"Four of the boys gathered for their monthly poker game. To get even with the winner, a different kind of bet was offered and accepted by the winner. He was fitted with ghost-like attire, presented with a sword and sent to do battle with old McDonald, deceased. Chilling and spooky to the end" PSA Journal, Nov. 1959, 49.
"One rarely thinks of a portrait of a place; but Bermudiana is in essence just that. Helen C. Welsh has a perceptive eye for beauty, an affection for her subject and a trained, technical knowledge of her craft. This triple-threat combination has recorded not only the justifiably famous surface aspects of these enchanting islands, but it has revealed as well much of their inner spirit. The film has all the attractions of a first rate travelog and the informative qualities of an honest documentary. Its accompanying narrative complements perfectly the flow of pictorial material, providing supplementary information without piling up facts and figures simply for their own sake. A happy choice of musical background furnishes the final touch to a rich and well rounded presentation." Movie Makers, Dec. 1951, 410.
"Among the pictures awarded Honorable Mention is Bermuda, the Floating Gardens, a color travelog of that island, another of the competent publicity pictures made by Konstantin T. Kostich. ACL, which make the audience yearn to buy a steamship ticket and set sail. Mr. Kostich has mastered the art of this appeal, and Bermuda, the Floating Gardens is one of the best examples of his genius. Here are shown glimpses of the comfort of the ship, the colorful beauties of the island and some of the recreational facilities that are offered. There is splendid color photography throughout and numerous examples of cinematic decor which enliven the work but which do not detract from the film's primary purpose. Notable are such things as the shadow of the horse and carriage moving along the warm colored stone wall and a cleverly planned composition of a winding road banked with brilliant flowers. It would be dangerous to look at this picture around February." Movie Makers, Dec. 1935, 550-551.
"Ella Paul did not try to cover the whole of Mexico, as do so many who visit that fascinating country. In fact she chose to limit her study to one small locale — the town of Patzcuaro and the activities on its lake. This primitive yet industrious community is recorded in pleasing compositions and with sympathetic appreciation of its sunny warmth and charm. The familiar butterfly nets, dugout canoes and the heroic statue of Morelos are all there in Beneath Mexican Skies; but Mrs. Paul's camera gives them a fresh treatment." Movie Makers, Dec. 1950, 466.
"The Bench is one of those twist-at-the-end films that is so simple it leaves you wondering why you couldn't have put 1 1/2 minutes to such entertaining use. The film by Jack Taylor of Rochester, N.Y. is another one of those "shorties" that puts the audience in a good frame of mind for more serious movie watching" PSA Journal, Nov. 1969, 57.
"Below Zero, as its name implies, was filmed entirely at temperatures which varied between —5° and —32°. The film was made, at Chapeau de Paille, over the Lincoln's Birthday week-end of 1940, and during one of the nights that the producer spent there, the mercury dropped to —42°. Chapeau de Paille is the 'Headquarters Depot' of one of the largest logging-operations in Northern Quebec, in the 'Haute Mauricie'. This short bit, in color, gives some slight idea of another, longer, film (in black and white) entitled, 'Life in the Northern Bush', which follows the activities of the Lumber-jack, through the seasons, from the first cutting in the fall until the next summer, when the logs are delivered at the mills" ("Program Notes," 1940).
A film documenting the work of deep-sea fishermen aboard steam trawler "Trier".
Total Pages: 299
Amateur Cinema