"With Number Three Arrives, John Martin carries on the continuity both of his charming family and of his delightful films of them, so ably introduced by his last year's award winner, A Day with the Young Martins. Here again are the sure feeling for cinematic story technique, the nicely effective angles and the smooth sequencing which belies any need for titles. Added to these deft and familiar abilities of Mr. Martin's work, the current production brings to light a delightful flair for farce comedy by the harassed father and a family terrier rivaling, on a small scale, the best of Hollywood's canine thespians. Once more, Mr. Martin has proved beyond argument that a well planned family film may be of interest to all who see it." Movie Makers, Dec. 1937, 630.
"Numerical Order is a learning-how-to-count film. Through some very beautiful art work, paste-up, and other production techniques, Bill Peterson shows how to count. He has found a reason for every number up to 100. Your better judgement tells you he couldn't possibly keep up his starting pace until reaching 100, but he does except for one little bit of cheating. A film like this must have taken a million hours of patience to produce in addition to a lot of talent" PSA Journal, Oct. 1968, 48.
"A fun time is in store for the smartly dressed women disembarking from the bus, in this lovely film from 1929. Joshua Preston, Mayor of Stockport, entertains a group of nurses at Glengarry, his family home, with a garden tour, and games and races, followed by tea on the lawn. With music as well, this makes for a grand afternoon out. The reel ends with the Preston family in the Glengarry garden." (BFI Player)
Comedy about a psychiatric hospital patient who attempts an escape. Two inept hospital employees fail to retrieve the patient, allowing him to encounter a child whose scooter offers a chance at a faster getaway.
"[The Nutcracker Suite] was made in the Radio City Music Hall, during a rehearsal and one performance, with no assistance from the house, save only permission. It was a 'catch as catch can' affair for they had not the slightest control over lights or performances" ("Program Notes").
"A documentary about peanut farming in the South Burnett district of Queensland. (EAFA Database)
"The film includes shots of the departure of the riders in the early morning mist; the Master of Fox Hounds, Stanley Barratt, leading foxhounds by foot over a wooden bridge; riders and hounds patrolling a covert at Juniper Hill; the training of young hounds after a kill; horses and hounds assembling after the cubbing hunt. Scenes … include the meet in the early morning mist; the hounds by the wooden bridge; the location of the kill. A small crowd watches as a fox that has gone to ground is dug out; after the kill the fox’s body is thrown in the air for the hounds and a rider trains the young hounds. The films reference the same location, crowd (including two dogs, which are not foxhounds) and the same rider training the young hounds. Dufaycolor film of scenes from the Great Missenden Show of 1935. Shots include footage of some of the competitors in a junior show jumping event and the presentation of the prizes afterwards" (EAFA Database).
"endeavouring cinematically to depict the freedom of the open air as a contrast to the mechanised life of the city during the working week. The treatment in the hands of Mr. S. Sharples was a departure from the usual run of films, as there was exploitation only of natural media and no particular caste was featured. By rapid acceleration and accurate timing of sequences the effect of stimulation and movement was produced. This film was submitted to Mr. J. Grierson, of “Drifters” fame, and in a very candid criticism of it he wrote “… one of the most intelligent amateur films I have seen" (Anon 1931: 183).
"Three men encourage people to follow rules set by the air raid warden in the event of an air raid. The rules are put to song, and some rules are depicted by actors." Chicago Film Archives
"This picture was a special delight as Miss Hill had concentrated upon pastel colors as she found them in the woods and fields. Also she brought the human element into her picture very gracefully and entertainingly." American Cinematographer, Dec. 1934, 377.
Total Pages: 203
Amateur Cinema