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And on the Eighth Day…

Date produced: 1971


Traditional Country Wedding in Aland, A

Date produced: 1971

Filmmaker(s):

Axel Olson

Description:

"A Traditional Country Wedding in Aland by A. O. Olson a PSA member of San Francisco, Calif. Axel has recorded an all-but-disappeared ritual in this tiny island between Finland and Sweden. This 23-minute 16-mm film was awarded the PSA-MPD Gold Medal and the Documentary Film Award" PSA Journal, Nov. 1971, 42.


دختربس نمی‌خواست تنها باشد (Dokhtar Bas Nemikhast Tanha Bashad) [Dokhtar Bas Didn’t Want to be Alone]

Date produced: 1971

Filmmaker(s):

Naser Gholamrezayi

Description:

The story follows a little girl named “Dokhtar Bas” who catches a frog for her mother to cut open and put on her father’s infected knee injury. The next day the wound is disinfected and her father goes back to work in the wilderness. Dokhtar Bas looks at the dried up corpse of the frog and asks her mother if her father is truly healed now. Later in an attempt to revive the frog she first puts it in water, then catches another frog and like her mother cuts it open and places it on the dead frog’s corpse, tying them together. Checking the bandaged bundle the next morning she discovers two dead frogs and she asks her mother again whether her father really is completely healed now.


خانه ابری (Khaneye Abri) [A Cloudy House]

Date produced: 1971

Filmmaker(s):

Ibrahim Haghighi

Description:

An old man in a dust covered old house sings a song and goes about his day, walking around and cleaning. Sudden loud sounds from outside throw him into a frenzy. Unable to tell whether it’s the sound of war, a celebration, laughter or shouts of agony, he barricades himself in his house and takes refuge in his basement where he continues to sing his song again.


زمستان در پیش است (Zemestan Dar Pish Ast) [Winter is Yet to Come]

Date produced: 1971

Filmmaker(s):

Naser Gholamrezayi


Hookers, The

Date produced: 1971

Filmmaker(s):

Paul Van Haitsma

Description:

A married couple and a friend go on a fishing trip. The film shows them playfully preparing for the journey, driving to the lake, and partaking in fishing and canoeing.


Man’s Lib

Date produced: 1971

Filmmaker(s):

Charles E. Phillips

Description:

"Film features an animated man and woman and a horse-drawn buggie" Archives of Ontario.


Sheep Dog Trials

Date produced: 1971

Filmmaker(s):

Charles E. Phillips

Description:

"Film is about sheep dog trials featuring sheep, dogs and people watching" Archives of Ontario.


Aquila non caput muscas / Águilas no cazan moscas [Eagles don’t hunt flies]

Date produced: 1971

Filmmaker(s):

Alfredo Gurrola

Description:

"Se trataba del regreso de un soldado de origen mexicano a la Ciudad de México después de haber combatido en Vietnam con las tropas estadounidenses. El hombre llega a la estación del ferrocarril de Buenavista y recorre la ciudad para acabar finalmente en el departamento de su hermano. Busca trabajo y no lo encuentra. Por la voz off que sigue el hilo de sus pensamientos, nos enteramos que a su mente guerrera le cuesta trabajo adaptarse a la vida pacífica. La película intercala una serie de secuencias oníricas que de alguna manera ilustran su delirio belicista: sueña que es un soldado griego que asesina al niño que lo molesta en el taxi colectivo (un pesero) que lo conduce a casa de su hermano; imagina en el personaje que lo entrevista cuando aplica para obtener un trabajo a Napoleón Bonaparte (interpretado por Juan José Gurrola) dirigiendo una batalla; o sueña que es un caballero medieval que asesina a su familia en un pacífico día de campo. Finalmente el personaje no encuentra cabida en la sociedad pacífica y acude –todavía en traje de caballero medieval – al aeropuerto para comprar un boleto de avión "a la guerra más próxima"" (Vázquez Mantecón, 2012).

"It is about the comeback of a Mexican soldier to Mexico City after fighting in Vietnam along with American troops. The man arrives to the train station in Buenavista y goes around the city to end up at his brother's apartment. He looks for a job and cannot find one. The off voice, that follows his train of thought, tells us that his war mind has trouble adapting to a peaceful life. The film inserts a series of dreamlike sequences that in a way illustrate his war delirium: he dreams he is a greek soldier that murders the kid that bothers him in a collective cab that drives him to his brother's house; he imagines the character that interviews him when he is looking for a job is Napoleon Bonaparte (played by Juan José Gurrola) directing a battle: or he dreams he is a medieval knight that murders his family in a peaceful day in the country. Finally the character doesn't find a place in a peaceful society and goes –still in medieval armor– to the airport to buy a by a plane ticket to the "nearest war" " (Vázquez Mantecón, 2012).


Día del asalto, El [The day of the assault]

Date produced: 1971

Filmmaker(s):

Paco Ignacio Taibo II

Description:

"Una historia en la que un grupo de estudiantes tomaban por asalto las instalaciones del Canal 8 de televisión en San Ángel para transmitir una proclama" (Vázquez Mantecón, 2012)

"A story in which a group of students take the facilities of the tv Channel 8 in San Ángel to broadcast a proclamation" (Vázquez Mantecón, 2012)


Total Pages: 299