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Ins and Outs of Florida

Date produced: 1935

Filmmaker(s):

Dorothy Lamb

Adrian Lamb


Work of Nature–in Florida

Date produced: 1964

Filmmaker(s):

J. Ira Laird

Description:

"Work of Nature–in Florida takes us to this tropical state for a glimpse of many forms of wild life including the ever present alligator and the night prowling raccoon, but mostly this is a film about bird life. We see good glimpses of the snowy egret, the wood duck, night heron, hawk, wood stork, cormorant, little blue heron, grackle, macaw, cockatoo, peacocks and many others. A good narration, well delivered and full of factual information, keeps this film moving. It was winner of the MPD Nature Film Award" PSA Journal, Sept. 1964, 50.


Will Finds a Way

Date produced: 1960

Filmmaker(s):

Charles J. Carbonaro

Description:

"Our man has been through a long, hard winter and with more snow on the way he goes to Florida. We visit many of the places and see and do the things vacationers like to do. We move from one interest to another and stay just long enough to like it. Our friend awakens from his Florida visit and sunburn, all from his over-long stay under the sun lamp. A delightful visit" PSA Journal, Nov. 1960, 40.


Florida Vacation Fun

Date produced: 1954

Filmmaker(s):

Benjamin B. Crocker

Description:

"Choosing one of the most common sites of seasonal move making, Benjamin Crocker has by the sheer virtuosity of his production methods come up with an attractive and entertaining travel short. Here are, to be sure, Marineland, Miami, Silver Springs, Cypress Gardens and all the rest, tied neatly together with an animated map and a lively commentary. But with his clean camera work, fresh viewpoints and incisive editing, Mr. Crocker covers them in a tight ten minutes of unflagging good fun. To these same subject other amateurs have devoted twenty, forty or even-sixty minutes, and, all too often, have encountered the inevitable law of diminishing returns, Florida Vacation Fun dances where others have dawdled" PSA Journal, Jan. 1955, 48.


Fabulous Florida

Date produced: 1953

Filmmaker(s):

Haven Trecker

Description:

"Anyone who sees Fabulous Florida will appreciate that Haven Trecker not only has covered that state thoroughly in his travels, but that he has worked hard to record its tourist and industrial highlights in a long series of effective sequences. Beautifully photographed, well edited and with a pleasantly informative narrative, Fabulous Florida is distinguished by the excellence of many of its sequences. We remember with particular pleasure the section devoted to Marineland and its sea life, and the colorful sequence on the manufacture of fishing lures." Movie Makers, Dec. 1953, 334.


High Card Goes

Date produced: 1951

Filmmaker(s):

Louis Dishotsky

Arthur Rosenthal

Description:

"Louis Dishotsky and Arthur Rosenthal have put together in High Card Goes an entertaining variation on the travel record film. A definite story line replaces the usual slight continuity device. A pair of tickets for a Florida trip are won on a radio quiz show, but since both parents and two children cannot go, the mother and the father draw cards, high card winning. Wifey tops her mate's king with an ace and takes off for Florida, with the older child. The luckless husband is left to tend the baby and the house. While the acting is fine and the production is technically competent, the pictorial-dramatic pace is rather slow. Tighter editing is indicated." Movie Makers, Dec. 1951, 411-412.


In the Sky Over Miami

Date produced: 1951

Filmmaker(s):

George Merz

Description:

"George Merz offers a masterful job of photography in his travel film, 'In The Sky Over Miami'." American Cinematographer, May. 1952, 224.


Southern Exposures

Date produced: 1945

Filmmaker(s):

Ernest H. Kremer

Description:

"In a film of a familiar subject — a vacation trip to Florida — Ernest Kremer has done an excellent task of compiling a movie of varied sequences into a unified whole. His camera handling is competent, there are interesting viewpoints and he uses nice transitions to a new sequence, to avoid leaving preceding views too long on the screen. The continuous narrative that is presented with Southern Exposures sometimes draws attention from the pictured scenes, but the commentary in jingle style that accompanies the underwater scenes of fish adds a delightful touch. Mr. Kremer is to be commended especially for the compact and smooth editing of his film." Movie Makers, Dec. 1945, 496.


Jewels of the Sea

Date produced: 1943

Filmmaker(s):

William W. Vincent

Description:

"You may have wandered idly along the seashore and picked up an attractive seashell, but, unless you are a conchologist, you will never know how far an interest in shells will carry you, until you have seen Jewels of the Sea, by W. W. Vincent, jr. This film is a story of collecting seashells. It tells, with freshness and enthusiasm, how shells are discovered on the shore, how they are cleaned and prepared for preservation and how they are studied. On the west coast of Florida, we see hunters searching for specimens ; we visit a shell shop and the home of a collector. The camera, plus color film, reveals the beauty of the specimens and presents intriguing mysteries, for some of the shells were built by mollusks that have never been seen alive. The source of their irridescent beauty is entirely unknown. Jewels of the Sea does not pretend to be an educational film about zoology, but it is informative as well as entertaining, and it is distinguished by flawless camera work." Movie Makers, Dec. 1943, 457, 474.


Florida

Date produced: 1934

Filmmaker(s):

H. W. Voss

Description:

"Florida, a documentary film of that state, made in Kodacolor by H. W. Voss, ACL, has been given Honorable Mention because of the freshness and charm of its component subject matter. Replete with human interest material, such as sequences of wild turkeys, new born calves and clumsy, appealing puppies, the picture is a bright and amazing mine of simple entertainment. Though Mr. Voss slips occasionally from a uniformly high technical standard of color work, he need bow to no one in the warmth and charm which he finds and records everywhere in the life about him." Movie Maker, Dec. 1934, 546.


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