clear. Since it was found in the collection of cineaste Oscar C. Burritt [following his death], it is assumed to have been made by him as a precursor (or a response) to the [experimental] film and-, made by his future wife Dorothy Fowler [Burritt]. The Kodachrome stock in the original film has the edge code for 1938; the hidden phrase "Help the people of Denmark" may refer to the Nazi occupation of that country in 1940." (BC Archives)

Available evidence suggests that residue 2 was probably made between 1938 and 1946 in Vancouver. (D.J. Duffy)


Restful Hour, The

Date produced: 1951

Filmmaker(s):

Charles Woodley

Description:

"Film about the Woodley family’s attempts at Sunday morning relaxation when the Woodley boys are away at Sunday School." Library and Archives Canada.


Restless Journey

Date produced: 1963

Filmmaker(s):

Hugh Greig

Description:

"This amateur film attempts to portray conflict within a religious sect where blind adherence to a selfish demanding leader is compared to the freedom offered by progressive contemporary society" Library and Archives Canada.


Restless Water

Date produced: 1955

Filmmaker(s):

Charles Woodley

Description:

"Film of picturesque scenes of water." Library and Archives Canada.


Results of Doctor’s Orders

Date produced: 1933

Filmmaker(s):

Comber Wiatt


Retinal Detachment Operation

Date produced: 1942

Filmmaker(s):

Robert Mallory

Description:

"We have seen many medical and surgical films made by Dr. Robert Mallory, III, and most of them have been excellent. This one, however, a picturization of an extremely delicate operation on the eye, surpasses them all. It is a suave and exact record of the complete operation, featuring splendid full frame closeups of the eyeball. The exposure and filming technique are flawless except for one or two scenes in slightly soft focus. We are well aware of the difficulties encountered in making a film of this kind, and we feel that Dr. Mallory has scored a distinct triumph here. He is an exceptionally neat worker, and the entire film shows the effects of care in production and editing. Movie makers who have aspirations to become filmers of medical or surgical material could well take this film for a pattern." Movie Makers, Dec. 1942, 508.


Total Pages: 203