(Catalan): Film que recrea un documental esportiu del 1900 amb una bona dosi d'ironia. Se succeeixen escenes de ciclisme, futbol, jocs diversos, atletisme i banys a la platja; rodat a 16 imatges per segon (manualment), afegint rètols virats amb decoració i fons antics, i posant una especial cura en la indumentària dels personatges, tot amb la finalitat de donar una major versemblança al film.
Film that recreates a 1900 sports documentary with a good dose of irony. It includes scenes of cycling, football, athletics, and bathing on the beach follow one another. In order to give greater credibility to the film it was shot at 16 frames per second (manually), adding colour intertitles with antique decor and backgrounds, and putting special care into the characters costumes. [Description from the Filmoteca de Catalunya catalog]
"Reportaje Grafico Nacional: Alvaro Chavarria Nunez, who aspires to producing newsreels in his native Costa Rica, presents in this entry a typical effort. The picture is a newsreel of several national events held in this country, and while it displays aggresive camera work, the film result, a dupe print, suffers a great deal because of inferior laboratory work, and therefore the true quality of the photography could not be properly evaluated. Nunez recorded the sound track, using his Auricon film recorder." American Cinematographer, May. 1951, 192.
"In view of the increasing use of substandard motion pictures for practical purposes by scientific and professional men and women, it is to be expected that among the ten best would appear a surgical film. Philip A. O'Connor, of Rochester, N. Y., filmed A Reparative Operation for a Congenital Defect, which was performed by Dr. William L. Wolfson, of Brooklyn, N. Y., and this film is included by Movie Makers in this annual listing because of two chief reasons. This very delicate operation required a large degree of manipulation by the surgeon, without the use of instruments, which adds to the danger of the operator's obscuring the field of vision and, consequently, to the difficulty of securing a clear motion picture record of his work. In spite of this handicap, the admirable cooperative effort between surgeon and photographer enabled Mr. O'Connor to present an exceptionally visible study of Dr. Wolfson's technique. In the second place, the film gave a complete record of the entire operation, from start to finish, including the preliminary anesthesia. Whatever hazards may have existed photographically were so easily hurdled by Mr. O'Connor that the person viewing the film is almost unconscious of the fact that it is a film. Needless to say, the technical photographic details of exposure, focus and lighting were of the highest order." Movie Makers, Dec. 1933, 500.
"Extreme clarity and freedom from the shadows frequently encountered in medical films mark the technical details of the surgery shown in Dr. Vincent Vermooten's Repair of an Indirect Inguinal Hernia. Dr. Vermooten was, from the beginning, acutely conscious of the problems involved in bringing the proper light sources to bear upon a complex operation in which every bit of motion possesses great significance. To make certain of a steady and complete lighting scheme, he constructed a special platform above the operating table. Floodlights, closely bunched about the platform, left no possibility of inadequately lighted areas. The result is a record of an operation, masterfully pointed up by lighting, which should prove invaluable for instructional purposes." Movie Makers, Dec. 1946, 488.
"Among the films awarded honorable mention is Remote Control, by Louis W. Bleser, ACL, which gives a fine cinematic exposition of the activities of a train despatcher, by means of an unusually well equipped miniature railway system. Here the technical problem is especially important, calling for closeup studies of the first quality, the aim being so to light and photograph the subject that there would be a semblance of realism. In effecting this result, the use of well chosen titles and fine editing played no small part. Such a film as this upholds the maxim that "cinematics begin at home." " Movie Makers, Dec. 1933, 522.
"Alan Probert has confined his study of Mexico to the primitive Otomi Indians. With startling clarity and a fine cinematic eye for detail, he presents the tribal group in a series of sketches that reveal the age old customs of their forefathers still in daily use — sowing and reaping, spinning and weaving, trading and worshipping. Remnants Of The Past is an expertly filmed factual account of the subject, which would have gained considerably from greater unity and a stronger ending." Movie Makers, Dec. 1948, 494.
"Deals with innovations in education: new set-ups such as learning centers and new approaches to teaching in old schools," via WorldCat.
Total Pages: 299
Amateur Cinema